A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
A zombie apocalypse threatens the sleepy town of Little Haven - at Christmas - forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.
Jong-su bumps into a girl who used to live in the same neighborhood as him, who asks him to look after her cat while on a trip to Africa. When back, she introduces Ben, a mysterious guy she met there, who confesses his secret hobby.
Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Felix van Groeningen
Toby, a disillusioned advertising executive, becomes pulled into a world of time jumping fantasy when a Spanish cobbler believes him to be Sancho Panza. He gradually becomes unable to tell dreams from reality.
Susie Bannion is a young American ballerina who travels to Berlin to study dancing at the Markos Tanz Company, one of the world's most renowned schools under Madame Blanc's management. On her very first day, one of the students who had been recently expelled from the school is murdered. As this appalling happening does not seem to be an isolated occurrence, the brilliant new student soon begins to suspect that the school might be involved in the homicide. Her mistrust heightens when Sarah, one of the girls at the school, tells her that Pat, before being killed, confided to her that she knew and guarded a terrifying dark secret.Written by
The casting of Tilda Swinton as Madame Blanc is quite interesting, since she has played another evil witch associated with the word 'White' which Blanc is a French translation of. That character is, of course, Jadis the White Witch of Narnia. Tilda Swinton portrayed Jadis in all three live-action Narnia productions with Walden Media. See more »
When Dr Klemperer is escorted out of the building after the big horror scene, they walk on the Western site of the Berlin Wall, and the other (Eastern) site is all darkness. In reality in 1977, all-night floodlights would have been blazing... See more »
[about Patricia, in subtitled German]
She didn't want to be a vessel. We wanted to bring her into our power but she wanted to blow up department stores instead. What a fool, that girl.
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The film's title is inconspicuously announced at the end of the opening credits, appearing in the mise-en-scène on an overhead sign Susie walks beneath in the U-Bahn station. See more »
Dario Argento's Suspiria is a gory classic with the most incredible colour palettes to ever grace a horror film. It's brisk running time, corny script and iconic score only adds to the film's everlasting legacy. So, when it was announced that the 1977 classic would be remade there were murmurings of discontent among horror aficionados who wondered if anything sacred was safe from the evils of a remake? Then Luca Guadagnino announced himself as director and, following the success of A Bigger Splash and Call Me By Your Name, people were curious.
You can call the 2018 film a remake but in truth the film's similarities start and end at the characters and basic plot, therefore making it an entirely different beast. Clocking in at 155 minutes the film is almost an entire hour longer than the 1977 original and it does suffer from its bloated running time. The film's bloated running time is in part due to the pollical subtext. The film is set in 1977 (the year the original was released) and deals with themes of national guilt in a divided Berlin (the dance school is situated right next to the Berlin Wall).
This is all sounds very interesting, and does create an interesting back drop, but it doesn't really say anything new about the era. The film hints that blame should be laid at those in power rather than those who witnessed what happened but did nothing. This is hardly a new way of thinking, so it ends up being rather pointless and unnecessarily distraction from the tense story of witches harvesting young dancers for consumption by the mother witch.
What is also is a major drawback with the national guilt theme is that it's incredibly distracting watching the film with the knowledge that Dr. Josef Klemperer is Tilda Swinton dressed up in old man prosthetics. It's distracting because it feels like a superficial piece of stunt casting. Swinton said this was "only a little bit of fun" but this "little bit of fun" was nothing more than a vanity project that completely derailed a potentially interesting subplot. This all is just because I couldn't take Tilda Swinton parading around in poor prosthetics equipped with a heavy German accent seriously. On the plus side, Swinton is superb as Madame Blanc and Dakota Johnson's performance has tremendous physicality (her dancing showed great dedication to the role), but the slow delivery of her lines becomes grating.
What's most different about the 1977 Suspiria and the 2018 Suspiria is that the latter isn't a horror in the same way the 1977 film is, but the 2018 film still mostly fails on the basics of the genre. The film's length hampers the tension because the film's bagginess does not allow the tension to be sustained throughout. That said, there are a few scenes that are deeply horrifying, most notably the dancing sequence where a spell is cast upon Susie which contorts a fellow dancer's body to mirror Susie's dance moves. Criminally, despite all the weirdness on show and a climax that resembles something from the movie Climax, the film forgets to be scary but maybe it wasnt trying to be (in the traditional sense at least).
Despite being long, baggy and bizarrely paced the film isn't boring, visually it's too well made and enticing to be boring. It's certainly luxurious and beautifully made (even if the colour palette is the opposite of the 1977 original). The dance scenes are edited with an intoxicating excitement, almost as though a spell is cast upon you. The makeup effects are beautifully disgusting and the film appealingly gory, but the film is too long and too baggy to sustain the tension.
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