Juggling angry Russians, the British Mi5, and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai races to recover a stolen painting rumored to contain a code that leads to lost gold.
In the year 1752, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. But even an ocean was not enough to escape the mysterious curse that has plagued their family. Two decades pass and Barnabas (Johnny Depp) has the world at his feet-or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy...until he makes the grave mistake of breaking the heart of Angelique Bouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive. Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets. Matriarch Elizabeth ...Written by
Warner Bros. Pictures
The Amtrak engines are in one order in the overhead shot, then reverse themselves in the ground shot. See more »
It is said that blood is thicker than water. It is what defines us, binds us... curses us.
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The opening credits feature Victoria Winters en route to Collinwood, repeating her name to herself ("My name is Victoria Winters..."), while the prologue featured a shot of waves breaking onto a cliffshore. This is a reverse of the Dark Shadows (1966) opening, where the prologue featured Victoria Winters traveling and the title sequence was of the waves breaking upon seashore scree. See more »
The film can't decide whether it's a fish-out-of-water comedy or a Gothic thriller/romance. Instead, we get treated to a bipolar movie that is, at times, really funny, but mostly full of unnecessary exposition. I think Burton wanted to honor the TV show by adding in so many details, but frankly, it was boring at times as they moved from one plot point to another. Some of the "wrap up" surprises at the end came off as forced. Though I'm glad they didn't rely on as much CGI to create the set pieces, one major scene involving a concert looked like it was stolen from the Austin Powers films.
Johnny Depp did some great physical comedy as well as Helena Bonham Carter and Jackie Earle Haley, but Dark Shadows should go back to the grave.
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