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Bienvenue chez les Ch'tis (2008)

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A French public servant from Provence is banished to the far North. Strongly prejudiced against this cold and inhospitable place, he leaves his family behind to relocate temporarily there, with the firm intent to quickly come back.

Director:

Dany Boon

Writers:

Dany Boon, Alexandre Charlot (dialogue) | 3 more credits »
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4 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Kad Merad ... Philippe Abrams
Dany Boon ... Antoine Bailleul
Zoé Félix ... Julie Abrams
Lorenzo Ausilia-Foret Lorenzo Ausilia-Foret ... Raphaël Abrams
Anne Marivin ... Annabelle Deconninck
Philippe Duquesne Philippe Duquesne ... Fabrice Canoli
Guy Lecluyse Guy Lecluyse ... Yann Vandernoout
Line Renaud ... La maman d'Antoine
Michel Galabru ... Le grand oncle de Julie
Stéphane Freiss ... Jean Sabrier
Patrick Bosso Patrick Bosso ... Le gendarme A7
Jérôme Commandeur Jérôme Commandeur ... L'inspecteur Lebic
Alexandre Carrière Alexandre Carrière ... Tony - l'amoureux d'Isabelle
Fred Personne Fred Personne ... M. Vasseur
Franck Andrieux Franck Andrieux ... M. Leborgne
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Storyline

Although living a comfortable life in Salon-de-Provence, a charming town in the South of France, Julie has been feeling depressed for a while. To please her, Philippe Abrams, a post office administrator, her husband, tries to obtain a transfer to a seaside town, on the French Riviera, at any cost. The trouble is that he is caught red-handed while trying to scam an inspector. Philippe is immediately banished to the distant unheard of town of Bergues, in the Far North of France. Leaving his child and wife behind, the crucified man leaves for his frightening destination, a dreadfully cold place inhabited by hard-drinking, unemployed rednecks, speaking an incomprehensible dialect called Ch'ti. Philippe soon realizes that all these ideas were nothing but prejudices and that Bergues is not synonymous with hell... Written by Guy Bellinger

Plot Summary | Plot Synopsis

Taglines:

Über 20 Millionen Franzosen können nicht irren! [German release]

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French

Release Date:

27 February 2008 (France) See more »

Also Known As:

Willkommen bei den Sch'tis See more »

Filming Locations:

Autoroute A7, France See more »

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Box Office

Budget:

€11,000,000 (estimated)

Opening Weekend:

€20,873,413 (France), 2 March 2008, Wide Release

Gross USA:

$1,477,650

Cumulative Worldwide Gross:

$246,622,067
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The actual Post Office in Bergues is located at 2 Rue Léon Claeyes, which is not the location shown in the movie. The building is similar but with particular differences. Still, most of the set locations are accurate. See more »

Crazy Credits

after the movie, while the closing credits scroll over the screen, some outtakes are shown. See more »

Connections

Referenced in Willkommen bei den Honeckers (2017) See more »

Soundtracks

I just call (to say I love you)
Composed, produced and interpreted by Stevie Wonder
(from the soundtrack of The Woman in Red (1984), 1984)
See more »

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User Reviews

 
Truly funny French comedy
27 March 2008 | by oephyxSee all my reviews

Of course it's not a deep film, but nor is it pretentious. It might also not please everyone - if you don't want to have a good laugh, or if your French is challenged, you could find it dull. But true laugh-out-loud comedies that feel genuine and refreshing (like this one) instead of grotesque and vulgar are few and far in between. Moreover, and even more rare, the whole audience - me included - seemed to be howling in laughter, not just three people making a lot of noise.

While the pun is largely based on the local "ch'ti" dialect, it is not limited to it and humour works throughout, well timed and mastered by the actors. The dialect itself was ably used, and the audience are introduced to it nicely. Boon is wonderful, both touching and funny, and Kad Merad delivers a nice performance. More than the dialect or the actors, the region itself and its people are beautifully pictured, and the spirit is well captured. Clichés are used for comedic purpose, and are dispelled instead of being woven. Amateurs will also find an incredible short appearance by Michel Galabru (my favourite part of the film). The film never aims to be realistic, and never seems pretentious, but the feel of Northern France is genuine.

In the end, it is a truly pleasing film: funny, true to itself, fresh and nicely French (but not the part you are most used to seeing) is what you should expect.


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