A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Mike works at his parents' motel in Kingman, population 27,000, on old Route 66. Sue sells art for a Baltimore firm to corporations for office walls. He takes one look at her from behind as she registers at the motel and determines to connect. He's sweet, but hapless, with no ambition other than spending time with her. She's enigmatic - rarely smiling, occasionally impulsive, committed to helping homeless people, feeling the clock tick after a breakup with a boyfriend who could have provided security. Is there any way he stands a chance with her? What can he offer?Written by
Never Been to Spain
Written by Hoyt Axton (as Hoyt Wayne Axton)
Performed by Three Dog Night
Courtesy of Geffen Records
Under license from Universal Music Enterprises
By Arrangement with Irving Music Inc. o/b/o/ Lady Jane Music Inc. (BMI) See more »
"Management" isn't necessarily a bad film -- I just found it entirely disengaging. Judging from some of the early feedback, I was expecting a sweet (if predictable) "indie" romantic comedy. I'm not a big fan of Jennifer Aniston, but she plays her types of roles well enough, and Steve Zahn proved with "Rescue Dawn" that he's an underrated actor.
My problem with "Management" is that it plays into the quirky subgenre clichés far too easily. I'd bet the director is a big Hal Ashby or Mike Nichols fan -- this comes off like an uneasy mix of "Harold and Maude" and "The Graduate." Its protagonist is a borderline stalker.
That's not inherently negative, but I just felt like there was no real spark between Aniston and Zahn. The whole thing felt very...calculated. It wasn't naturally offbeat -- and, as a result, I was left wondering why we're supposed to feel any type of entertainment in watching these people.
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