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Boyhood (2014)

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The life of Mason, from early childhood to his arrival at college.

Director:

Richard Linklater
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Popularity
1,248 ( 325)
Won 1 Oscar. Another 171 wins & 209 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ellar Coltrane ... Mason
Patricia Arquette ... Mom
Elijah Smith ... Tommy
Lorelei Linklater ... Samantha
Steven Chester Prince ... Ted (as Steven Prince)
Bonnie Cross Bonnie Cross ... Teacher
Sydney Orta Sydney Orta ... Elementary School Girl (as Sidney Orta)
Libby Villari ... Grandma
Ethan Hawke ... Dad
Marco Perella ... Professor Bill Welbrock
Jamie Howard Jamie Howard ... Mindy
Andrew Villarreal Andrew Villarreal ... Randy
Shane Graham ... Neighborhood Friend #1
Tess Allen ... Neighborhood Friend #2
Ryan Power Ryan Power ... Paul
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Storyline

Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. Written by IFC Films

Plot Summary | Plot Synopsis

Taglines:

12 years in the making

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for language including sexual references, and for teen drug and alcohol use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

USA

Language:

English | Spanish

Release Date:

15 August 2014 (USA) See more »

Also Known As:

Growing Up See more »

Filming Locations:

Texas, USA See more »

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Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend USA:

$387,618, 13 July 2014, Limited Release

Gross USA:

$25,379,975

Cumulative Worldwide Gross:

$50,692,666
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Goofs

When the kids are eating with their father at the bowling alley, their dad puts a cigarette in the holder and reaches into his back pocket to pull out his wallet. The camera angle shifts over his shoulder as he slides a bill across the table and the cigarette is no longer in the holder. When the camera angle shifts back again as Samantha takes the dollar, the cigarette is right back in the holder. See more »

Quotes

Mason: [while canvassing for the 2008 Presidential Election] Hi, can I put an Obama sign on your lawn?
No Obama Man: Do I look like a Barack *Hussein* Obama supporter?
No Obama Man: [Mason starts leaving] This is private property, you know! I could shoot you!
Mason: [under his breath, while walking away] What a dick!
Samantha: Um, he has a Confederate flag on his house.
See more »


Soundtracks

Helena Beat
Written by Mark Foster
Performed by Foster the People
Published by Smims Coffee and Tea Music Publishing (BMI)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
See more »

Frequently Asked Questions

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User Reviews

 
Feels like the movie I was born to watch
9 July 2014 | by ClaytonDavisSee all my reviews

Every once in a while, you can witness something that hits you at your very core. I've felt this very few times in my film loving career. I gazed in awe at the sight of dinosaurs in Steven Spielberg's Jurassic Park, marveled witnessing the birth of the universe in Terrence Malick's The Tree of Life, and now, I sit in sheer admiration and respect at the magic that is Richard Linklater's Boyhood. Nothing you have read, heard, or seen about the film will prepare you for the experience that is this cinematic rarity. Filmed over twelve years, Boyhood tells the story of Mason, who we follow from ages 5 to 18.

Starring Ellar Coltrane, Patricia Arquette, Ethan Hawke, and Lorelei Linklater, Boyhood assembles the finest cast of 2014 so far. Each player, dedicating themselves to the greater cause, allows themselves to evolve. Fully realized, and oozed with every rich element of movie making, Linklater writes the most authentic characters to grace the screens in years. Ready for more hyperbolic thoughts? Doesn't make it less true but get ready. Boyhood, potentially, could be one of the best films ever made. Last year, I referred to his third installment of the Before series, "a masterpiece." I stand by that even today. Boyhood however, is something that is a once in a lifetime endeavor that will be studied, criticized, admired, and bring all the discussions about film to the forefront. I feel blessed just to have watched it.

Ellar Coltrane is simply stupendous. As you watch his transformation before your eyes, his subtle and restrained performance will floor you, scene after scene, year after year. It's astounding how Coltrane interprets young Mason as a boy, bringing him through adolescence with grace, and then fully realizes what kind of man he has become. There's an intimacy in which Coltrane decides to finesse Mason upon the audience. He thoroughly cares about him, understanding his confusions, and even more, realizing his flaws. It's one of the year's most outstanding performances and one of the best delivered by any child actor.

Ethan Hawke continues to be one of the more undervalued and underutilized actors working today. Though he has three Oscar nominations to his name, two for co-writing Before Sunset and Before Midnight, and one for Best Supporting Actor in Antoine Fuqua's Training Day, I'm still unsure about how Hollywood and the world perceives his abilities. As Mason's Dad, Hawke takes his character to the brink of sheer brilliance. Showcasing an unrestrained and eager willingness to connect with his children, Dad, as he's only called in the film, is a sensational and intriguing look into fatherhood and being human. Chasing the dreams, and believing you are destined for something greater, Dad allows the audience to relish in his quest to be connected and complacent. Hawke shines once again, involving both mind and spirit, into a man we may know all too well.

As Mom, Patricia Arquette ignites the spirit in a performance that should land her an Oscar nomination for Best Supporting Actress. Headlining a career that has produced impressive work on TV's "Medium," as well as in films like True Romance, Arquette's prowess is her ability to be a fallen character without requiring pity or persuasion from the viewer. She interprets a woman, desperate for a connection to other aspects of her life, and reinvents the foundation of the broken mother. Arquette's beautiful yet exhilarating turn often feels like riding on the edge of a cliff, unsure if we're going in, but even more excited just to be on the ride with her. Pure and raw talent exists in her, and it's been worth the wait to finally witness it all unravel.

Richard Linklater casts his daughter Lorelei Linklater to play Samantha, Mason's older sister. Without even realizing or thinking about it, you secretly and solemnly fall in love with her transformation from girl to woman. She is every bit as brilliant as any person in the cast, delivering on all beats, allowing her awkward yet sweet demeanor to pierce through yet not forgetting her annoyance and overbearing nature in which she came. Honestly, it's a performance destined to be forgotten during the awards year but it's something I will recall for years to come.

There are other supporting players that we meet throughout the journey particularly Marco Perella and Zoe Graham, who completely make their mark during the picture.

Running at 165 minutes, this dramatic, coming-of-age epic had me just yearning for more. I wanted to stay with them, see their journeys continue, and just relish in this dream a bit longer. I walked out secretly (or not so secretly) wishing that Linklater is quietly filming these same characters for the next twelve years, and will not reveal the plans until it's all finished. Talk about the surprise of my life. At 42 years old when and if that happens, I will be excited for the ride.

Shot gorgeously by Lee Daniel and Shane F. Kelly, and edited with clarity and love by Sandra Adair, Boyhood succeeds as a technical marvel just as much as a narrative and performance piece. Linklater's writing, on virtually every level, is the best thing since Eternal Sunshine of the Spotless Mind. Originality, and taking a fresh perspective on a genre that could feel stale for some, Linklater will make you a believer again. His direction is even more impressive. It's the single best thing that he's ever done and probably ever will do. It's the pinnacle of his career, and is his offering to cinema for all-time.

In essence, Linklater's Boyhood is a must-see film for any lover of the movies. It's the type of film that was imagined when they invented film. With tears in my eyes, I marveled and wept for a creation I still may not fully understand but am anxiously waiting to revisit very soon.

Read more @ The Awards Circuit (http://www.awardscircuit.com)


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