Cold Skin (2017)
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- TV-14
- 1h 48min
- Action, Fantasy
- 20 Oct 2017 (Spain)
- Movie
- 1 nomination.
- See more »
Photos and Videos
Complete, Cast awaiting verification
| Ray Stevenson | ... |
Gruner
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| David Oakes | ... |
Friend
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| Aura Garrido | ... |
Aneris
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Winslow M. Iwaki | ... |
Senegalese
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| John Benfield | ... |
Captain Axel
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| Ben Temple | ... |
Naval Official
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| Iván González | ... |
New Weather Official
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Alejandro Rod | ... |
Portuguese
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Julien Blaschke | ... |
Burley Russian
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Damián Montesdeoca | ... |
Scotsman
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| Israel Bodero | ... |
Ship Crew Member #1
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Roberto Rincón Sánchez | ... |
Ship Crew Member #2
(as Roberto Rincón)
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Sussan Deyhim | ... |
Aneris (voice)
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Directed by
| Xavier Gens | ||
Written by
| Jesús Olmo | ... | (screenplay) & |
| Eron Sheean | ... | (screenplay) & |
| Albert Sánchez Piñol | ... | (novel) |
Produced by
| Mark Albela | ... | producer |
| Frédéric Bovis | ... | co-producer (as Frederic Bovis) |
| Gregoire Gensollen | ... | associate producer |
| Lucette Legot | ... | co-producer |
| Dolo Magan | ... | executive producer |
| Jose Magan | ... | executive producer |
| Grégoire Melin | ... | executive producer |
| Denise O'Dell | ... | producer |
| Denis Pedregosa | ... | executive producer |
| Orlando Pedregosa | ... | executive producer |
| Jordi Roca Agut | ... | associate producer |
Music by
| Víctor Reyes | ||
Cinematography by
| Daniel Aranyó | ||
Editing by
| Guillermo de la Cal | ||
Editorial Department
| Diana Cuyas | ... | colorist |
| Arturo de Pedro | ... | conform |
| Queralt González | ... | assistant editor |
| Pau Itarte | ... | first assistant editor |
| Marta Morales Vicario | ... | post-production coordinator |
| Willy Nuez | ... | technical director |
| Sandra Picher | ... | post-production coordinator: Eclair Spain |
| Charalambos Varelias | ... | assistant editor: runner |
Casting By
| Diego Betancor | ... | (Spain) |
| Jeremy Zimmermann | ||
Production Design by
| Gil Parrondo | ||
Art Direction by
| Óscar Sempere | ||
Set Decoration by
| Mani Martínez | ||
Costume Design by
| Tatiana Hernández | ||
Makeup Department
| Victor Alcalá | ... | special makeup effects artist: Dharma Studio |
| Cesar Alonso | ... | special makeup effects artist |
| Arturo Balseiro | ... | creature designer: Dharma Estudio (as Arturo Balceiro) |
| Esther Barcenilla | ... | special make up effects artist |
| Nelly Guimaras | ... | special makeup effects artist: Dharma studio |
| Sebastian Lochmann | ... | prosthetic sculptor |
| Göran Lundström | ... | prosthetic sculptor: Dharma Estudio |
| Raquel Munuera | ... | prosthetic makeup artist: Dharma Estudio |
| Noelia Peso | ... | assistant prosthetics makeup artist |
| Almudena Pérez | ... | assistant prosthetics makeup artist |
| Miguel Sesé Guillot | ... | makeup designer |
| Cassandra Noboa Sicre | ... | assistant prosthetics makeup artist |
| Aleix Torrecillas | ... | prosthetic makeup artist: Dharma Estudio |
| Marc Torrecillas | ... | prosthetic effects assistant: Dharma Estudio |
| Carmen Veinat | ... | key hair stylist |
Production Management
| David Ocaña | ... | assistant production manager |
| Alberto Poveda | ... | production manager |
