Based on the life of French painter Séraphine de Senlis.

Director:

Martin Provost
20 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
Yolande Moreau ... Séraphine Louis, dite Séraphine de Senlis
Ulrich Tukur ... Wilhelm Uhde
Anne Bennent ... Anne-Marie Uhde
Geneviève Mnich Geneviève Mnich ... Mme Duphot
Adélaïde Leroux ... Minouche
Nico Rogner ... Helmut Kolle
Françoise Lebrun ... La mère supérieure
Hélène Hardouin Hélène Hardouin ... La propriétaire
Serge Larivière ... Duval
Léna Breban ... Soeur Marguerite (as Léna Bréban)
Sandrine Bodenes Sandrine Bodenes ... Marie-Louise (as Sandrine Bodènés)
Muriel Riou Muriel Riou ... Berthe
Dominique Pozzetto Dominique Pozzetto ... Anatole Duphot
Josette Ménard Josette Ménard ... La bouchère
Xavier Pottier Xavier Pottier ... Le boucher
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Storyline

In 1914, Wilhelm Uhde, a famous German art collector, rents an apartment in the town of Senlis, forty kilometers away from Paris, in order to write and to take a rest from the hectic life he has been living in the capital. The cleaning lady is a rather rough-and-ready forty-year-old woman who is the laughing stock of others. One day, Wilhelm who has been invited by his landlady, notices a small painting lying about in her living room. He is stunned to learn that the artist is no other than Séraphine. Written by Guy Bellinger

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Genres:

Biography | Drama

Certificate:

Unrated | See all certifications »

Parents Guide:

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Did You Know?

Trivia

Since the film's release, the number of visitors at the museum of Senlis exhibiting Séraphine's works has quadrupled (August 2009). See more »

Goofs

The film opens in 1914 showing the arrival of Wilhelm and Anne-Marie at the village. Wilhelm actually arrived in 1912, two years before the start of the war. See more »

Crazy Credits

The credits list the names of the paintings which are seen in the film - 10 paintings by Séraphine and the artworks owned by Uhde and Kolle. See more »

Soundtracks

La Femme aux Bijoux
Music by Louis Bénech
Lyrics by Ernest Dumont
Sung and played on the piano by Ulrich Tukur
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User Reviews

 
A visionary artist, her sometime mentor, and her sad decline
23 February 2009 | by Chris KnippSee all my reviews

Veteran actress Yolande Moreau gives a dedicated performance in this biopic about the neo-primitive, or "naive," or "outsider" flower painter Séraphine Louis (1864-1948), now called Séraphine de Senlis, from the town where she worked. An orphan looked down on by all, she survived barely by doing cleaning and laundry paid by the job, but in her little room in town at night by candlelight made strange, visionary paintings of flowers in large clusters, looking like diamonds or insects. Raised and cared for in early life by nuns, she sang to the Virgin when she finished a painting. Beautifully photographed, meditative, with a strong sense of the quietude of rural France in the teens and twenties, this picture doesn't provide deep insight into either Séraphine or the German art collector who discovered and supported her, Wilhelm Uhde (Ulrich Tukur, another veteran; he has one of the secondary leads in The Lives of Others). Uhde deserves his own biopic. He was the first to purchase the works of Picasso and discovered the great modern primitive Henri "Le Douanier" Rousseau.

Slowly, methodically, the film shows how Uhde finds out by chance that the haggard looking middle aged woman cleaning up in the big rented house he's living in in Senlis with his sister is doing unique paintings on wood. Nobody else around appreciates them or, in fact, understands modern art. He buys all her work from Séraphine and urges her to concentrate on her art. But WWI comes, and as a German he is forced to leave precipitously, leaving behind his little notebook and most of the art he's collected in France.

Uhde returns years later with his sister and also a male lover, Helmut Kolle (Nico Rogner), a talented young German expressionist painter dying of TB, and rents another house in the area. He comes across Séraphine's work and finds it more ambitious and much more brilliant. He puts her on a generous monthly stipend. She shows signs of mania, and her disappointment when she finds the Paris exhibition must be put off due to the worldwide financial crisis leads her into insanity. The trajectory is ever downward, though the final scenes suggest that her last years in a sanatorium may have been spend it serenity, close to the nature she loved.

This film is thorough and handsomely made, but a little too much on the dutiful and academic side. It has parallels as a story with Bruno Nuytten's 1988 Camille Claudel, but it has neither the level of drama nor the presence of Gérard Depardieu and Isabelle Adjani (as Rodin and Claudel) to give it energy. As director Provost has said, Uhde had a "dark side": his willingness to virtually abandon Séraphine when things got rough for her, and not to bother looking for her when he first returns to France after the War. Provost leaves this mysterious, which is just historically, but unsatisfying cinematically. But Provost did apparently help organize the recent Musée Maillol exhibition of Séraphine's work. And this film is a thought-provoking addition to the on-screen literature of outsider or visionary art.

The film opened in theaters in Paris on October 1, 2008 to respectful if not overly enthusiastic reviews. It has been bought by Music Box in the US, but no release has been announced. Shown as part of the Rendez-Vous with French Cinema at Lincoln Center, NYC, in March 2009.


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Details

Country:

France | Belgium

Language:

French | German | Latin

Release Date:

1 October 2008 (France) See more »

Also Known As:

Seraphine See more »

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Box Office

Opening Weekend USA:

$38,637, 7 June 2009

Gross USA:

$884,613

Cumulative Worldwide Gross:

$9,402,702
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Company Credits

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Technical Specs

Runtime:

|

Sound Mix:

DTS | Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
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