A restless retired woman teams up with her deceased neighbor's maid to seek out a man who has a secret connection to her past life as a farm owner at the foothill of Mount Tabu in Africa.
Director:
Miguel Gomes
Stars:
Telmo Churro,
Miguel Gomes,
Hortêncílio Aquina
Continuation of the Arabian Nights stories by the structure were adapted to modern life in Portugal in three innings and the third chapter "The Owners of Dixie" has three chapters.
Based on António Lobo Antunes's novel, a collection of letters written by a young soldier, doctor and a aspirant writer, to his wife while he was serving in Angola between 1971 and 1973, ... See full summary »
Director:
Ivo Ferreira
Stars:
Miguel Nunes,
Margarida Vila-Nova,
Ricardo Pereira
Francisco, behave! I Know it's your birthday, you are thirty now, it's carnival, you've dressed as a cowboy for the school party and you are surrounded by kids you hate. But that's no ... See full summary »
Blending historical reconstruction with very loosely linked 'dramatic' scenes and documentary sequences, the film constitutes a playful, painterly sequence of variations on the argument ... See full summary »
Director:
Pere Portabella
Stars:
Christian Atanasiu,
Féodor Atkine,
George-Christoph Biller
Julio, aged nineteen, has just left the provinces to settle down in the outskirts of Lisbon. He lives there in a poor area with his uncle Afonso and starts working as an apprentice ... See full summary »
Jessica, the eldest daughter of a coal miner-turned-farmer, has a fling with her half-brother Carl, which complicates things more when she becomes pregnant.
Director:
Joseph L. Anderson
Stars:
Larue Hall,
Ted Heimerdinger,
Marjorie Johnson
Portugal's 2009 Academy Awards official submission to Foreign-Language Film category. See more »
Crazy Credits
The filming crew is presented in the last minutes, while they undergo a nonsensical discussion about the sound recording for the outdoors scenes including music which "is not there". See more »
Soundtracks
Tudo Passarà
(Nelson Ned)
Performed by Armando Nunes See more »
I am aware that lately some movie directors use documentary and fiction in their films. Actually, almost everybody (critics and public) mentions that in what concerns this film, but for me that is the smallest part of what is important in "Aquele querido mês de Agosto". Its splendor and beauty results, in my opinion, in the adequate way how the plot's initial idea, such as the emotional connections among father, daughter and a cousin, elements of a popular band of musicians, are worked and manipulated making them extremely appropriated to the lyrics and sounds of songs of Portuguese popular music, which illustrate, interpret and emphasize their "soul" moods. And that occurs with no prejudices - this kind of music is generally associated with popular balls, to a "superficial" music made to dance, not to think about its contents. However a blogger wrote that this film is to watch and to "read".A critic also said that Miguel Gomes is not "deaf" to the images neither "blind" to the sounds and I agree with them.Besides a high sense of humor, not very common in the Portuguese cinematography, is another of the strengths of "Aquele querido mês de Agosto". The glare of this movie remains after we leave the cinema and we dream to live again another wonderful month of August.
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I am aware that lately some movie directors use documentary and fiction in their films. Actually, almost everybody (critics and public) mentions that in what concerns this film, but for me that is the smallest part of what is important in "Aquele querido mês de Agosto". Its splendor and beauty results, in my opinion, in the adequate way how the plot's initial idea, such as the emotional connections among father, daughter and a cousin, elements of a popular band of musicians, are worked and manipulated making them extremely appropriated to the lyrics and sounds of songs of Portuguese popular music, which illustrate, interpret and emphasize their "soul" moods. And that occurs with no prejudices - this kind of music is generally associated with popular balls, to a "superficial" music made to dance, not to think about its contents. However a blogger wrote that this film is to watch and to "read".A critic also said that Miguel Gomes is not "deaf" to the images neither "blind" to the sounds and I agree with them.Besides a high sense of humor, not very common in the Portuguese cinematography, is another of the strengths of "Aquele querido mês de Agosto". The glare of this movie remains after we leave the cinema and we dream to live again another wonderful month of August.