July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. ...
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A day in the life of Malek, a young man who suffers from sleep disorders and is obsessed with thoughts of his ex-girlfriend. Meanwhile, his overprotective mother struggles with the ... See full summary »
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
Parallel storylines tell the current state of affairs for two ex-lovers: Nora's a single mother who comes to care for her terminally ill father; holed in up in mental ward, Ismael, a brilliant musician, plots his escape.
Antoine is too depressed to go on playing in his rock band. After wandering in the streets, he decides to seek an occupation. Unskilled as he is, he is lucky to be hired as the caretaker of... See full summary »
La Maison Rose (The Pink House) is an old mansion in Beirut. It is the place where the Nawfal family found shelter during the Civil War and in which they feel good. Unfortunately for them, ... See full summary »
Fadi Abi Samra,
July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. Together, they will drive through the regions devastated by the conflict. It is the beginning of an unpredictable, unexpected adventure...Written by
This is not exactly a neat and slick production in the Hollywood sense. You may find ample number of "rough edges" here and there, but there's heart in this work. Sheer honesty of the entire effort will touch you.
Harmony of perceptive (as well as intelligent) camera work with crystalline conciseness of direction, ensured that wrecked and derelict outdoor is reflected from interiors of Catherine Deneuve and Rabih Mroue; - regularly. – Such consistency is not easily achievable, but the script-direction combination pulls it off here.
Structure of the movie is such that every time one starts to (slowly) slip into a nice little groove of a story-like niche, it is abruptly broken; apparently telling the viewer that probably it is too early and too unrealistic to feel the trance of a storyline when one's survival – and merely that survival itself – can be hailed as an achievement. The detached self of the viewer, therefore, is made to stay in his/her realm of logic, - throughout. In other words, viewer is prohibited to enter the realm of his/her emotion. – Such Brecht-like treatment of the subject matter adds a rare dimensionality to this film.
This is one of those nonconforming "serious" movies that won't bore you ever. In fact, to me, not a single shot of this movie is redundant.
You might not find it to be a "feel-good" movie, but most certainly you'll have an unmatched and unforgettable cinematic experience. Watch this movie.
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