Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007, and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro, but things are not what they seem.
When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve (Naomie Harris) - following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves.Written by
At the 2013 Academy Awards ceremony, Skyfall (2012) became the first James Bond film to achieve several records in the franchise's history: The highest number of Academy Award nominations ever received by a Bond film (five: Best Song, Score, Sound Mixing, Sound Effects Editing and Cinematography). The first Bond film in three decades to receive Oscar nominations. The last time was in 1982, when For Your Eyes Only (1981) was nominated for Best Song. 1982 also saw Producer Albert R. Broccoli receive the Honorary Thalberg Award. First Bond film to win two Oscars (Goldfinger (1964) and Thunderball (1965) won just the one each). The third Bond film to win an Academy Award, and the first in forty-seven years, the last being Thunderball (1965). Skyfall's tied Oscar for Sound Editing was not actually the first in that category, as Goldfinger (1964) had won for Best Effects, Sound Effects, and Diamonds Are Forever (1971) had been nominated for Best Sound. Although many Bond songs have been nominated for the Best Song Oscar (Live and Let Die (1973), For Your Eyes Only (1981), The Spy Who Loved Me (1977), and the unofficial Casino Royale (1967)), Adele's "Skyfall" became the first James Bond theme to win the Academy Award for Best Original Song. See more »
In Shanghai the cars behind Patrice's cab change lanes inconsistently. See more »
[Speaking on a blue tooth device]
Ronson's down. He needs a medical evac.
Where is it? Is it there?
Hard drives gone.
It's gone. Give me a minute.
They must have it! Get after them!
I'm stabilizing Ronson.
We don't have the time!
I have to stop the bleeding!
[...] See more »
The opening credits feature Bond periodically shooting at targets, Shanghai dragons, Silva's skull logo, and the Skyfall mansion from which Bond's eyes stare out. At the end of the credits, the sky is seen falling upon the mansion. See more »
The film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video. See more »
Right, let's dispense with the rubbish I've had to endure over the last few months: "James Bond wasn't funny in the last 2 films". Oh, yes he was, you just weren't paying attention.
"Sam Mendes only ever does dramas, he'll be crap at action". Wrong again and Road to Perdition hinted on what he can bring to the table. Plus, if you had reservations about Sam, then you're an idiot! "Is this Daniel Craig's last outing as Bond?" No. He's contracted to do two more. In fact, why do people think this is the last Bond??? After the hype and mild disappointment that was The Dark Knight Rises, Chris Nolan will have to contemplate that he's missed out on the Big One here. Yup, Sam Mendes, Oscar winner supremo for American Beauty was by far-and-away, the only man for the director's chair (with a solid recommendation by Craig himself). What I love about Uncle Sam is that he's not afraid to be bold (we see more blood in this film, despite the 12a rating, but it's subtly done) and he's definitely found some niches with DC's reluctant hero (which Martin Campbell kick-started with Casino Royale). A pivotal ingredient of a Mendes film is the cinematography and with Skyfall, my jaw was dropping at Shanghai (a nod to You Only Live Twice). In fact, my jaw dropped a lot (and that wasn't even Bérénice Marlohe!) And despite the absence of David Arnold, composer Thomas Newman, doesn't disappoint.
It's the 50-year-old debate: Who Is The Best Bond? Daniel Craig: 3 films in & by the time you see Skyfall, there is no doubt in my mind that DC's Bond is the most fleshed-out and three dimensional. His cavalier attitude, his down-and-dirty assassin on the mission, and a very affectionate lover of the ladies, are some of the reasons he scores all the ticks. Sean Connery just wisecracked and shagged birds, but had that physical prowess which DC has equalled, if not bettered; George Lazenby was more of a pantomime; Roger Moore started out well with his debut, but romanticised 007 to the point where he wore flares and befriended steel-toothed villains who were baying for his blood; Timothy Dalton brought back the hard edge Bond was missing and very underrated (kudos to Jason Segel who acknowledged him in I Love You, Man); Pierce Brosnan carried on that darkness with GoldenEye, which was sadly lacking in future outings, along with a suspension of disbelief audiences couldn't buy any longer. DC is Bond, he now owns the role. He's comedy timing is impeccable, his reactions to the littlest things will have you laughing and he knows how to wear tight fitting clothing (thanks to TOM FORD). More importantly, DC can act which is what this role demands...and if like me, you've all watched the Bond films (as DC & Mendes did), Skyfall has done a tremendous job in avoiding past mistakes. The screenplay acknowledges why James Bond is the World's Most Successful Movie Franchise. From the opening credits that references past entries, to Adele's amazing vocals (someone shoot Madonna & Lulu for me; oh and Jack & Alicia too), Skyfall is peppered with nods that may anger or erupt knowing laughter from its devoted fan base. For the record, I laughed, quite a lot.
Javier Bardem as Raoul Silva, is probably the best entrance you'll ever see for a Bond Baddie. He is also by far, my favourite villain of the series and will be a hard act to beat. I really cannot say any more about Bardem, as he is one of many high points that Skyfall has to offer. A stroke of genius from Mendes to give him blonde hair (not only did he remind me of Scaramanga) but the hair does reveal a back story. Javier is proof that grade-A actors do get the best villainous roles, if they're written properly (remember what the Cohen brothers did for him a few years ago?) As I write this, I'm still grinning at Javier's comments...hahahaha! A great actor, just love him and so much going on in that masculine skull of his.
Nothing will touch Bond. Sure, you'll have the wannabe franchises out there (did someone say douchebag, toothless vampires? Not me) who will claim to be the movie event of the year (more like non-event) and the likes of Marvel Comics may one day, catch up. Stan Lee has to look at the accidental success of 007 in relation to his own creations. Sure, I love Spidey, Captain America and Daredevil, but I'm not a sweaty arm- pitted virgin with a fondness for pies and acne; I'd much rather be the man who's dressed to kill, with a Licence To Thrill and smells of the most decadent cologne that my wages will allow. No shame in admitting my inverted snobbery and can thank Ian Fleming for that. If he were alive today, I'm sure he'd approve of Skyfall (considering it's an original screenplay that relies on his healthy diet of sex, guns, snazzy wardrobes and fast cars). Happy 50th birthday, James Bond (you don't look a day over 40!)
Bond will return in October 2014 (I've already booked my tickets!)
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