IMDb RATING
5.4/10
9.1K
YOUR RATING
A spiritualist medium holds a seance for a writer suffering from writer's block but accidentally summons the spirit of his deceased first wife, which leads to an increasingly complex love tr... Read allA spiritualist medium holds a seance for a writer suffering from writer's block but accidentally summons the spirit of his deceased first wife, which leads to an increasingly complex love triangle with his current wife of five years.A spiritualist medium holds a seance for a writer suffering from writer's block but accidentally summons the spirit of his deceased first wife, which leads to an increasingly complex love triangle with his current wife of five years.
- Awards
- 1 win total
Michele Dotrice
- Edna
- (as Michelle Dotrice)
Peter A Rogers
- Alfred Hitchcock
- (as Peter Rogers)
Featured reviews
I find this comedy funny and delightful. The characters are fun and lovely. The colours are vibrant, and the tone is light. I really enjoyed it.
Blithe Spirit, loosely based on Noel Coward's classic farce. We have Dan Stevens as a writer who's trying to turn his novel into a screenplay. He has an empty-headed wife (Isla Fsher) who swans about the estate. With friends, they go to see a show Madame Arcati (Judi Dench) is putting on, but her act goes wrong and she's exposed as a phony. Because Stevens is thinking a lot about his dead first wife (Leslie Mann) he gets Arcati to come to the house (a sprawling art deco thing) for a seance. Of course she summons the dead wife who, although it's 1937, has a #metoo sensibility.
Things turn slapsticky, and although the stars try hard, it doesn't work. One moment the ghosty wife can't slap Stevens because she's only ectoplasm but the next minute she can play a piano. Worst of all is the version of Arcati. Dench plays her as an aggrieved victim who's sham has been discovered and she's resentful. Bleh. The various Arcati's of film, TV, and stage, have generally played her as a swooping eccentric who's on the dotty side: Margaret Rutherford, Mildred Natwick, Ruth Gordon, Angela Lansbury, Penelope Keith.
This version plays like a sitcom, with the three main characters as madcaps and Dench's shuffling dud of a medium as an unfunny subplot.
Things turn slapsticky, and although the stars try hard, it doesn't work. One moment the ghosty wife can't slap Stevens because she's only ectoplasm but the next minute she can play a piano. Worst of all is the version of Arcati. Dench plays her as an aggrieved victim who's sham has been discovered and she's resentful. Bleh. The various Arcati's of film, TV, and stage, have generally played her as a swooping eccentric who's on the dotty side: Margaret Rutherford, Mildred Natwick, Ruth Gordon, Angela Lansbury, Penelope Keith.
This version plays like a sitcom, with the three main characters as madcaps and Dench's shuffling dud of a medium as an unfunny subplot.
I have never seen the original play or movie, so I'm not making a comparison. I think the main problem of this movie is that it lacks in rhythm. It felt too long despite being only an hour and a half. However, I still had a good time watching it. There are some true laugh-out-loud moments and everyone gives a good comedic performance. Also, the costumes and sets are gorgeous. Apparently, there have been a lot of changes from the original story, but I thought this story was good. My rhythm issue came more from some of the dialogue and the editing, I think. You won't be wasting your time watching it, but don't expect a masterpiece.
If you liked the stage play then I would imagine you would have a few issues with this film, however if you are not aware of the play or the 1945 film based upon the play then you will probably like this version. I never really liked the original film so not that emotional about comparing the two but many prefer the first attempt.
Does this capture Noel Cowards wit, not really but that maybe no bad thing.
Enjoy it for what it is, a simple story with a lacklustre ending to while away some time.
Does this capture Noel Cowards wit, not really but that maybe no bad thing.
Enjoy it for what it is, a simple story with a lacklustre ending to while away some time.
Blithe Sprit
So many reviews on here fail to just get it, this play/farce was written by Noel Coward, in 1941 as an antidote to WW2 and presented on the West End stage. Noel Coward very much in the style of Oscar Wilde writes light whimsical repartee between the characters and it really is a celebration of language.
This movie, set in the 1937, just does not tick the boxes that light up modern audiences. This is a most unfair way to judge it, the plot was well executed, the acting crisp, with a light touch delivery was really quite splendid.
It your looking for a car chase, criminal masterminds and superheroes in spandex look elsewhere.
I'm giving this a jolly well done 7
So many reviews on here fail to just get it, this play/farce was written by Noel Coward, in 1941 as an antidote to WW2 and presented on the West End stage. Noel Coward very much in the style of Oscar Wilde writes light whimsical repartee between the characters and it really is a celebration of language.
This movie, set in the 1937, just does not tick the boxes that light up modern audiences. This is a most unfair way to judge it, the plot was well executed, the acting crisp, with a light touch delivery was really quite splendid.
It your looking for a car chase, criminal masterminds and superheroes in spandex look elsewhere.
I'm giving this a jolly well done 7
Storyline
Did you know
- TriviaThere have been many filmed adaptations of Noël Coward's play, including Blithe Spirit (1956) in which writer Noël Coward himself plays the lead role alongside Claudette Colbert and Lauren Bacall, but the most popular version is Blithe Spirit (1945) starring Rex Harrison, Constance Cummings, Margaret Rutherford and Kay Hammond and directed by David Lean.
- GoofsEarly on, Condomine puts a record on an acoustic gramophone and puts the needle down to the left of the spindle, where it would dig into the record if it would play at all. (The image has not been reversed because the record is still turning clockwise.)
- Quotes
Charles Condomine: Two's company--three's a nightmare
- ConnectionsReferences Mata Hari (1931)
- SoundtracksLeaning on a Rainbow
Performed by Michael Ball
Written by Ian Brown (as Ian W. Brown), Jake Field, Simon Johnson
Courtesy of Mighty Village/EMI Music Publishing Ltd
Courtesy of Decca Records
Under license from Universal Music Operations Limited
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Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- Колишня з того світу
- Filming locations
- Joldwynds, Holmbury St Mary, Dorking, Surrey, England, UK(Condomines' house)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $282,500
- Opening weekend US & Canada
- $88,559
- Feb 21, 2021
- Gross worldwide
- $964,832
- Runtime1 hour 39 minutes
- Color
- Aspect ratio
- 2.39:1
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