| Runtime | 2 hr 29 min (149 min) |
| Sound Mix | SDDS | Dolby Digital | DTS | Sonics-DDP (IMAX version) | Dolby Atmos |
| Color | Color |
| Aspect Ratio |
1.43 : 1
(two scenes: IMAX 70mm venues)
1.78 : 1 (two scenes: IMAX version - Blu-ray) 2.39 : 1 |
| Camera |
Arriflex 235, Panavision C-, E- and G-Series Lenses
Arriflex 435 ES, Panavision C-, E-, G-Series, ATZ, AWZ2 and Angenieux Optimo Lenses Beaumont VistaVision Camera IMAX MKIII, Hasselblad Lenses IMAX MSM 9802, Hasselblad Lenses Iwerks IW5A, Hasselblad Lenses Panavision Panaflex Millennium XL2, Panavision C-, E-, G-Series, ATZ and AWZ2 Lenses Panavision Panaflex Platinum, Panavision C-, E-, G-Series, ATZ, AWZ2, Angenieux Optimo and Canon Lenses |
| Laboratory |
Company 3, Los Angeles (CA), USA
(digital intermediate) (dailies)
Consolidated Film Industries (CFI), Hollywood (CA), USA (IMAX prints) DeLuxe, Hollywood (CA), USA (prints) |
| Film Length |
4,091 m
(Spain)
4,135 m (Portugal, 35 mm) |
| Negative Format |
35 mm
(also horizontal) (Kodak Vision2 200T 5217, Vision3 500T 5219, Ektachrome 100D 5285)
65 mm (horizontal) (Kodak Vision3 500T 5219) |
| Cinematographic Process |
Digital Intermediate
(2K) (master format)
Dolby Vision IMAX (source format) (some scenes) Iwerks 15/70 (source format) (some scenes) Panavision (anamorphic) (source format) Super 35 (source format) VistaVision (source format) (some scenes) |
| Printed Film Format |
35 mm
(Kodak Vision 2383)
70 mm (horizontal) (IMAX DMR blow-up) (Kodak Vision 2383) D-Cinema |
Edit
See also
Full Cast and Crew | Release Dates | Official Sites | Company Credits | Filming & Production
