a-ha: The Movie

Legendary Norwegian band arrive at the big screen in this phenomenal documentary. It follows them and their whole career from kids in Oslo dreaming of music to now. I like to consider myself an a-ha fan, but I was surprised at how little I actually knew about the trio.

To fans, this is a must-watch. To people who aren't fans, I still would recommend this as a wonderful drama set to wonderful music. The story is told through interviews, vintage photos, concert clips, and more. It's a phenomenal movie and just go watch it for yourself. Chances are, even a-ha's biggest critics can still find something to enjoy here.

This felt like a very personal movie to me, but left me almost as melancholy as their supposed breakup(s).

Before reviewing the film, I want to give some context about the A-Ha and my feelings about them.

CONTEXT A-Ha has been my favourite group since I was a kid. As with any fan, my favourite songs aren't the ones they released, but the hidden gems that later became more common on their playlists: Living A Boys Adventure Tale, Here I Stand And Face The Rain, Cold As Stone, Locust, There's Never A Forever Thing, Sycamore Leaves, Lifelines, Sunny Mystery, Minor Earth Major Sky.

Albeit, at this point, Morten can't sing some of those songs live like he once could, which about sums up my feelings on this film. It leaves you melancholy that you're watching a group that is now a shadow of their former selves.

A-Ha, for me, is a somewhat of a tragedy of a band (like the Verve):

They've written some of my favourite music, much of it never heard by the general public, so they're always judged on the more popular chart stuff (as is my choice in bands). They have constantly messed up their careers as a group and individually, so the media keeps thinking that they're making comebacks with every album release - even though they've only broken up twice.

They're judged as a boy band because of the attention that Morten (still) attracts from his female fans. But, personally, I feel that the songs should mean as much to men, if not more so.

They're three guys that have the most bizarre relationship and personalities. They're like family members that you love, but find so fricking frustrating! Three grown men that STILL can't see each other's perspectives, yet can write such beautiful music about life and woes!

"Sort your problems out, guys!"

I wonder if even Norwegian people understand the logic of their personalities?!!!

They've broken up twice. Once back in 1993 when they disappeared without telling their fans anything. It was like not knowing if a lost relative was alive or dead. Thanks guys. Yet, as the movie shows, they had plenty of information that they could have shared with fans.

Then, they 'broke up for good' in 2010. I was incredibly sad when this happened, but at least I knew it was coming and could learn to live with it. In some way it did kind of end on a high note.

Then they got back together again...

I asked myself, why?! Yes, some of their new music is good, but there is something missing now.

I did NOT enjoy the acoustic MTV Unplugged tour.

I actually preferred Morten's solo album (Brother) to a new A-Ha album. While I've (mostly) liked his solo albums - they aren't as good as his A-Ha work; at least not until now.

The current world tour seems utterly pointless and soul sucking! They haven't released a studio album since 2015. Their tours now are like those old 80s bands that have been touring since then with no new music. It's sad. They are a shadow of their former selves, especially Morten (although I love his Brother album!) - hence the need to play the album songs over Morten's live performances in the film.

THE FILM In many ways, the film really shouldn't exist. Yes, as a fan, I have this morbid curiosity to 'see' my favourite group behind the scenes and from the past. I put 'see' in quotes, because how well can you really see A-Ha. They are such complex individuals who reveal little to nothing about themselves, but just give you a taster of something.

I thought, wow, you have all of these cool videos and photos going back to the Hunting High And Low album - and you never released them to fans until now?! Why not?

But, it's watching their passive aggressive in-direct bickering to the camera, while pretending to be nice to each other. Why do they bother getting together if they feel that way about each other? If they secretly feel some kinship, then say so. But, otherwise, it comes across as if they are using each other for their own ends - there is nothing admirable about that and I don't want to see it. Magne looked in so much sadness and bitterness, which was uncomfortable to watch, because you then see him performing with them. Magne, why bother if this how you feel?

The impression is similar in how I think they feel about their fans. It's a love/hate relationship (sorry ladies, but you dream all you want about Morten, but he doesn't give a rats ass about you). You can see how they need to feel periodically recognised and relevant, but can't wait to escape into their Mercedes Maybach cars and drive away from them at top speed. They cringe whenever they receive any praise - only caring about how much praise they each get and feeling bitter about the inequality of it. I understand this, but who's fault is it that Morten gets the most attention and Magne gets the least?

