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Telstar: The Joe Meek Story (2008)

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A music-infused drama about Joe Meek, the flamboyantly gay, tone deaf, songwriter-producer behind the '60s hits "Have I the Right," "Just Like Eddie," "Johnny, Remember Me" and "Telstar."

Director:

Nick Moran
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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Con O'Neill ... Joe Meek
Kevin Spacey ... Major Wilfred Banks
Pam Ferris ... Mrs. Violet Shenton
JJ Feild ... Heinz Burt
James Corden ... Clem Cattini
Tom Burke ... Geoff Goddard
Ralf Little ... Chas Hodges
Sid Mitchell Sid Mitchell ... Patrick Pink
Mathew Baynton ... Ritchie Blackmore
Shaun Evans ... Billy Kuy
Callum Dixon ... John Leyton
Tom Harper ... Alan Caddy
Jon Lee Jon Lee ... Billy Fury
Nigel Harman Nigel Harman ... Jess Conrad
Carl Barât ... Gene Vincent (as Carl Barat)
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Storyline

In the early 1960s self-taught electronics whizz Joe Meek amazingly produces a string of home made hit singles from his studio in his flat above a leather shop in London. His biggest success is the instrumental 'Telstar' but accusations of plagiarism delay royalties. Joe's mercurial temper causes his artists to forsake him for other labels, in particular his young lover Heinz Burt. Now in debt and after unwisely parting from his chief financier Major Banks, Joe finds himself unable to control his life. Increasingly paranoid, believing he is being bugged by rival record companies and that everybody is out to get him, the last straw comes when landlady Violet tells him she is selling the building in which he lives. Joe had once confiscated a shotgun from Heinz. Now it is dangerously close at hand and about to end the Joe Meek story. Written by don @ minifie-1

Plot Summary | Add Synopsis

Taglines:

Hit after hit... someone's going to get hurt

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated R for language, sexual content and brief violence | See all certifications »

Parents Guide:

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Did You Know?

Trivia

Actors Nigel Harman, James Corden, Ralf Little and Callum Dixon play Jess Conrad, Clem Cattini, Chas Hodges and John Leyton respectively. The real Conrad, Cattini, Hodges and Leyton all appear in the movie themselves albeit in small cameo roles. See more »

Goofs

John Peel is shown interviewing Joe Meek for the New Musical Express in 1963. Peel was never a regular journalist for the NME, and was working as a DJ in the southern USA in 1963. Additionally, he only adopted the name Peel when he joined Radio London in 1966. See more »

Quotes

Major Wilfred Banks: Anton, isn't it?
Geoff Goddard: Sorry?
Major Wilfred Banks: Anton Hollywood, pianist?
Geoff Goddard: Yes. Well, no.
Major Wilfred Banks: Well, I'm afraid Joe's decision is final, he doesn't feel you've got what it takes. And if you've come for compensation, you can trot off back to wherever the hell...
Geoff Goddard: No, it's Geoff, not just Geoff. Geoff Goddard.
Major Wilfred Banks: Oh! The author! Tunesmith!
Geoff Goddard: Composer.
Major Wilfred Banks: Composer, yes, of course.
Geoff Goddard: The name Anton Hollywood was Joe's idea, it's not real. It's a stage name. He thought he'd do a Russ Conway with me, didn't work out.
[...]
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Crazy Credits

Developed in association with Mikast Movies Ltd See more »

Connections

References Biggles (1960) See more »

Soundtracks

Little Baby
Composed by Michael Stubbs
Published by Sony/ATV Music Publishing
Performed by The Blue Rondos
Courtesy of The Blue Rondos
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User Reviews

 
The Telstar falls down...
23 October 2009 | by LejinkSee all my reviews

I'm a little too young to appreciate Joe Meek's music and it seems to my ears that his music does seem nowadays as if it's from a museum, it sounds so fossilised....and yet, there's no denying the popularity of his rinky-dink pop music from the pre-Beatles era, even achieving the almost unique feat for a British "artist" (he'd have loved that soubriquet, no doubt) of having a number one in America with the irritatingly catchy "Telstar". I some time ago watched the BBC-TV "Arena" documentary on his life and times and my interest was piqued then at this most unusual man.

Even if you didn't know Meek's life story, we pretty much get to know from the outset that Joe's final breakdown is going to end in tragedy, with the narrative frequently inserting scenes from his last day leading up to the tragic shooting of firstly his landlady (pretty much an accident, as it appears here), this giving him the final spur to almost immediately afterwards take his own life in equally violent fashion.

The film unfolds from this downbeat start into a most entertaining first half as the story charts his rise to mini-Spector status, producing memorable number one hits for John Leyton, The Tornadoes and The Honeycombs. Into Joe's (no pun intended) orbit drift a motley selection of eccentric beat group personnel, with much bawdy humour to the fore. I especially enjoyed Kevin Spacey's spot-on upper-class English accent as Joe's eccentric business manager, military "crusty" Major Banks and there's also a fine turn by Tom Burke as Meek's nervous, sensitive indeed spiritualist in-house songwriter Geoff Goddard. I wasn't quite convinced that Con O'Neill really gave us Meek as he was, although there's no denying his conviction playing.

As for the narrative structure, I felt that the the film failed to truly give Meek his due when he finally reached the top and believe his achievements deserved a bit more highlighting, before the round-the-corner Beatles-era of grittier bands with in-built songwriting teams with the flair and talent to display their own writing ingenuity and studio inventiveness, effectively consigned Meek to, quoting Chris Andrews' 1965 hit, a "yesterday man".

The second half of the film I think, follows a little too much the fortunes of Meek's fellow-travellers, particularly the ridiculously one-dimensional "little-voice" that was Heinz Burt. Indeed Meek's character disappears from the screen it seems for some time before we're jolted back to the closing scenes and his final demise. His story is undoubtedly a tragic one (suppressed homosexual, thwarted talent, moody artist) but I didn't think the film quite got behind his character enough and thus failed to catch the full parabola of his eventful life.

The recreation of the period is great though - from the swinging, jigsaw-style opening credits to the chaotic scenes in Meek's makeshift studio above his landlady's leather goods shop and good acting by almost all on board (helped by the main characters' physical similarity to their real life counterparts) and of course the reproduction of that so distinctive "Joe Meek sound" replete with plinky-plonk organ jungle-drums and loads of re-verb, often married to "death-disc" lyrics.

An entertaining step-back-in-time then, if ultimately falling short in its attempt to do justice to the memory of a haunted but very talented and singularly individual pop maverick. To paraphrase Brian Wilson from a little later in the decade, I guess Joe just wasn't made for those times.


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Details

Country:

UK

Language:

English

Release Date:

19 June 2009 (UK) See more »

Also Known As:

Telstar See more »

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Box Office

Budget:

GBP1,250,000 (estimated)

Cumulative Worldwide Gross:

$109,339
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Company Credits

Production Co:

Aspiration Films See more »
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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color | Black and White (a few scenes: television scenes and archive footage)

Aspect Ratio:

2.35 : 1
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