After spending the night together on the night of their college graduation Dexter and Emma are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
A mom looks for another source of income, when her husband leaves with the money meant for the new mobile home. A nearby Indian territory stretches across the border to Canada with a drivable frozen river between. Smugling?
An undercover FBI agent falls in love with a recently widowed mafia wife, who is trying to restart her life following her husband's murder while being pursued by a libidinous mafia kingpin seeking to claim her for himself.
Kym Buchman has been in drug rehab for nine months, during which time she has been clean. She is released temporarily from the facility to attend her sister Rachel Buchman's wedding. During her release, Kym is staying at the family home, where the wedding is taking place. As such, it is like Grand Central Station for the duration of Kym's stay, which may not be the most conducive situation for her in constantly being exposed to the watching eyes of those who know and don't yet know her, but know of her situation. The reunion with her family members starts off well enough, but issues around Kym's release from rehab quickly surface. Kym and Rachel's father, Paul Buchman, wants to make sure that Kym is all right at all times, which to Kym feels instead like he doesn't trust her. Rachel slowly begins to resent Kym's situation taking over what is supposed to be the happiest day of her life, some of which is directed by Kym, some of which isn't. One person present but largely not included ...Written by
The film is a tribute to the late Robert Altman. Jonathan Demme was an avid admirer of Altman's work. See more »
When Kym and Rachel are talking as Rachel is trying on her dress, Rachel bends down to the floor and her arm disappears from the shot, in the next shot Rachel's side is visible again as if she had stood up instantly. See more »
I prayed for you, Rachel.
I prayed for you. I knew you'd come. And here you are. And we are one, all of us. And this is how it is in heaven. Just like this. And I'm so glad we're having a rehearsal on it now.
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Maybe this is a generational thing but I wholeheartedly agree with those who have said, "Excellent film sabotaged by execrable camera work," "Teenagers Making Video," and "Rachel Gets Married, Audience Gets Headache." When I was an engineer and again as a programmer, we had a saying, "Just because you can do something doesn't mean you have to do it." Last week I saw W. and had the same comment about it. The hand held, shaky, up your actor's nose close-ups all distract from what could be an interesting story. How I miss the carefully plotted camera work of people like Gregg Toland (The Grapes of Wrath and Citizen Kane), James Wong Howe (too many to mention), and Freddie Young (Lawrence of Arabia). As Dennis Miller says, "of course, that's just my opinion. I could be wrong."
I also feel that many of the scenes, particularly the wedding party, went on way, way too long. If I had wanted to watch my friend's long, boring, amateur wedding video, I could have stayed home and saved the price of admission.
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