4.8/10
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4 user 10 critic

Parlami d'amore (2008)

Sasha is a boy in his twenties, deeply loving the beautiful Benedetta, who doesn't seem to recognize his existence. Nicole is a French woman in her forties, living in Rome with her husband.... See full summary »

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(novel), (screenplay) | 2 more credits »
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7 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
... Sasha
... Nicole
... Benedetta
Andrea Renzi ... Lorenzo
Max Mazzotta ... Fabrizio
... Tancredi
... Riccardo
... Amelie
Anna Gigante ... Valeria
Iñaki Font ... Thierry (as Iñaki Font Rocal)
Maria Sand Gustavson ... Infermiera Pronto Soccorso Veterinarlo
Giorgio Sgobbi ... Architetto Casa Sasha
Davide Maria Marucci ... Guido
... Giacomo
Ugo Piva ... Gianluca
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Storyline

Sasha is a boy in his twenties, deeply loving the beautiful Benedetta, who doesn't seem to recognize his existence. Nicole is a French woman in her forties, living in Rome with her husband. They casually meet and start a friendship which becomes a sentimental education foe the boy. Written by Anonymous

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Plot Keywords:

based on novel | See All (1) »

Genres:

Comedy | Romance

Certificate:

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Details

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Release Date:

14 February 2008 (Italy)  »

Also Known As:

Parlami d'amore  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Soundtracks

My Funny Valentine
Written by Richard Rodgers and Lorenz Hart
Performed by Chet Baker
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User Reviews

 
Tell me about... Silvio
22 February 2008 | by See all my reviews

"Parlami d'Amore" (Tell me about Love) is indeed a movie written, directed and interpreted by Silvio Muccino, the 26 yo brother of the most internationally popular director Gabriele Muccino. The movie is a kind of post romantic story full of non sense where the only purpose is to show off the Muccino Junior's cinematography and physic skills. Supported by an unusual rich budget for an Italian production, Silvio Muccino made a film full of little inspired quotes of great pictures, trying to upgrade the original level of the story into something better. The result is even more less real and genuine then the plot itself. His own acting is stacked in two or three facial expressions that usually remind to the public a Russell Crow's young fun exhibition. The screenplay is so full of different social themes, at the end never developed, that the whole movie seems just a giant face book of Silvio Muccino, gifted by some rich producer focused on spoiling the Muccino's popularity.


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