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Cadillac Records (2008)

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2:18 | Trailer
Chronicles the rise of Chess Records and its recording artists.

Director:

Darnell Martin

Writer:

Darnell Martin
Nominated for 1 Golden Globe. Another 7 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
Josh Alscher ... Mick Jagger (as Joshua Alscher)
Tim Bellow Tim Bellow ... Man in the Caddy (as Timothy Bellow)
Tony Bentley ... Lomax
Tammy Blanchard ... Isabelle Allen
Eric Bogosian ... Alan Freed
Marc Bonan ... Keith Richards
Adrien Brody ... Leonard Chess
Cedric the Entertainer ... Willie Dixon
Emmanuelle Chriqui ... Revetta Chess
Douglas Crosby Douglas Crosby ... Policeman (Little Walter beating)
Dexter Darden ... Geneva's Teenage Son
Veronika Dash ... Blonde Girl
Sean Shyboy Davis Sean Shyboy Davis ... Toothless Hillbilly Little Walter (as Sean Davis)
Eshaya Draper ... Charles Waters
Shiloh Fernandez ... Phil Chess
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Storyline

In this tale of sex, violence, race, and rock and roll in 1950s Chicago, "Cadillac Records" follows the exciting but turbulent lives of some of America's musical legends, including Muddy Waters, Leonard Chess, Little Walter, Howlin' Wolf, Etta James and Chuck Berry. Written by Sony Pictures

Plot Summary | Plot Synopsis

Taglines:

Follow the beat to its source. See more »

Genres:

Biography | Drama | Music

Motion Picture Rating (MPAA)

Rated R for pervasive language and some sexuality | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Sony Pictures [Japan]

Country:

USA

Language:

English

Release Date:

5 December 2008 (USA) See more »

Also Known As:

Cadillac Records - Csillogó fekete lemezek See more »

Filming Locations:

Louisiana, USA See more »

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend USA:

$3,445,559, 7 December 2008

Gross USA:

$8,195,551

Cumulative Worldwide Gross:

$8,883,019
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The record on the Cadillac Records sign rotates backwardsfrom the view of the scene. But would be rotating the correct direction from the other side of the sidewalk See more »

Goofs

Alan Freed introduces "Surfin' USA." The song came out in 1963, when Freed was out of the radio business. See more »

Quotes

Muddy Waters: You and me not gonna wake up every morning and get everything we want. Mostly we got to take what come. And half the time, that's gonna be a bunch of bullshit.
See more »

Connections

Referenced in The Rotten Tomatoes Show: Watchmen/Shuttle/12 (2009) See more »

Soundtracks

Juke
Performed by Soul 7 (featuring Kim Wilson)
Written by Little Walter (as Walter Jacobs)
Published by Arc Music Corp.
See more »

Frequently Asked Questions

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User Reviews

 
Huge
5 December 2008 | by Michael FargoSee all my reviews

While this film lacks an original framework (it's "Ray" and "La Bamba" and "Hot Wax" and "Why Do Fools Fall in Love"....), both the subject--a seminal recording label--and the performances make this electrifying entertainment.

I can't speak to the accuracy of its historical facts regarding Leonard Chess' exploitation of some of music's largest figures, but the screenplay zooms along and takes us with it. Jeffrey Wright finally gets a role that hopefully will secure his stature. It's overdue. As Muddy Waters his towering strength both as a character and an actor are very impressive here. As well, the entire supporting cast (and it's a large cast) really rise to the occasion. Columbus Short as Little Walter and Gabrielle Union as Water's wife are equally impressive. And in smaller roles, Eamonn Walker as Howlin' Wolf and Mos Def as Chuck Berry nearly steal the show.

I've never been much of a fan of Adrien Brody, but in the first half of the film, he's quite effective. It's only when Beyoncé Knowles arrives that he stumbles, and who can blame him. Ms. Knowles takes a sensational role and scorches the screen. As the conflicted and troubled Etta James, there's a scene on a livingroom floor in front of a fireplace that should win Ms. Knowles many awards. And we're given a generous helping of sensational James' track very well covered by Ms. Knowles.

When we watch America's taste in music change--both before and after the centerpiece of this story--we're at first exhilarated at the discovery of this "new" form of music, and when it wanes and the lives that were propelled to stardom flag, we feel an enormous sadness. But what we know today--that these individuals became legends--is of great consolation.

I don't care that the structure is straightforward. The recreation of the period and it's attitudes are spot on, and the cinematography by Anastas N. Michos make the film rise above any weakness in the script.

Then, there's the soundtrack....


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