Mala Ahmet, the old leader of a Turkish tribe is suffering from cancer. While running away from the compulsory chemotherapy in the hospital he suddenly finds himself in a nursery home where...
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Ömer Faruk Sorak
The film is about the introduction of television to a small village in southeast Anatolia in 1974. Employing a tragicomic language, it tells of the efforts of Emin who is the village idiot ... See full summary »
Mala Ahmet, the old leader of a Turkish tribe is suffering from cancer. While running away from the compulsory chemotherapy in the hospital he suddenly finds himself in a nursery home where he is confronted with a different but cruel culture of life: The old people are left alone to their destiny while they wait for their death to come, whereas old people of his own village in the south-east, are treated with utmost care and tenderness by their relatives.
An overly sentimental melodrama that brings the arabesque aesthetic to the big screen...
Popular Turkish arabesque singer-songwriter and sometime T.V. actor Mahsun Kırmızıgül ("Aşka Sürgün" & "Zalım") made his directorial debut with this sceptically received melodrama which picked up the Remi Award for Best Foreign Film at the 41st WorldFest-Houston International Film Festival.
Ali (Mahsun Kırmızıgül) and Reşat (Sarp Apak) bring their ailing father Ahmet (Arif Erkin) for treatment to Istanbul where they encounter the titular Melek (Yıldız Kenter) and the other wacky residents of an old people's home for a east-west culture clash which highlights the emptiness of Western values.
The ethereal and somewhat overly theatrical Yıldız Kenter heads up an all-star cast of veteran Turkish character actors which includes a powerful performance from Arif Erkin, a suppressed comic turn from Nejat Uygur and the ever present Erol Günaydın, while Mahsun Kırmızıgül and Sarp Apak remain in the background.
The debut director was not warmly welcomed by the Turkish film critics who viewed his star-laden debut vehicle as little more than a commercial enterprise but despite the unintentionally hilarious excess of sentimentality also present in his musical output he has managed to craft an acceptable first film with the promise of greater things to come.
"And did you know that there are angels in every raindrop that falls from the sky?"
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