| Ainara Sánchez de Toro | ... | production office manager (as Ainara Sanchez de Toro) |
| Nicolás Tapia | ... | unit production manager: preproduction |
| Salvador Yagüe | ... | unit production manager |
Second Unit Director or Assistant Director
| Laura Alted | ... | second unit: second assistant director |
| Yann Cuinet | ... | first assistant director |
| Jesus Espin | ... | third assistant director |
| Benjamin Gens | ... | assistant director |
| Óscar Manero | ... | first assistant director: action unit |
| Jairo Murray | ... | second assistant director |
Art Department
| Èlia Basullas | ... | props |
| Jonathan Delerue | ... | concept artist |
| Francesc Fuste | ... | props (as Fransesc Fusté Saus) |
| Héctor Gil | ... | property master |
| Edu Glez | ... | graphic designer |
| Sergio González Kuhn | ... | creative director / poster |
| Verónica Gutiérrez Gómez | ... | propmaker (as Veronica Gutierrez Gomez) |
| Valentín Isakov | ... | propmaker |
| Kris Matt | ... | storyboard artist |
| José Luis Moya | ... | construction manager |
| Sonia Nolla | ... | set decoration supervisor |
| José María Ortega | ... | head painter |
| Verónica Ortiz | ... | props buyer |
| Pablo Seoane | ... | prop maker |
| Martín Sánchez Fernández | ... | construction coordinator |
| Pablo Trasancos | ... | set dresser |
| Pedro Valero | ... | propmaker |
| Rodrigo Zayas | ... | illustrator (as Rodrigo M. de Miguel) |
Sound Department
| Jorge Alarcón | ... | dialogue editor assistant |
| Juan Borrell | ... | sound |
| Daniel Cabrera Majada | ... | making-of sound recordist |
| Mayte Cabrera | ... | sound effects editor |
| Marco Augusto Comba | ... | re-recording mixer |
| Toño Cubillo | ... | a.d.r recordist: adr |
| Alfredo Díaz | ... | sound effects editor |
| Jaime Fernández-Cid Buscató | ... | boom operator |
| Gabriel Gutiérrez | ... | re-recording mixer / sound designer / supervising sound editor |
| Kevin Hortigüela | ... | assistant sound editor |
| Digba Kurpjel | ... | foley artist / supervising foley editor |
| Tapio Liukkonen | ... | foley artist |
| Steve Miller | ... | dialogue premix |
| Iñaki Sánchez-Elvira | ... | dialogue editor (as Iñaki Sanchez-Elvira) |
| Oscar Victoria | ... | sound designer: trailer mexico |
| Ricardo Viñas | ... | dolby sound consultant |
| John X Volaitis | ... | sound recordist |
Special Effects by
| Fatima Burgos | ... | special effects makeup |
| Eloy Cervera | ... | special effects technician |
| Pau Costa | ... | special effects supervisor |
| Teresa Costa | ... | special effects coordinator |
| Felipe Dorado | ... | special effects technician |
| Sebastian Lochmann | ... | concept artist |
| Juan Serrano | ... | prosthetic technician: Dharma Estudio |
| Brett Tierney | ... | special effects technician |
| Ruben Vallés Guerrero | ... | special effects technician |
Visual Effects by
| Tomás Arando | ... | digital compositor |
| Diego Bajo | ... | roto artist |
| Félix Bergés | ... | visual effects supervisor |
| Damían Binder | ... | digital compositor |
| David Blanco Castillero | ... | visual effects artist |
| Damián Caballero | ... | lead animator: El Ranchito |
| Alberto Cadenas Esteban | ... | digital compositor |
| Ferran Casas | ... | animator |
| Ainara Castro | ... | visual effects producer |
| Alberto Costa | ... | visual effects artist |
| Joseph Diaz | ... | concept artist |
| Pablo Domínguez | ... | Matte Painter: ElRanchito |
| Lorena Díaz Arrondo | ... | animator: El Ranchito |
| Yusef El Khadir | ... | visual effects artist |
| Gastón Emery | ... | visual effects artist |
| Patricia Escribano Bourgoin | ... | visual effects artist |
| David Esteve | ... | digital compositor |
| Francisco Javier García | ... | digital compositor |
| Beatriz Gómez | ... | visual effects assistant coordinator: El Ranchito |
| Pablo Hernández-Meléndez | ... | visual effects artist |
| Manuel Huertas | ... | digital compositor |
| Iker Ibero | ... | visual effects artist |