Ultimately, given what I mentioned earlier about the lack of new material since 2015 and the previous 'permanent breakup' in 2010, I'm wondering what is the point of this film. They clearly have no plans to make any new songs - yet the film dangles the possibility to torment the viewing fans. Magne has made his lack of intentions very clear both for serious health reasons and because of bitterness over songwriting credits. Morten and Pal are too pigheaded to concede their own responsibility for anything, even though they both have the most influence over the band. It would be self serving of them to actually give a shit about each other. It provides us with little more information than was provided in the book about them (A-Ha The Swing of Things 1985-2010).

So, that leaves the band out there doing world tours for no reason.

Overall, I watched the movie with curiosity. I enjoyed the unreleased behind-the-scenes film footage and photos from the past, but the film left me feeling melancholy at watching a squabbling group of 60 year olds that still can't sort their problems out.

I have always thought the descriptive word for one particular style of music was utterly stupid. When music journalists or DJ's etc came up with the names, 'SOUL', 'Rock & Roll', 'ROCK', Heavy Metal' and 'Thrash' music etc they all make absolute sense. From early classical music to our now times of all styles of music they are all popular but, there is one music term used to describe a brand of music that does not and has not EVER existed. That descriptive word is 'POP' music. I mention that here because you find out in this documentary that it was not what A-ha started out to be and that they have hated the fact that they became a teen fave band. I largely credit that problem to them, and their naivety, with allowing too many people to have absolute control in their musical direction. The music industry (and I know this as a fact but I'm not mentioning name's etc.) is a very corrupt, greedy, life-force draining business that, if you let it, will use you up, severely overwork you, get as much out of you in profits as it can and, then ditch you and spit you out if you become worn out! A-ha have experienced (just slightly, luckily for them) some of the industry pitfalls but the rest of the failings they have created for themselves is purely of their own making; and they won't - for some unknown reason - try to solve their individual stubborn attitudinal ego problems.

The most important comment in this entire documentary is expressed by a group members wife in the following line's, "They need to first see a psychiatrist/psychiatrists individually and then as a group". You will know exactly why when/if you watch this! For now they are just lucky they were not born in Japan or South Korea because, J-Pop and K-Pop is directly aimed at and for teens and it is seriously ten times worse in their individual countries music industries; utterly disgraceful in fact!

I was, and still am to this day, an immediate lover of A-Ha's music and style from the absolute beginning and, I enjoy listening to their music just as much today. They have inspired some of the biggest names in music of the last 35 years but for their petty niggling and bickering amongst themselves etc, they have denied themselves a truly deserved 'Superstars' mantle of gifted for their unique musical style recognition!

Watch it as it is a fascinating insight you never get to see (record companies hire people to hide all of this type of thing so that the money keeps pouring in).

A lot of people would/will not like what I will finish with here but, they should disband and go their own ways. The Ah in A-Ha has gone.

PS. I saw a documentary concerning the exact same problems about METALLICA. They chose going down the getting help path when things got bad/worse between them and, the psychiatrist path helped them BIG time!

This is a good documentary about my favourite band growing up on the 80's. I still contend that Scoundrel Days is one of three perfect albums ever made. The other two being Joshua Kadison's Painted Desert Serenade and U2's Joshua Tree.

It was sad though to see the ongoing strife and resentment between the band members. At times the constant bickering seemed childish, but like a family does, they seem to get together again. Therefore, great and sad feelings were experienced watching it. I suppose life never really presents the fairy tales we were told as kids.

A-ha: The Movie could have easily devolved into a tabloid-esque expose on the strife and egos of a band that has been in the limelight for more than 35 years. It never goes there. Yes, there is some strife, some disagreements, some resentment, but it's never the focus of the movie. Instead, it becomes a sympathetic psychological treatise on the effects of chronic fame on three individuals, a view unsullied by the usual tropes of debauchery and substance abuse. The result isn't a sudden implosion but a steadily dripping tap, slowly eroding the creative drive. The effects interfere with the physical health, the need to retain creative control, and the ability to find sanctuary in a sea of noise - a world full of sound and fury, signifying nothing. Some of the stories are well-known, the stuff of legend among fans; some are less so, culminating in an extremely vulnerable moment shared (and for that, I thank him), painful to watch and obviously excruciating to experience. The movie ends not as a coda, but with an ellipsis, leaving open what may come, never attempting to speculate beyond asking each member the time-worn question: "Will there be another new album?"

• Sincerely, an a-ha fan in the U. S. since 1985.