When Jacob discovers clues to a mystery that stretches across time, he finds Miss Peregrine's Home for Peculiar Children. But the danger deepens after he gets to know the residents and learns about their special powers.
Samuel L. Jackson
A drama about the awakening of painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.
In the year 1752, Joshua and Naomi Collins, with young son Barnabas, set sail from Liverpool, England to start a new life in America. But even an ocean was not enough to escape the mysterious curse that has plagued their family. Two decades pass and Barnabas (Johnny Depp) has the world at his feet-or at least the town of Collinsport, Maine. The master of Collinwood Manor, Barnabas is rich, powerful and an inveterate playboy...until he makes the grave mistake of breaking the heart of Angelique Bouchard (Eva Green). A witch, in every sense of the word, Angelique dooms him to a fate worse than death: turning him into a vampire, and then burying him alive. Two centuries later, Barnabas is inadvertently freed from his tomb and emerges into the very changed world of 1972. He returns to Collinwood Manor to find that his once-grand estate has fallen into ruin. The dysfunctional remnants of the Collins family have fared little better, each harboring their own dark secrets. Matriarch Elizabeth ...Written by
Warner Bros. Pictures
Alice Cooper was transformed into a younger version of himself through careful use of make-up and lighting. No CGI was involved. See more »
When Maggie Evans arrives at Collinswood, her first conversation with Willie indicates that she has applied for the governess job under the name Victoria Winters. An earlier scene shows that she didn't invent the name until earlier that same day, on the train en route to Maine. See more »
It is said that blood is thicker than water. It is what defines us, binds us... curses us.
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When the Warner Bros and Village Roadshow logos appear, the Dark Shadows (1966) score "The Secret Room" can be briefly heard. See more »
Oh the possibilities that were missed here. Except for the character names and a similar architecture in the house this film bares very little resemblance to DARK SHADOWS. The movie starts out beautifully and then goes off in so many awkward directions that it never finds what kind of movie it's trying to be. A few scattered laughs here and there do not compensate for a poorly conceived story that meanders itself to the point of being dull and confusing. What can you say about a movie that only comes to life in it's montages set to a pop songs from the early 1970's? Depp doesn't even attempt to capture any of the guilt ridden angst of Barnabas Collins. His Barnabas is a trick or treat Pirates of the Caribbean, very much like a kid playing dress up on Halloween and with two emotions, upset and more upset. Film has some nice set pieces but Burton doesn't bring any true Gothic feeling or sense of dread to the surroundings. The script has that throw everything up against the wall and see what sticks feel to it. Burtons direction comes off in a conveyor belt "okay, let's shoot this one" tone with interest only in visuals, which are striking. He's really more of a visual artist than he is a film director. Indeed, one gets the feeling that this film would never have been made if not for Johnny Depp and his love for the original series which is evident here. It's unfortunate that he relies too heavily on make up to carry his performance. Helean Bonham Carter has no interest in being in the film and it shows, doing it only as a favor to her husband. Eva Green is the type of actress Tim Burton is attracted to and loves to cast in his films, but she possesses little of Angelique's spellbinding jealousy. The only one in the cast that has a hint of what these surroundings should be played like is Michelle Pfeiffer. She is the Grande dame of Dark Shadows capturing both the Gothic feel of the original story and the magnificence of the character.
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