| Eduardo Iglesias | ... | digital compositor |
| Pablo Lamosa | ... | digital compositor |
| Mario Lucero | ... | digital compositor |
| Javier Mansilla | ... | visual effects |
| Lorenzo Marin | ... | cg generalist: El Ranchito |
| Antonio Miravalls | ... | visual effects |
| Juan Moreno | ... | pipeline technical director: El Ranchito |
| Ismael Nieto | ... | visual effects artist |
| Quico Noizeux | ... | digital compositor |
| Guillermo Orbe | ... | Compositing supervisor |
| Arturo Paiva Mediavilla | ... | animator: visual effects |
| Francisco Palomares Pozas | ... | senior compositor |
| Carlos Parmentier | ... | lead fx artist: El Ranchito |
| Laura Pedro | ... | visual effects supervisor on set |
| Carolina Pinillos Visscher | ... | visual effects producer |
| David Ramos | ... | visual effects supervisor |
| Manuel Ramírez | ... | fx supervisor / fx supervisor: El Ranchito |
| Ángel Rico Riesgo | ... | digital compositor |
| Yolanda Rubio | ... | digital compositor |
| Alberto Ruiz | ... | digital compositor |
| Benito Sanz | ... | digital compositor |
| Patricia Sanz | ... | visual effects |
| Rubén Sanz | ... | technical director |
| Julio Serafín | ... | digital artist |
| Miguel Ángel Sánchez-Arévalo | ... | digital compositor |
| Jorge Trueba | ... | visual effects artist |
| Víctor Valderrama | ... | visual effects: motion capture |
| Martin Van Hassel | ... | digital compositor |
| Irene Vera | ... | digital compositor |
| Carlos Trijueque | ... | Nuke Technical Director (uncredited) |
Stunts
| Cristina Aciara Troncoso | ... | stunt double: Aneris |
| Ignacio Herráez | ... | stunt double: Gruner |
| María Jesús Lucas | ... | stunt rigger |
| Alejandro López Estacio | ... | stunt double: Friend |
| Ana Martínez | ... | stunt double: Aura Garrido |
| Eduardo Moratilla | ... | stunts |
| José Antonio Oña Sánchez | ... | assistant stunt coordinator (as Antonio Oña Sánchez) / assistant stunt coordinator |
| Abian Padrón | ... | stunt performer / stunts |
| Roberto Rincón Sánchez | ... | safety diver (as Roberto Rincon Sanchez) |
| Ricardo Rocca | ... | stunt performer |
| Cuco Usín | ... | stunt coordinator |
| Diego Álvarez | ... | stunt performer |
Camera and Electrical Department
| Carlos Caba | ... | digital imaging technician |
| Miguel Campos | ... | gennie operator / genny op |
| Roberto Campos | ... | electrical / genny op |
| Luis Del Prado | ... | electrician |
| David Domínguez | ... | camera operator |
| Fernando Flores | ... | grip: scorpio head technician |
| Álvaro García | ... | first assistant camera |
| Lionel Garrote | ... | camera operator |
| José Haro | ... | poster photographer / still photographer |
| Guillem Huertas | ... | first assistant camera |
| Javier Lacasa | ... | second assistant camera: second unit |
| Jonathan Maurice Lee | ... | key grip (as Jonathan Lee) |
| Sergio Mantecón | ... | electrician |
| Guille Marti | ... | Camera Trainee / Video assist: segunda unidad |
| José Luis Martínez Díaz | ... | digital imaging technician: second unit |
| Ignacio Millet | ... | data wrangler |
| Alek Orabona | ... | grip |
| Clara Pozas | ... | second assistant camera: c camera |
| Salomé Rapinat | ... | video assist (second unit) |
| Pablo Rubio Fanjul | ... | lighting technician |
| Pablo Rubio | ... | lighting technician: main unit / lighting technician: second unit |
| Ana Sánchez Tejera | ... | second assistant camera |
| Joaquín 'Kino' Sánchez | ... | gaffer |
| Guillem Tramullas | ... | video assist |
Animation Department
| David Llopis | ... | senior animator |
Casting Department
| Eugenia Betancor | ... | casting assistant |
| Irene Ilias | ... | casting associate |
| Isabel Garrido Morante | ... | casting coordinator |
Costume and Wardrobe Department
| Mónica G. Lancha | ... | assistant costume designer |
| Astri Galván | ... | assistant costume designer (as Atri Gutiérrez) |
| David Iglesias | ... | breakdown artist |
