A cryptic message from James Bond's past sends him on a trail to uncover the existence of a sinister organisation named SPECTRE. With a new threat dawning, Bond learns the terrible truth about the author of all his pain in his most recent missions.
After earning 00 status and a licence to kill, Secret Agent James Bond sets out on his first mission as 007. Bond must defeat a private banker funding terrorists in a high-stakes game of poker at Casino Royale, Montenegro.
Years after a friend and fellow 00 agent is killed on a joint mission, a secret space based weapons program known as "GoldenEye" is stolen. James Bond sets out to stop a Russian crime syndicate from using the weapon.
When James Bond's (Daniel Craig's) latest assignment goes gravely wrong and Agents around the world are exposed, MI6 is attacked, forcing (M Dame Judi Dench) to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows, aided only by field agent, Miss Eve Moneypenny (Naomie Harris), following a trail to the mysterious Tiago Rodriguez, a.k.a. Raoul Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves.Written by
The London underground tube train crash that occurs when Bond chases Silva was filmed at Pinewood Studio's mammoth 007 Stage, which has been the filming home to most of the super-scale Bond set pieces of the past. For the crash, filmed on "The Catacombs Set", the crew built two full-size fabricated replica Tube train carriages, each weighing around five to seven tons, the real ones weigh around twenty-five to thirty tons. The Tube carriages were raised onto a track about twenty feet above the base of the set. Near the ceiling of the set, broken Tube tracks curved downwards, with a monorail supporting the carriages from above. The trains were then accelerated on the elevated track guided by the monorail as they veer off the tracks and crash through the catacombs ceiling, which was composed of breakaway elements. When the train crashed, it dismantled the majority of the 007 Stage. Digital visual effects were later added in post-production to supplement the practical special effects. It was too dangerous to allow people to stay on the soundstage during the filming of the crash, so eleven remotely-operated cameras were placed around the 007 Stage to cover the crash from various angles. See more »
When Bond confronts the assassin and lets him fall to his death from the building in Shanghai, he then looks over to the opposite window where Sévérine is standing in the smashed window hole, her hair blowing in the breeze. When it cuts to the closeup of her leaving you can see the light reflected in the window glass that has magically reappeared. See more »
[Speaking on a blue tooth device]
Ronson's down. He needs a medical evac.
Where is it? Is it there?
Hard drives gone.
It's gone. Give me a minute.
They must have it! Get after them!
I'm stabilizing Ronson.
We don't have the time!
I have to stop the bleeding!
[...] See more »
Bond's traditional shot towards the camera, seen through the barrel of a gun, is placed at the end of this, film rather than the beginning. After the blood stops dripping, the James Bond 50th Anniversary logo appears with the words "James Bond will return," below it. See more »
For its UK network premiere on ITV, the scene where Bond removes a bullet from his chest is slightly cut due to being broadcast before the watershed at 9pm. See more »
It is one thing to deconstruct a film genre, a genre that has reached the level of dynasty, to make it better. It is an entirely different matter to do so merely because you can, to show off your own power, and to leave the genre in tatters. Sam Mendes is incapable of making a film that is not dazzling to the eye. He is a visual artist of the highest calibre and possibly one of the greatest directors living today. Similarly the lead actors are incapable of delivering a performance that is less than stellar given the scripts they are handed. But the praise ends there. This is not a Bond film. This is an anti-Bond film. Notice kind reader that every task Bond is handed in the script ends in failure. Don't shoot the messenger, just watch the film. Notice that at some point Mendes became momentarily self-aware of what he was doing by bringing, out of nowhere, using the magic of film, the Aston Martin DB7 from a half-century ago, fully fuelled and ready to go, with the old Bond theme for accompaniment. But he just couldn't go through with it. The moment (the self-aware moment) passed and he went back to Plan A, the Anti-Bond film, and, in one of the most gratuitous but Freudian moments ever seen, blew the car to bits. Just like he blew the Bond formula to bits. I know what you are thinking. You thinking that an artist has license to do all this if the end result is entertaining and satisfying. True. But this film is as satisfying to the viewer as a car wreck. Visuals aside, it is hollow and leave a strange taste in the palate. Shame.
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