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Il y a longtemps que je t'aime (2008)

PG-13 | | Drama | 20 February 2009 (USA)
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A woman struggles to interact with her family and find her place in society after spending fifteen years in prison.

Director:

Philippe Claudel
Nominated for 2 Golden Globes. Another 14 wins & 28 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kristin Scott Thomas ... Juliette
Elsa Zylberstein ... Léa
Serge Hazanavicius ... Luc
Laurent Grévill Laurent Grévill ... Michel
Frédéric Pierrot ... Capitaine Fauré
Lise Ségur Lise Ségur ... P'tit Lys
Jean-Claude Arnaud Jean-Claude Arnaud ... Papy Paul
Mouss Zouheyri Mouss Zouheyri ... Samir
Souad Mouchrik Souad Mouchrik ... Kaisha
Nicole Dubois Nicole Dubois ... DRH hôpital
Catherine Hosmalin Catherine Hosmalin ... Conseillère d'insertion
Laurent Claret Laurent Claret ... Directeur hôpital
Marcel Ouendeno Marcel Ouendeno ... Bamakalé
Gérard Barbonnet Gérard Barbonnet ... Monsieur Lucien
Jérémie Covillault Jérémie Covillault ... Jeune inspecteur
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Storyline

Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up Juliette's ice and bitterness and she carefully opens up. Written by Anonymous

Plot Summary | Plot Synopsis

Genres:

Drama

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material and smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Germany

Language:

French | English

Release Date:

20 February 2009 (USA) See more »

Also Known As:

Hace mucho que te quiero See more »

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Box Office

Opening Weekend USA:

$64,731, 26 October 2008, Limited Release

Gross USA:

$3,167,876, 19 April 2009
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The note written by Juliette's dead son, which Lea finds by accident, reads: "Un jardin sous la plui c'est doux triste come moi sans toi. Maman je veux pas que tu meure jamais. On sera ensemble toujours. Tu es mon amour. Ton petit Pierre". (A garden under the rain is sweet sad like me without you. Mama I don't want you to die ever. We'll be together always. You are my love. Your little Pierre.) See more »

Quotes

P'tit Lys: The prince went slowly through the forest. His beautiful horse was silent. The sky was taking on the color of roses. "Will I be in time?" the prince wondered. He remembered what the magician had told him. "Night is your only enemy. Once it has cast its cloak of darkness over the world and you cannot tell the shadow of a dog from that of a wolf, you will know it is too late and that your beautiful lady is lost forever. Hurry if you love her." The prince's heart was pounding.
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Connections

Referenced in Mic Macs à Tire-Larigot (2009) See more »

Soundtracks

À la Claire Fontaine
Traditional French
Performed by Kristin Scott Thomas, Elsa Zylberstein and Lise Ségur
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Frequently Asked Questions

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User Reviews

 
Is this Scott Thomas's greatest role?
21 April 2008 | by rogerkuinSee all my reviews

This may be the film that makes Kristin Scott Thomas's reputation as not a good actress but a great one. It is a French film, and one has to accept the parameters of French 'intimisme'; as such it is wonderful. It is not a question of being a parent or not: it's a question of being ready or not to be swept out of one's daily self by great acting. Elsa Zylberstein is a fine actress (I remember her with affection in 'Farinelli'), but Scott Thomas here surpasses anything she has done before. She is capable, we knew, of making herself nearly ugly ('Angels and Insects'); she can do understated sensitivity ('Four Weddings and a Funeral'); here she gets a part of the emotional power of a Medea or a Phaedra and plays it with the let-it-rip force of a great tragédienne. The film is a vehicle for an actress, and none the worse for that. It is not unworthy of her, and that may be the best one can say of Claudel's work; but that may just be enough. There was a curiously fugitive quality to KST's interviews about this film: one got the impression she didn't really want to talk about it in more than mundane depth. One can see why. It all goes very near the bone. She may want to do a sheer glorious comedy next, just to remind us all of the blithe side of her nature. Long may she live, and work.


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