Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting.Written by
IFC Films
The precise timeframe of the film is never made completely clear. The constantly changing time setting can only be identified by pop-culture references, the soundtrack, and advances in the technology used by the characters. The production staff was careful to only use songs in scenes which took place in or soon after the songs, respective years of production. See more »
Goofs
When Dad is driving the kids to the Astros game, in downtown Houston, they are shown as driving straight and not changing direction. However the buildings they pass indicate that they change direction several times. This is probably due to the fact that one can drive from one side of downtown to the other in about a minute and a half provided all of the stoplights are green. See more »
Quotes
Dad:
[frustrated with the monosyllabic answers Mason Jr. and Samantha are giving him]
No, no, no. I'm not gonna be *that* guy. You know, the "biological father, who I see on the weekends, and I make small talk with him while he drives me places and buys me shit." No.
Samantha:
Dad, these questions are kind of hard to answer.
Dad:
What's so hard to answer about "what sculpture are you making"?
Samantha:
It's abstract!
See more »
Let It Die
Written by Dave Grohl, Taylor Hawkins, Nate Mendel, Chris Shiflett
Performed by Foo Fighters
Published by Flying Earform Music on behalf of BMG Bumblebee c/o BMG Rights Management (US) LLC, Songs of Universal, Inc. on behalf of Itself, MJ Twelve Music and I Love the Punk Rock Music/Universal Music Corp. on behalf of Living Under a Rock Music
Courtesy of RCA Records
By arrangement with Sony Music Licensing See more »
Once a year, over the last 12 years, Richard Linklater ('Waking Life' / 'Before Sunset') has reunited the same cast and shot segments of a feature film following the life of a boy (played by Ellar Coltrane – who literally grew into this part and became an actor of substance) from the age of 5 through the age of 18; the result is both fascinating and inspired. The only other project that comes close in comparison is Michael Apted's 'Seven Up' series which documents the lives of a collection of school children in 7-year intervals, starting in 1964 and still going as of the latest edition in 2012. What's so unique about 'Boyhood' is that these individuals (including Ethan Hawke, Patricia Arquette, and Linklater's own daughter, Lorelei Linklater) evolve and age within a scripted narrative that is not 'like' a time capsule, this is a completely authentic period piece that retraces an era from the cultural response to September 11th, through the election of Barrack Obama, and into the age of social media saturation. As you watch these actors morph through more than a decade of their lives within a few hours, the story becomes as engaging as its concept. Throughout my life and travels, I've heard so little enthusiasm for Linklater outside of Austin and it's a shame because he is a unique force within the industry and quite an American gem. The director received a well-deserved standing ovation from SXSW's elated audience having, once again, set a new standard in the exploration of film's potential and reinforcing the limitlessness of DIY filmmaking.
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Once a year, over the last 12 years, Richard Linklater ('Waking Life' / 'Before Sunset') has reunited the same cast and shot segments of a feature film following the life of a boy (played by Ellar Coltrane – who literally grew into this part and became an actor of substance) from the age of 5 through the age of 18; the result is both fascinating and inspired. The only other project that comes close in comparison is Michael Apted's 'Seven Up' series which documents the lives of a collection of school children in 7-year intervals, starting in 1964 and still going as of the latest edition in 2012. What's so unique about 'Boyhood' is that these individuals (including Ethan Hawke, Patricia Arquette, and Linklater's own daughter, Lorelei Linklater) evolve and age within a scripted narrative that is not 'like' a time capsule, this is a completely authentic period piece that retraces an era from the cultural response to September 11th, through the election of Barrack Obama, and into the age of social media saturation. As you watch these actors morph through more than a decade of their lives within a few hours, the story becomes as engaging as its concept. Throughout my life and travels, I've heard so little enthusiasm for Linklater outside of Austin and it's a shame because he is a unique force within the industry and quite an American gem. The director received a well-deserved standing ovation from SXSW's elated audience having, once again, set a new standard in the exploration of film's potential and reinforcing the limitlessness of DIY filmmaking.