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Coco Before Chanel (2009)

Coco avant Chanel (original title)
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The story of Coco Chanel's rise from obscure beginnings to the heights of the fashion world.

Director:

Anne Fontaine
Nominated for 1 Oscar. Another 5 wins & 19 nominations. See more awards »

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Directors: David Foenkinos, Stéphane Foenkinos
Stars: Audrey Tautou, François Damiens, Bruno Todeschini
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Cast

Cast overview, first billed only:
Audrey Tautou ... Gabrielle Chanel
Benoît Poelvoorde ... Étienne Balsan
Alessandro Nivola ... Boy Capel
Marie Gillain ... Adrienne Chanel
Emmanuelle Devos ... Emilienne d'Alençon
Régis Royer Régis Royer ... Alec, le jockey
Etienne Bartholomeus Etienne Bartholomeus ... Maître d'hôtel Balsan (as Étienne Bartholomeus)
Yan Duffas Yan Duffas ... Maurice de Nexon
Fabien Béhar Fabien Béhar ... Patron boutique (as Fabien Behar)
Roch Leibovici Roch Leibovici ... Jean, le palefrenier
Jean-Yves Chatelais Jean-Yves Chatelais ... Directeur beuglant
Pierre Diot Pierre Diot ... Acteur théâtre
Vincent Nemeth Vincent Nemeth ... Gros homme théâtre
Bruno Abraham-Kremer Bruno Abraham-Kremer ... Tailleur Deauville
Lisa Cohen Lisa Cohen ... Gabrielle Chanel, 10 ans
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Storyline

Several years after leaving the orphanage to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She's both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entrée into French society and a chance to develop her gift for designing increasingly popular hats. When she falls in love with English businessman Arthur Capel further opportunities open up, though life becomes ever more complicated. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

From rags to riches to Haute-Couture: the incredible story of Coco Chanel. See more »

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content and smoking | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Belgium

Language:

French | English

Release Date:

6 November 2009 (USA) See more »

Also Known As:

Coco Before Chanel See more »

Filming Locations:

Cabourg, Calvados, France See more »

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Box Office

Budget:

€19,430,000 (estimated)

Opening Weekend USA:

$177,399, 27 September 2009, Limited Release

Gross USA:

$6,109,075, 7 February 2010
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (cable)

Sound Mix:

DTS | Dolby Digital

Color:

Color | Black and White (final shot)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Coco Chanel lived at the Hotel Ritz, in Paris, from 1934 to 1971. The Coco Chanel Suite was named after her in her memory. See more »

Goofs

Etienne wields a polo mallet with his left hand. That's forbidden under modern polo rules, but it was allowed at the time of the movie. See more »

Quotes

[first lines]
[subtitled version of French dialog]
Nun: Girls who have visitors, follow me.
Gabrielle Chanel, 10 ans: Come on. Come on, let's go.
Adrienne Chanel, 10 ans: I don't want to.
See more »

Connections

Referenced in De slimste mens ter wereld: Episode #8.26 (2016) See more »

Soundtracks

Little Black Baby
By Scott Joplin
See more »

Frequently Asked Questions

See more »

User Reviews

 
Luke Warm Coco
5 October 2009 | by movieguyslaSee all my reviews

What do you want in a foreign period film? Beautiful locations? Check. Class struggle? Check. Subtitles? Check. All that's missing is urgency.

Coco Chanel is a French legend. The designer of the ground-breaking haute couture style, creator of the huge fashion brand Chanel, and a forward-thinker in terms of women's independence. Chanel is a complex and dynamic personality. Makes me want to see a movie called "Coco During Chanel". But "Coco Before Chanel"? Not so much.

Audrey Tautou does a commendable job of playing Chanel in her early years (and looks a lot like Chanel in the movie's later scenes). Adding complications to the idea is the fact that there is little known about Chanel's youth, and what is known often has conflicting stories. But be prepared, what does happen in "Coco Before Chanel", happens slowly. This, in a movie that portrays the French elite as people with crazy money, outlandish parties and a constant desire to quench their boredom. I desired the same.

Although she often denied it, Chanel was brought to an orphanage early in life (this was denied mainly to prevent preconceptions of her as an undesirable). The film sharply cuts to late teens/early twenties Coco (real name, Gabrielle), singing with her sister in clubs to make a buck. It was the plight of women in the 1890s to find a man or fear being lost in society. Coco's sister was beholden to a man for thirty years, and he FINALLY married her after his parents died so he wouldn't have to explain to them that he married an orphan (for shame!). This assnine mentality is certainly worth rebelling against, but Coco remains passive for too much of the movie. She is taken in by a wild playboy named Balsan (expertly played by Benoit Poelvoorde) and is mistreated by him for years. Chanel wants to answer to no man and wants to design clothes that avoid the feathers and corset that alter a woman's natural body. But again, this is done with little dramatic flair and many, many pages of slow-moving script. Coco came off as a little too inert for a little too long.

This movie is the first of the late-year potential Oscar nominees. Tautou's performance is a maybe, but the costume design is a sure thing, and rightfully so. The Chanel style is famous, they have to nail it, and they did, while also building gorgeous period outfits for the rich, end-of-century French culture and a few military outfits as well.

The score by Alexandre Desplat does a lot to enhance a few of the scenes, and the cinematography is lush. I want to give a special nod to Alessandro Nivola, who's very good here and very good in everything, but the guy doesn't appear in enough high-profile stuff. He sits very comfortably in the French language here and smolders in some of his more romantic moments like a poor man's Ralph Fiennes.

A traumatic event late in the film propels Coco to launch into her designing full speed. That moment felt a little rushed and the whole ending follows suit. What I wanted at the end was the "Coco During Chanel" movie to start, so, then, that could be kind of a success for the film? But remember, I wanted "Coco During Chanel" going in, so really, the whole 'before' story just felt like slow filler. Frills, perhaps? Padding?


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