Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007, and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.
When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve (Naomie Harris) - following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves.Written by
Eminönü Square, a busy business district in Istanbul, Turkey was used for filming the movie's opening sequence, and had to be closed for three weeks in order to do this. The place is one of Istanbul's oldest and most magnificent squares, and is surrounded by the ancient Spice Bazaar, and the fabulous Yeni Mosque. In a curious requirement for the bazaars, the shops could open, but could not trade, due to the area being off-limits to the public, traffic, and pedestrians. Shopkeepers were reimbursed seven hundred fifty Turkish Liras per day, to cover their losses. The Turkish bazaar sequence in the film featured over two hundred fifty dressed market stalls, created by the film's Art and Props Departments, and was populated by around five hundred extras. See more »
When Q gives Bond the box containing the gun which only he can fire, the box has a lock on the top. However, when Bond opens the box, there is no locking mechanism present. See more »
[Speaking on a blue tooth device]
Ronson's down. He needs a medical evac.
Where is it? Is it there?
Hard drives gone.
It's gone. Give me a minute.
They must have it! Get after them!
I'm stabilizing Ronson.
We don't have the time!
I have to stop the bleeding!
[...] See more »
Bond's traditional shot towards the camera, seen through the barrel of a gun, is placed at the end of this film rather than the beginning. After the blood stops dripping, the James Bond 50th Anniversary logo appears with the words "James Bond will return," below it. See more »
For its UK network premiere on ITV, the scene where Bond removes a bullet from his chest is slightly cut due to being broadcast before the watershed at 9pm. See more »
It is one thing to deconstruct a film genre, a genre that has reached the level of dynasty, to make it better. It is an entirely different matter to do so merely because you can, to show off your own power, and to leave the genre in tatters. Sam Mendes is incapable of making a film that is not dazzling to the eye. He is a visual artist of the highest calibre and possibly one of the greatest directors living today. Similarly the lead actors are incapable of delivering a performance that is less than stellar given the scripts they are handed. But the praise ends there. This is not a Bond film. This is an anti-Bond film. Notice kind reader that every task Bond is handed in the script ends in failure. Don't shoot the messenger, just watch the film. Notice that at some point Mendes became momentarily self-aware of what he was doing by bringing, out of nowhere, using the magic of film, the Aston Martin DB7 from a half-century ago, fully fuelled and ready to go, with the old Bond theme for accompaniment. But he just couldn't go through with it. The moment (the self-aware moment) passed and he went back to Plan A, the Anti-Bond film, and, in one of the most gratuitous but Freudian moments ever seen, blew the car to bits. Just like he blew the Bond formula to bits. I know what you are thinking. You thinking that an artist has license to do all this if the end result is entertaining and satisfying. True. But this film is as satisfying to the viewer as a car wreck. Visuals aside, it is hollow and leave a strange taste in the palate. Shame.
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