| Cast overview, first billed only: | |||
| Derek Luke | ... | 2nd Staff Sergeant Aubrey Stamps | |
| Michael Ealy | ... | Sergeant Bishop Cummings | |
| Laz Alonso | ... | Corporal Hector Negron | |
| Omar Benson Miller | ... | Private First Class Sam Train | |
| Pierfrancesco Favino | ... | Peppi 'The Great Butterfly' Grotta | |
| Valentina Cervi | ... | Renata | |
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Matteo Sciabordi | ... | Angelo Torancelli (The Boy) |
| John Turturro | ... | Detective Antonio 'Tony' Ricci | |
| Joseph Gordon-Levitt | ... | Tim Boyle | |
| John Leguizamo | ... | Enrico | |
| Kerry Washington | ... | Zana Wilder | |
| D.B. Sweeney | ... | Colonel Driscoll | |
| Robert John Burke | ... | General Ned Almond | |
| Omari Hardwick | ... | Platoon Commander Huggs | |
| Omero Antonutti | ... | Ludovico | |
Christmas, 1983. A New York postal clerk, a Buffalo Soldier in Italy in World War II, shoots a stranger. In his apartment, police find a valuable Italian marble head, missing since the war. Flashbacks tell the story of four Black soldiers who cross Tuscany's Serchio River, dodging German and friendly fire. With a shell-shocked boy in tow, they reach the village of Colognora. Orders via radio tell them to capture a German soldier for questioning about a counteroffensive. In the village, a beautiful woman, partisans that include a traitor and a local legend, the boy, and the story of a recent massacre connect to the postal worker's anguish forty years later. And the miracle? Written by <jhailey@hotmail.com>
It is really sad that very few people enjoyed this movie. I've just watched it and was quite amazed. The first scene in the post office was just outstanding, it got me right away. The camera was quite different from what you see in the USA normally, perhaps RAI has something to do with it. But the greatest thing about the movie were the characters. Some might say they were overacting, I say they portrayed people at war. It reminded me of For Whom the Bell Tolls, by Hemingway. I know the book is set in the Spanish Civil War instead of the Italian WW2 campaign, but the tone was quite similar in some ways. They both deal with the partisan fight, prejudice, the dehumanizing face of war and even the incredible capacity some people have to resist the war impetus to transform us into monsters. Very passionate, very human, very good!