The story of rising, fancy life and falling of Osvaldo Valenti and Luisa Ferida, two of the stars of the Italian cinema during the Fascism period of Italy.
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Title: Wild Blood (2008)
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Cast
| Cast overview, first billed only: | |||
| Monica Bellucci | ... | Luisa Ferida | |
| Alessio Boni | ... | Golfiero Goffredi / Taylor | |
| Luca Zingaretti | ... | Osvaldo Valenti | |
 |
Maurizio Donadoni | ... | Vero Marozin |
|
|
Tresy Taddei | ... | Irene |
| Luigi Diberti | ... | Cardi | |
| Massimo Sarchielli | ... | Guercio | |
| Mattia Sbragia | ... | Alfiero Corazza | |
|
|
Alessandro Di Natale | ... | Dalmazio |
|
|
Giovanni Visentin | ... | Sturla |
|
|
Paolo Bonanni | ... | Pietro Koch |
|
|
Gilberto Arrivabene | ... | Capitano (as Giberto Arrivabene) |
|
|
Mohammed Aden Sheik | ... | Ambasciatore Haiti |
|
|
Aurora Quattrocchi | ... | Contessa |
|
|
Manrico Gammarota | ... | Podestà |
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Plot Summary
|
Plot Synopsis
Storyline
The story of rising, fancy life and falling of Osvaldo Valenti and Luisa Ferida, two of the stars of the Italian cinema during the Fascism period of Italy.
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Details
Release Date:
23 May 2008 (Italy) See more »Also Known As:
Wild Blood See more »Edit
Box Office
Cumulative Worldwide Gross:
$1,296,450Company Credits
Show more on
IMDbPro »
Technical Specs
Runtime:
Aspect Ratio:
1.85 : 1
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Did You Know?
Trivia
Alessio Boni's character, Golfiero Goffredi, is loosely based on Luchino Visconti as a young member of the Partisan army. See more »Frequently Asked Questions
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I had read the other reviews here, and considered the film worth a viewing, though without high expectations.
I was very disappointed. (However I think the criticism of Bellucci is a little harsh: her character as written and directed was so asinine that it seems unfair to complain that she played 'a sofa' as 'a sofa'!) The cutting to flashback (another comment on IMDb) was about the only feature which was interesting about this film. At least it kept me awake!
For me, an immeasurably better portrayal of fascist 'minor celebrities' and their cocaine habits is to be seen in Bertolucci's Millenovecento. I appreciate that Bertolucci's masterpiece is better remembered for 'the goodies' Gerard Depardieu and Sterling Hayden - but Act II gets to grips with the other aspects of the Mussolini regime, and the excesses of the 'favoured'.