When James Bond's (Daniel Craig's) latest assignment goes gravely wrong and Agents around the world are exposed, MI6 is attacked, forcing (M Dame Judi Dench) to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows, aided only by field agent, Miss Eve Moneypenny (Naomie Harris), following a trail to the mysterious Tiago Rodriguez, a.k.a. Raoul Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves.Written by
The production shoot for this movie went for one hundred twenty-seven days, while the movie featured one hundred seventy-two scenes. See more »
In the courtroom shoot out scene, Bond shoots two fire extinguishers to use as a smokescreen. If you watch Eve as he steps out, she lowers her weapon dramatically at the last second. When the camera cuts to her immediately after, her gun is raised again. See more »
[Speaking on a blue tooth device]
Ronson's down. He needs a medical evac.
Where is it? Is it there?
Hard drives gone.
It's gone. Give me a minute.
They must have it! Get after them!
I'm stabilizing Ronson.
We don't have the time!
I have to stop the bleeding!
[...] See more »
The opening credits feature Bond periodically shooting at targets, Shanghai dragons, Silva's skull logo, and the Skyfall mansion from which Bond's eyes stare out. At the end of the credits, the sky is seen falling upon the mansion. See more »
In the European theatrical release, BBC journalist Huw Edwards presents a news report about the attack on MI6's HQ that prompts Bond to come back from the dead. In the North American release, CNN journalist Wolf Blitzer presents it instead. See more »
It is one thing to deconstruct a film genre, a genre that has reached the level of dynasty, to make it better. It is an entirely different matter to do so merely because you can, to show off your own power, and to leave the genre in tatters. Sam Mendes is incapable of making a film that is not dazzling to the eye. He is a visual artist of the highest calibre and possibly one of the greatest directors living today. Similarly the lead actors are incapable of delivering a performance that is less than stellar given the scripts they are handed. But the praise ends there. This is not a Bond film. This is an anti-Bond film. Notice kind reader that every task Bond is handed in the script ends in failure. Don't shoot the messenger, just watch the film. Notice that at some point Mendes became momentarily self-aware of what he was doing by bringing, out of nowhere, using the magic of film, the Aston Martin DB7 from a half-century ago, fully fuelled and ready to go, with the old Bond theme for accompaniment. But he just couldn't go through with it. The moment (the self-aware moment) passed and he went back to Plan A, the Anti-Bond film, and, in one of the most gratuitous but Freudian moments ever seen, blew the car to bits. Just like he blew the Bond formula to bits. I know what you are thinking. You thinking that an artist has license to do all this if the end result is entertaining and satisfying. True. But this film is as satisfying to the viewer as a car wreck. Visuals aside, it is hollow and leave a strange taste in the palate. Shame.
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