Kym Buchman has been in drug rehab for nine months, during which time she has been clean. She is released temporarily from the facility to attend her sister Rachel Buchman's wedding. During her release, Kym is staying at the family home, where the wedding is taking place. As such, it is like Grand Central Station for the duration of Kym's stay, which may not be the most conducive situation for her in constantly being exposed to the watching eyes of those who know and don't yet know her, but know of her situation. The reunion with her family members starts off well enough, but issues around Kym's release from rehab quickly surface. Kym and Rachel's father, Paul Buchman, wants to make sure that Kym is all right at all times, which to Kym feels instead like he doesn't trust her. Rachel slowly begins to resent Kym's situation taking over what is supposed to be the happiest day of her life, some of which is directed by Kym, some of which isn't. One person present but largely not included ...Written by
Jenny Lumet spent about seven weeks writing the script. It was her first to be made into a film, even though it was her fifth screenplay. See more »
A scene depicts the family arranging the wedding dinner's table seating, moving around small figurines. Kym is hurt that she is not at the family table. The wedding dinner turns out to be held on the lawn, with small tables at which guests can choose their own seat. See more »
Sidney, I love you and you're a very talented man but you don't know anything about loading dishes.
With all due respect sir, the mantle has passed.
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Where to begin? Firstly, Anne Hathaway has always been a very under-rated actress (largely due to the critical snobbery around the roles she chooses) and anyone surprised by her performance here simply hasn't been paying attention. There's very little on show here that she hasn't shown before, and in far superior films. Besides, if anyone's performance leaps out, it's Rosemarie DeWitt's. Secondly, there isn't one likable character in the whole movie. Quite frankly I was wishing a thunderbolt would hit the tent during the unforgivably, interminably long wedding reception, wiping out every one of the self-centred, attention seeking bunch. And the multi-culturalism was so crass and vulgar it was downright insulting to both its audience and the multiple cultures from which it was pilfering. If it made a point about race, it's that you don't have to be white to be pretentious and middle-class. Clearly written by someone who's been spoilt rotten and had far too much therapy. Utterly hateful tosh.
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