Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting.Written by
In the film's first line of dialogue, Mason talks to his mother about wasps. Later his digital photography project in high school contains a series of images of wasps. See more »
In an early scene in the movie, Mason goes to a man's house and asks if he could put an Obama campaign sign on his lawn. The man angrily refuses and tells Mason to leave. As Mason is leaving, the man shouts to him "You're on my property. I could shoot you!" in reference to The "Stand Your Ground" Law in the state of Texas. However the man is incorrect. Since Mason poses no threat to the man and left when the man told him to, the man has no right to shoot Mason and would be prosecuted for murder if he did. The "Stand Your Ground" law in Texas clearly states that a resident/tenant cannot use deadly force on a person because the person is simply trespassing. A clear and present threat must be posed to the resident/tenant for deadly force to be permitted. See more »
[frustrated with the monosyllabic answers Mason Jr. and Samantha are giving him]
No, no, no. I'm not gonna be *that* guy. You know, the "biological father, who I see on the weekends, and I make small talk with him while he drives me places and buys me shit." No.
Dad, these questions are kind of hard to answer.
What's so hard to answer about "what sculpture are you making"?
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Once a year, over the last 12 years, Richard Linklater ('Waking Life' / 'Before Sunset') has reunited the same cast and shot segments of a feature film following the life of a boy (played by Ellar Coltrane – who literally grew into this part and became an actor of substance) from the age of 5 through the age of 18; the result is both fascinating and inspired. The only other project that comes close in comparison is Michael Apted's 'Seven Up' series which documents the lives of a collection of school children in 7-year intervals, starting in 1964 and still going as of the latest edition in 2012. What's so unique about 'Boyhood' is that these individuals (including Ethan Hawke, Patricia Arquette, and Linklater's own daughter, Lorelei Linklater) evolve and age within a scripted narrative that is not 'like' a time capsule, this is a completely authentic period piece that retraces an era from the cultural response to September 11th, through the election of Barrack Obama, and into the age of social media saturation. As you watch these actors morph through more than a decade of their lives within a few hours, the story becomes as engaging as its concept. Throughout my life and travels, I've heard so little enthusiasm for Linklater outside of Austin and it's a shame because he is a unique force within the industry and quite an American gem. The director received a well-deserved standing ovation from SXSW's elated audience having, once again, set a new standard in the exploration of film's potential and reinforcing the limitlessness of DIY filmmaking.
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