To celebrate Rob's massive promotion, his lover, Beth, and friends, decide to throw a massive surprise farewell party, now that he is about to move to Japan. However, a deafening explosion and the arrival of an enormous scaly and gangly creature will abruptly interrupt the festivities, as all hell breaks loose in New York City, and the Statue of Liberty is decapitated. As the reptilian behemoth levels Manhattan, a daring dash to rescue Beth begins, while at the same time, everything is recorded through the lens of a hand-held camcorder, amid mayhem and destruction. In the end, where did this relentless invader come from, and above all, is there a chance of survival? As they go to investigate, an adventure deep into the streets of New York begins, as the friends are determined to rescue Rob's true love.Written by
Despite claims from fans about there being two giant monsters, there is only one. Differences in the monster's appearance, such as color and size, can be explained by lighting and camera angles. In the film, the military refer to just one: "Whatever it is, it's winning." The filmmakers have consistently referred to it as "the monster" rather than "monsters." Director Matt Reeves has confirmed that the way the creature is filmed merely creates the illusion that there are differences in size. See more »
After the initial attack with the Statue of Liberty head laying in the street and everyone emerges from the store, Hud starts exclaiming that he has footage of the monster, and everyone gathers around Hud as if he is going to play the video. The footage cuts to some additional footage that Hud is supposedly taping over, and then the image resumes, as if Hud turned the recording feature back on just after everyone has seen the footage, and is reacting to the sight.
The problem is that if Hud rewound the tape back to show the footage of the monster, and then stopped the footage just after the monster appeared on the screen, then started recording again, he would have taped over everything that happened after he saw the monster (all of the footage in the store, for instance). Not enough time had elapsed between him showing the footage and his audience's reactions for him to fast-forward again to a spot after the footage we saw of him exclaiming he had images of the monster. See more »
It's 6:42 AM. Beth's dad's place. He's out of town. And it's already a good day.
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During the Paramount and Bad Robot logos, the creatures footsteps can be heard growing louder and louder as the titles progress. See more »
Officer Of The Day
Written and Performed by R.B. Hall
Courtesy of Dynamic Recording See more »
Monsters movie in which a camera manages to shoot the frightening events that spontaneously happen
When some New Yorkers are celebrating a leaving party the ground starts to shake , with blowing up happening anywhere . They decide to abandon the flat when a monster terrorizes the Great Apple , breaking buildings , and every to get in its ways. Various characters cross paths with the giant beast, and they attempt to escape along with a young carrying a hand-held video camera.
This eerie tale is plenty of thrills, chills, restless horror and suspense . Film itself takes place from point of sight of a cameraman , with camera over shoulders , displaying a documentary style filmed by photographer Michael Bonvilliam . In fact , during the first weekend of the release, many theaters posted signs warning guests that the hand held camera movements may cause motion sickness . The title "Cloverfield"; initially just a codename for the movie, is named for the boulevard in Santa Monica where the Bad Robot offices were located during the making of the film . Good but unknown cast as Michael Sthal , Jessica Lucas, Odette Yusman , Michael Vogel, among others . Well worth watching if you appeal shaky cameras , such as : ¨Blair witch project¨, ¨28 days/ Weeks after¨ or the classic Italian ¨Holocaust cannibal¨; and recently ¨Rec (2007)¨ by Paco Plaza and Jaume Balaguero and its American remake ¨Quarintine (2008)¨ by John Erik . The flick is a crossover between Gozilla picture , catastrophe genre and documentary with Steadicam camera . Lavishly produced by J.J.Abrams (Lost, Star Trek) and Bryan Burk with excellent special effects and monsters made by Phill Tippet studio . The motion picture picture was professionally directed by Matt Reeves . He's a writer, producer (Yards) and director for television (Felicity) and eventually for cinema ; furthermore , usual collaborator of J.J. Abrams . Rating : Interesing and spectacular , above average.
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