Location Management
| César Pardiñas | ... | assistant location manager |
| Leigh Romero | ... | assistant location manager |
| Félix Rosell | ... | location manager |
Script and Continuity Department
| Samantha Timmerman | ... | continuity |
Additional Crew
| Luis Ayuso | ... | accounts runner |
| Rafael Ayuso | ... | personal trainer: Aura Garrido |
| Carles Berot | ... | marketing and creative services |
| Azu Burdeos | ... | office p.a |
| Angelo D'Acunto | ... | production assistant |
| Sofía Gea | ... | production assistant |
| Belen Gomez Rodriguez | ... | financial controller: Babieka Films |
| David Krouse | ... | Manager: Los Angeles Theatrical Release |
| Enric Llopis | ... | production accountant |
| Irene Manrique Matin | ... | publicist |
| Noemí Oliete | ... | payroll accountant (as Noemi Oliete) |
| Nayra Petrini | ... | unit nurse: Spain |
| Jordi Roca Agut | ... | executive assistant to Ms. O'Dell and Mr. Albela |
| Miguel Ruz | ... | production executive: Gran Babieka |
| Paul Stein | ... | behind the scenes |
| Pablo Suárez | ... | production assistant |
| Uxue Sáenz | ... | production coordinator |
| Javier Valdés | ... | facilities manager: post production |
| Rodrigo Zarza | ... | production assistant |
Thanks
| Gil Parrondo | ... | in memory of |
Production Companies
- Babieka
- Kanzaman (co-production)
- Ink Connection (in association with)
- Gran Babieka (Canary Islands)
- Pontas Film & Literary Agency (co-production)
- The Ink Connection
Distributors
- Diamond Films (2017) (Spain) (theatrical)
- Happinet(I). (2018) (Japan) (theatrical)
- Phars Film (2018) (United Arab Emirates) (theatrical)
- Tiberius Film (2018) (Germany) (theatrical)
- Blue Swan Entertainment (2018) (Italy)
- Blue Swan Entertainment (2019) (Italy)
- Cinépolis Distribución (2017) (Mexico)
- Condor (2019) (France) (DVD)
- Eagle Entertainment (2018) (Australia) (DVD)
- SC Movies (2020) (Australia) (video)
- Samuel Goldwyn Films (2018) (Canada)
- Samuel Goldwyn Films (2018) (United States)
- Sunfilm Entertainment (2018) (Germany) (Blu-ray)
- Sunfilm Entertainment (2018) (Germany) (DVD)
- Superfine Films (2017) (India)
- Televisión Española (TVE) (2014) (Spain) (tv)
Special Effects
- El Ranchito (visual effects)
Other Companies
- Ad hoc studios (post-production facilities)
- Dolby Laboratories (sound mix)
- Energy Services (generator truck)
- Energy Services (second generator)
- Freeway CAM B.V. (collection account management)
- The Stunt Club (stunt team)
- Why On Set (DIT Equipment Provided By)
Storyline
| Plot Summary |
In 1914, just after of Franz Ferdinand's assassination that eventually caused World War I, a steamship approaches a desolate island on the edge of the Antarctic Circle, where a young nameless man is poised to take the post of weather observer, to live in solitude at the ends of the earth for an entire year until the arrival of his replacement. For the next twelve months, his entire world will consist of a deserted cabin, the surrounding sea, and dangerous strange beings that he discovers are sharing the island. Written by Darkwalker173 |
| Plot Keywords | |
| Taglines | How much horror can the heart endure? See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | EUR8,500,000 (estimated) |
Did You Know?
| Trivia | Aura Garrido's character is named Aneris by Friend. Aneris is the read right-to-left word of "sirena" (Spanish for siren). See more » |
| Goofs | When the island is first seen through the spyglass, after his conversation with Friend, the captain orders to prepare to weigh anchor. As the ship is already moving, the order is wrong, as weighing anchor means to raise the anchor from the sea floor and hoist it on board. The correct order would be "prepare to anchor", but even then, the ship is too far away for the order to make sense. See more » |
| Quotes |
Friend:
We are on a tiny island of what we know, surrounded by an ocean of what we don't See more » |