In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free. Or won't he?
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Mortal hero Bek teams with the god Horus in an alliance against Set, the merciless god of darkness, who has usurped Egypt's throne, plunging the once peaceful and prosperous empire into chaos and conflict.
Ken Castle is extremely rich, popular and powerful since he invented and started exploiting the virtual online parallel reality games, in which people can either pay as user or be paid as 'actor' in a system of mind-control. The ultimate version, Slayers, fields death row convicts as gladiators in a desperate dim bid for survival, which no-one made yet. The champion, John 'Kable' Tillman, was scheduled to die just before he'ld gain release, but he persuades his teenage 'handler' to hand over the reins so he can fully use his talents and experience. Thus Kable escapes to freedom, only to be chased illegally by Castle's men, yet fights back all the way to his HQ and challenges his evil hidden plans.Written by
The opening montage of time-lapse shots and other scenes of the world where we see ads for Kable and/or graffiti of Ken Castle overlaid on buildings or walls are mostly taken from Ron Fricke's wordless film Baraka (1992), for example, the shots of the Giza Pyramids, India, homeless man sleeping under a bridge among others. See more »
(at around 23 mins) In one scene, John gets some kind of brain bits in his face after a head gets blown off in front of him. A couple shots later, the bits are gone. See more »
You know your head ain't on straight?
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German theatrical version was cut by ca. 1 minute to secure a "Not under 18" rating. This was done by distributor Universum before submitting the film to the FSK. The cut version was also released on Blu-ray/DVD. Another DVD version was created for retail chains, this version lacks ca. 11 minutes and is rated "Not under 16". A few weeks after the release of these versions, the uncut version was submitted to the FSK which rated it "Not under 18", too. Since the rating scale for home video is higher than for theatrical releases, the uncut version would have gotten that rating for theatrical release as well, thus it was completely unnecessary to create a cut version in the first place. See more »
an abstract view of how users interact with their avatars
The movie was fairly good. Even though slayers should have been more defined, it did explain the basics of it (make it to the save point alive). The movie being "abstract" worked very well for everything besides the slayers sequences, but those were surprisingly short. Something that I thought they did very well though is showing how the user interacts with their character. In MMO's today, you have a-holes who will screw up other people's fun and during one of the society scenes, there is an example of this with the roller blading. Its made even more powerful by people laughing at other people 's injuries, disgracing of dead bodies, etc. because its the icons (avatars) getting abused, not the users.
From an academic standpoint, this movie is great since it shows off how sick and uncaring people can be when its not their bodies being abused or shot at.
Anyways, if you want to see this movie, I warn you that there it is rated R for good reasons. It made me think that they should separate the R-rating into R1 and R2 or R and RR. This is because many R movies are lite-R's (some swearing, some nudity, some blood, but nothing out-of-control so to speak) and many other R movies are heavy-R's (i.e. saw, many cheesy horror flicks, and this movie)
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