A drifter fights his way across a ravaged, post-apocalyptic America while protecting a sacred book that holds the secrets to humanity's salvation.A drifter fights his way across a ravaged, post-apocalyptic America while protecting a sacred book that holds the secrets to humanity's salvation.A drifter fights his way across a ravaged, post-apocalyptic America while protecting a sacred book that holds the secrets to humanity's salvation.
- Awards
- 3 wins & 16 nominations total
- Martha
- (as Frances De La Tour)
- Hijacker
- (as Keith Davis)
- Hijacker
- (as Don Theerathada)
- Hijacker
- (as Thom Williams)
- Young Woman Hijacker
- (as Lora Martinez Cunningham)
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- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I talk about the look and style of the film first because to me it is really one of the main reasons to watch this film and indeed for the first 20 minutes or so, it is all we are drifting on – this sense of the cool and the barren without much in the way of who's or why's. Unfortunately when the plot does start to come in, it does so with a terribly corny story and message that wouldn't be out of place in one of those overly-earnest low-budget films made by Christian companies. Indeed this is what this film is – an overly earnest religious film, it just happens to have cost millions and have massive Hollywood stars involved in it. Now, this is the point where you assume that I dislike the film because it is to do with God and the bible, but this wasn't it all at – it didn't help for sure, but this isn't the reason.
The main problem I have is that the film doesn't actually seem interested in making this message work and the plot just seems like a necessary evil to get the character walking in slow-mo around this cool landscape. There isn't much development beyond the basic dialogue about the power of this book and it is nothing but endless corn in the main; I may have respected it more if it had done something with the content, but it doesn't, indeed it seems almost embarrassed by it. The Hughes Brothers for sure aren't particularly interested in that and thus the performances and shots are all about the style, the atmosphere and the look of the film. Accordingly the cast do the same – which is fine because I wonder why they were all queuing up to be in this story. Washington is a great lead because he is all style and presence and he fits the landscape well. Kunis' character makes less sense as she goes on but she is stunning to look at and again fits the style aspect of the film. Oldman's villain is poor and as a result he is only OK.
What all this leaves then is a film that should be watched by fans of Fallout 3 and New Vegas, simply because it is a great film recreation of those worlds, from the colour of the sky down to the costumes it feels and looks like the games. Outside of this though, the casual viewer is left with very little of interest going on behind the style; the story is cloyingly religious and lacking any insight or intelligence – in terms of writing it feels like having two guys at your door trying to sell Jesus to you with platitudes and clichés. It all looks fantastic but unfortunately the script simply doesn't deserve the visuals.
The key in watching the film is to not buy into the plot too much, which is where the viewer is going to be disappointed. The ending is a little far fetched and I couldn't help but roll my eyes. Although I honestly don't see a particularly good ending for the basic premise of the film.
If you are able to put the silliness with the story behind you, the film is wonderfully done. There is great camera work with interesting angles and framing; the set showcases the contrast between the stark light of the sun and the shadows where humankind is hiding; and the acting makes you want to buy into the characters and their conflicts.
I would recommend seeing the film, just don't get too involved with the story. Instead concentrate on the acting and the scene.
"The Book of Eli" is a stylish film that is reminiscent of "I Am Legend" and other post-apocalyptic stories, though it carves out a niche for itself due to its strong characters and its central theme.
The film presents some religious sub-themes, which might find differing interpretations by different viewers.
I found the ending a little disappointing, but I think others may enjoy the twists in the final scenes. Mila Kunis plays a strong character--a young woman whose life undergoes a transition under the influence of Eli.
Storyline
Did you know
- TriviaDenzel Washington performed all of his own stunts in the hand-to-hand fight sequences.
- GoofsWhen the convoy goes after Eli and Solara, they are going west. From behind, the shadows are to the left which would mean the Sun is on the north side of them when it actually shines from the south.
- Quotes
[last lines]
Eli: Dear Lord, thank you for giving me the strength and the conviction to complete the task you entrusted to me. Thank you for guiding me straight and true through the many obstacles in my path. And for keeping me resolute when all around seemed lost. Thank you for your protection and your many signs along the way. Thank you for any good that I may have done, I'm so sorry about the bad. Thank you for the friend I made. Please watch over her as you watched over me. Thank you for finally allowing me to rest. I'm so very tired, but I go now to my rest at peace. Knowing that I have done right with my time on this earth. I fought the good fight, I finished the race, I kept the faith.
- Crazy creditsAside from the title, there are no opening credits.
- Alternate versionsA montage of deleted scenes on the DVD include a scene where Claudia reads the Braille bible to Carnegie as he lies on his deathbed.
- ConnectionsFeatured in The Rotten Tomatoes Show: The Ugly Truth/G-Force/Orphan (2009)
- SoundtracksHow Can You Mend A Broken Heart
Written by Barry Gibb and Robin Gibb
Performed by Al Green
Courtesy of HI Records by arrangement with Fat Possum
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El libro de los secretos
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $80,000,000 (estimated)
- Gross US & Canada
- $94,835,059
- Opening weekend US & Canada
- $32,789,494
- Jan 17, 2010
- Gross worldwide
- $157,107,755
- Runtime1 hour 58 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1