In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free. Or won't he?
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
Disgraced Secret Service agent (and former presidential guard) Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Ken Castle is extremely rich, popular and powerful since he invented and started exploiting the virtual online parallel reality games, in which people can either pay as user or be paid as 'actor' in a system of mind-control. The ultimate version, Slayers, fields death row convicts as gladiators in a desperate dim bid for survival, which no-one made yet. The champion, John 'Kable' Tillman, was scheduled to die just before he'ld gain release, but he persuades his teenage 'handler' to hand over the reins so he can fully use his talents and experience. Thus Kable escapes to freedom, only to be chased illegally by Castle's men, yet fights back all the way to his HQ and challenges his evil hidden plans.Written by
One of the album covers shown in Simon's music library is Antithesis from a Kansas death metal band Origin. See more »
(at around 43 mins) In the scene where it reads "Kables Last Stand" on three separate buildings, the furthest left building has the original banner reflection of the middle building in place of the word "Last", including an NBC logo at the bottom. See more »
I just play games, man. Games.
That's right. It is a game. You want to win it, don't you?
Yeah, I intend to.
Well then you need to cut your strings, puppet master. Imagine a Slayer who don't got to wait to be told what to do. No ping, ya dig?
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German theatrical version was cut by ca. 1 minute to secure a "Not under 18" rating. This was done by distributor Universum before submitting the film to the FSK. The cut version was also released on Blu-ray/DVD. Another DVD version was created for retail chains, this version lacks ca. 11 minutes and is rated "Not under 16". A few weeks after the release of these versions, the uncut version was submitted to the FSK which rated it "Not under 18", too. Since the rating scale for home video is higher than for theatrical releases, the uncut version would have gotten that rating for theatrical release as well, thus it was completely unnecessary to create a cut version in the first place. See more »
In a not too distant future, the world is obsessed with "Slayers", a game that allows it's players to control real death row inmates in a real world gaming environment. If they win a certain amount of games, the inmate receives a full pardon. The star inmate is Kable. He's won more games than any other "Slayer" has even come close to, and he's close to getting out. However, the game's billionaire creator, Ken Castle, has no intention of letting that happen.
Mixing elements of The Running Man with bizarre game-playing scenarios, outlandish events and a sizable chunk of social commentary, Gamer is an interesting if not always successful little action picture. The commentary on things such as people living reality through game-play and the depths to which society will sink for entertainment are on the mark. Aside from "Slayers", Castle also created an earlier game called "Society", which is sort of like "Sim City", only with real people. Gamers control people in the game and make them do whatever disgusting act they want, such as burning themselves, sex fantasies and the like. I personally felt these were the most effective segments in the film, including a perfect use of the song, "The Bad Touch".
Michael C. Hall was a big draw for me, as he is terrific on one of my favorite TV shows, Dexter. As expected, he was the standout among the cast. His Ken Castle is an over-the-top megalomaniacal nut case, and I enjoyed every moment he was on screen. Alas, he wasn't on screen as often as I expected going in. We naturally get much more of Gerard Butler, who isn't much of an actor from what I've seen. He's tolerable here, but nothing special. We also get a few smaller roles for the likes of Kyra Sedgwick, Pathology's Milo Ventimiglia, Terry Crews, who feels out of place in a non-comedic role, and terrific Drag Me to Hell actress, Alison Lohman.
The action itself is underwhelming, as it suffers from the all too common quick cutting/shaky cam routine. I have to admit, that doesn't bother me as often as it does most people, but it did here. There's also one ridiculous scene involving Kable filling up a truck's fuel tank with something other than fuel. Regardless, while a flawed film, it does have some solid material to offer. It just could have been wrapped a little tighter.
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