In 19th-century Canada, a psychiatrist weighs whether a murderess should be pardoned due to insanity.
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Series cast summary:
 Reverend Verringer / ... 6 episodes, 2017
 Mrs. Humphrey 5 episodes, 2017
 Jamie Walsh 4 episodes, 2017
 Mrs. Honey 4 episodes, 2017
 Mrs. Parkinson 3 episodes, 2017
 George Parkinson 3 episodes, 2017
 Grace's Father 3 episodes, 2017
Diane D'Aquila ...
 Mrs. Quenell 3 episodes, 2017
 Mr. McDonald 3 episodes, 2017
 Immigrant / ... 3 episodes, 2017
Scott Edgecombe ...
John Mallett ...
 Asylum Doctor 2 episodes, 2017
 Reformer #1 2 episodes, 2017
 Reformer #2 2 episodes, 2017
 Ship's Doctor 2 episodes, 2017


Grace Marks was a poor, young Irish immigrant and domestic servant in Upper Canada and, along with a stable hand, was convicted of the brutal murders of their employer and his housekeeper in 1843. Grace was sentenced to life imprisonment, and became one of the most enigmatic and notorious women of 1840s Canada for her supposed role in the sensational double murder. Eventually exonerated after 30 years in jail, her conviction was controversial and sparked much debate about whether she was involved in the murder, or was merely an unwitting accessory. Written by AnonymousB

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Release Date:

3 November 2017 (USA)  »

Also Known As:

Grace i Grace  »

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Aspect Ratio:

16:9 HD
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Did You Know?


Grace shows Dr. Jordan her patchwork square and explains the log cabin represents the home, while "the center is always red, for the hearth." It is traditional to have the center of log cabin blocks red for the hearth or the heart, but it is not required, as seen in the next flashback a few seconds later when Grace and Mary are airing out the quilts of the Parkinson household. The quilt seen on the right of the screen is a log cabin pattern, made with dark/light patches like Grace's, without the red centers. See more »


When Grace is beside Mary's bed, just before the cemetery scene, the 'corpse' can be seen gently breathing (torso moving). See more »

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User Reviews

A Powerful Novel Brought to Life
1 November 2017 | by See all my reviews

Those who have read Margaret Atwood's amazing book, Alias Grace, already know of its layered and nuanced treatment of the story of convicted maidservant Grace Marks.

With that complexity in mind, the six-part mini-series had massive shoes to fill. The various editions of the landmark Canadian novel often exceed five hundred pages, making an on-screen adaptation that much more challenging.

Enter director Mary Harron from stage left. She, with fellow producers Sarah Polley and Margaret Atwood, has put together a drama that captures Victorian-era issues of femininity in a gripping and engaging story of passion, murder, and deceit.

The tale focuses on a retelling of the events leading up to the real-life murders of Thomas Kinnear and Nancy Montgomery just outside of Toronto. The imprisoned Marks is questioned, decades following her conviction, at the Kingston Penitentiary by ambitious psychoanalyst, Simon Jordan. The young doctor listens intently as she stitches together the events that preceded the dreadful killings of Kinnear and Montgomery. Grace, along with stable-hand James McDermott, was convicted of murder, but doubts surrounding Grace's guilt (and sanity) remain. As Dr. Jordan delves deeper into her psyche, he becomes more obsessed with what really happened. His efforts to determine her culpability persist, and truth and falsity become dizzying motifs in the story. What isn't said becomes as crucial as what is said and, as the narrative continues, certainty retreats into the shadows.

Sarah Gadon's casting as Grace Marks is, without question, marvelous. She manages to simultaneously convey purity and malevolence with a single glance, and the dynamic between she and Dr. Jordan is laden with wonderful tension. Supporting characters are all played capably (though notable renderings from Paul Gross and Anna Paquin emerge), but their solid performances are continuously, albeit unintentionally, overshadowed by Gadon's understated portrayal of Atwood's complex protagonist.

Whether or not you've read Alias Grace is of little consequence. It's a fantastic book, but the mini-series can be thoroughly enjoyed regardless.

Margaret Atwood's involvement in production clearly enhanced this magnificent mini-series. By the end, viewers are left to question fact, fiction, and everything in between.

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