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Invictus (2009)

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Nelson Mandela, in his first term as the South African President, initiates a unique venture to unite the apartheid-torn land: enlist the national rugby team on a mission to win the 1995 Rugby World Cup.

Director:

Clint Eastwood

Writers:

Anthony Peckham (screenplay), John Carlin (book)
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Popularity
3,627 ( 31)
Nominated for 2 Oscars. Another 10 wins & 33 nominations. See more awards »

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Cast

Cast overview, first billed only:
Morgan Freeman ... Nelson Mandela
Matt Damon ... Francois Pienaar
Tony Kgoroge Tony Kgoroge ... Jason Tshabalala
Patrick Mofokeng Patrick Mofokeng ... Linga Moonsamy
Matt Stern Matt Stern ... Hendrick Booyens
Julian Lewis Jones ... Etienne Feyder
Adjoa Andoh ... Brenda Mazibuko
Marguerite Wheatley Marguerite Wheatley ... Nerine
Leleti Khumalo ... Mary
Patrick Lyster ... Mr. Pienaar
Penny Downie ... Mrs. Pienaar
Sibongile Nojila Sibongile Nojila ... Eunice
Bonnie Henna ... Zindzi
Shakes Myeko Shakes Myeko ... Minister of Sport
Louis Minnaar ... Springbok Coach (as Louis Minaar)
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Storyline

The film tells the inspiring true story of how Nelson Mandela joined forces with the captain of South Africa's rugby team to help unite their country. Newly elected President Mandela knows his nation remains racially and economically divided in the wake of apartheid. Believing he can bring his people together through the universal language of sport, Mandela rallies South Africa's rugby team as they make their historic run to the 1995 Rugby World Cup Championship match. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

He was a prisoner who became a president. To unite his country, he asked one man to do the impossible. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for brief strong language | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Release Date:

11 December 2009 (USA) See more »

Also Known As:

The Human Factor See more »

Filming Locations:

South Africa See more »

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Box Office

Budget:

$60,000,000 (estimated)

Opening Weekend USA:

$8,611,147, 13 December 2009, Wide Release

Gross USA:

$37,491,364

Cumulative Worldwide Gross:

$124,514,011
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital | DTS | SDDS

Color:

Color

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

When the film came about, composer Kyle Eastwood was at a jazz festival in South Africa, so Clint sent him to scout around and meet local music groups to see what he could find. See more »

Goofs

In the movie the Springboks were shown teaching children how to do line outs by lifting a player high to receive the ball. In 1995 the interpretation of that rule only allowed "supporting" the player. Modern rugby sees big lifts as portrayed in the film, but in 1995 you would only see smaller jumps. See more »

Quotes

[first lines]
High School Boy: [seeing passing motorcade] Who is it, sir?
High School Coach: It's the terrorist Mandela, they let him out. Remember this day boys, this is the day our country went to the dogs.
See more »

Crazy Credits

The Warner Bros logo is the 90s era logo, in keeping with the time period of the film. See more »

Connections

Follows The Color of Freedom (2007) See more »

Soundtracks

Anderlecht Champion
aka "Olé Olé Olé - We Are The Champions" (1999)
Written by Armath and J. Deja (as Deja)
Performed by Overtone
See more »

Frequently Asked Questions

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User Reviews

 
Inspirational
12 December 2009 | by Dan Franzen (dfranzen70)See all my reviews

Clint Eastwood manages to top himself with this true story of how the new president of South Africa, Nelson Mandela, used the national rugby team foray into the World Cup to unite his country after years of apartheid. Eastwood’s soft touch provides a timely but not heavy-handed message about hope and change that probably won’t be lost on American audiences. The result is beautiful, exhilarating, and wholly inspirational.

Mandela, played with effortless dignity by Morgan Freeman, is fresh out of prison and desperate for a way to rebuild his country, which has been torn asunder by the heinous policies of apartheid. Mandela comes to believe that the most sensible way for this to be accomplished is not by making speeches in faraway lands but to give his countrymen something they can all cheer about. His solution is to galvanize the national rugby team, which to date had not been a particularly successful club and had been given very little chance to compete on an international stage like the World Cup. Mandela pins all of his political hopes on the club’s chances; should they fail, he will appear to have behaved frivolously in paying so much attention to a sport, and the black people and the white people would be even farther apart.

The odds were decidedly against the Springboks of South Africa. The team was a certified failure, so much so that the coach had just been axed. Captain Francois Pienaar (Matt Damon) is frustrated. Times are so bad in South Africa that during the team’s matches, the white audience members cheer for South Africa – but the black audience members cheer for the opposition, because the team itself is almost entirely white, with only one black player. Indeed, after Mandela’s election as president, South African groups vote overwhelmingly to drop the traditional rugby nickname “Springboks” as a way to shed themselves of all reminders of the apartheid era. Mandela realizes that such a action would instead drive a further wedge between the two races, so he countermands the local votes and maintains the nickname and the traditional green-and-gold uniforms.

Sports movies in general are expected to follow a particular formula, more so than other films. That is, if we’re met with a ragtag band of sandlot players, we expect them to somehow persevere by the end of the movie. This is one of the few genres in which such predictability is a major plus. Sports movies are meant to manipulate you shamelessly, and you’re a willing, permissive participant. Invictus certainly plucks all the heartstrings it can, but the bonus is that these events actually happened. This isn’t The Mighty Ducks beating the bad guys or Henry Rowengartner’s Cubs winning the World Series, this is a real-life rugby team gaining strength, wisdom, and inspiration from their newly elected president to triumph over steep odds.

That said, this is less a movie about winning the championship and more about unification. Mandela, who had been imprisoned for 27 years, had steep odds of his own to contend with. Although democratically elected, there were still plenty of people throughout the country who really didn’t trust their new leader at all and were convinced that he would lead them all to ruin. (Sounds a little familiar, and I assume that the timing was intentional on the part of Eastwood.) Mandela had to unite everyone, beginning with his own staff, in order for the country to move forward and have a seat at the proverbial international table.

Because of this grand vision, Mandela takes a personal interest in the fortunes of the rugby team, even to the point of rescheduling events so that he can watch the matches either in person or at least on television. He is careful not to intrude too much in the training and management of the team (particularly Pienaar).

Now, granted, this is an American movie made for American audiences, so there are some concessions. For one thing, the rules of rugby have to be mentioned at least once (and not enough, as far as I was concerned); for another, the focus isn’t just on the political machinations and aspirations of Mandela but rather on how the team itself reacts to its new success and the attempts by its captain to inspire them to ever-greater heights. What this slight sleight of hand does is present the idea of postpartheid attitudes in the framework of an athletic event, something American audiences can always care about, no matter the sport. Excellent decision by the director, I think, because the overall message is enhanced, rather than obscured, by the experiences of the Springboks.

Even with the political subtext, and even among sports movies (which themselves are usually very evocative), this is a highly emotional film. The rugby scenes are so well done, so fantastic to watch, that nonfans like me – who don’t know a thing about rugby – can’t help but let down their steely resolve and cynicism. This is a happy, optimistic movie, but it’s not a funny movie. There was hardly a dry eye in the theater today, thanks to the powerful rugby scenes, and I have to admit I haven’t teared up that much at any movie in a long, long time. Eastwood’s strong direction pushes the audience into the right direction, but we go willingly and happily. Freeman is commanding in the role he was always meant to play (Mandela himself wanted Freeman to portray him), and even Damon is excellent as the South African rugby captain. This is a true winner in all aspects of film.


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