When a group of strangers at a dusty roadside diner come under attack by demonic forces, their only chance for survival lies with an archangel named Michael, who informs a pregnant waitress that her unborn child is humanity's last hope.
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
An out-of-the-way diner becomes the unlikely battleground for the survival of the human race. When God loses faith in humankind, he sends his legion of angels to bring on the Apocalypse. Humanity's only hope lies in a group of strangers trapped in a desert diner with the Archangel Michael (Bettany).Written by
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When I was a little girl, my mother would remind me each night before bed, to open up my heart to God, for He was kind, merciful, and just. Things changed when my father left a few years later, leaving her to raise me and my brothers in a place on the edge of the Mojave Desert. She never talked of a kind and merciful God again. Instead she spoke of a prophecy. Of a time when all the world would be covered in darkness and the fate of mankind would be decided. One night, ...
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At the very end of the credits, there is about 10 seconds of "Turkey In The Straw" (the ice cream truck music). See more »
I saw the film last night. It started out like a typical "Survival Horror" film. A group of different people. A mysterious stranger rolls into town. All Hell (excuse me...HEAVEN) breaks loose. Then just as soon as the film got going, someone stabbed a pitchfork in it and turned it over. It totally changed gears.
Once the film first set-piece ended it turned into a slower version of Night of the Living Dead. This is largely due to a plot point that set this rule into action: God put a restraining order on all ZombAngels. They were not allowed to get too close to the main protagonist. So without giving anything away; you can now imagine the pacing of the film up to the climax. Slow and uneventful.
The acting was a caliber above most Horror films. Quaid, Black, and Bettany were all fine. However none were memorable. Even the two main Godsends, Gabriel and Michael, managed to have conflict that was forgotten seconds after the next scene started.
So I would say it's a "Catch on Cable" viewing. Unless you're a huge Bettany fan. Then I would say avoid this like the plague.
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