The Father (2020)
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- PG-13
- 1h 37min
- Drama, Mystery
- 26 Feb 2021 (USA)
- Movie
A man refuses all assistance from his daughter as he ages. As he tries to make sense of his changing circumstances, he begins to doubt his loved ones, his own mind and even the fabric of his reality.
Director:
Writers:
Awards:
- Won 2 Oscars. Another 35 wins & 169 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Olivia Colman | ... |
Anne
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| Anthony Hopkins | ... |
Anthony
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| Mark Gatiss | ... |
The Man
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| Olivia Williams | ... |
The Woman
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| Imogen Poots | ... |
Laura
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| Rufus Sewell | ... |
Paul
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| Ayesha Dharker | ... |
Dr Sarai
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Roman Zeller | ... |
Boy
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| Rest of cast listed alphabetically: | |||
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Adnan Kundi | ... |
Passerby (uncredited)
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Brian Rodger | ... |
Hospital Visitor (uncredited)
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Evie Wray | ... |
Lucy (uncredited)
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Directed by
| Florian Zeller | ||
Written by
| Christopher Hampton | ... | (screenplay) and |
| Florian Zeller | ... | (screenplay) |
| Florian Zeller | ... | (play) |
Produced by
| Daniel Battsek | ... | executive producer |
| Philippe Carcassonne | ... | producer (produced by) (p.g.a.) |
| Cleone Clarke | ... | associate producer |
| Lauren Dark | ... | executive producer |
| Alice Dawson | ... | co-producer |
| Simon Friend | ... | producer |
| Paul Grindey | ... | executive producer |
| Hugo Grumbar | ... | executive producer |
| Tim Haslam | ... | executive producer |
| Jean-Louis Livi | ... | producer (produced by) (p.g.a.) |
| Ollie Madden | ... | executive producer |
| David Parfitt | ... | producer (produced by) (p.g.a.) |
| Christophe Spadone | ... | producer |
| Beth Timbrell | ... | line producer |
Music by
| Ludovico Einaudi | ... | (music by) |
Cinematography by
| Ben Smithard | ... | director of photography |
Editing by
| Yorgos Lamprinos | ||
Editorial Department
| Marina Amaro | ... | dailies: M141 |
| Karl Barnes-Dallas | ... | digital intermediate coordinator: Molinare |
| Niels Barroin | ... | digital intermediate editor: M141 |
| Jacob Beatty | ... | data i/o operator |
| Pierre Beautrait | ... | digital intermediate editor: M141 |
| Thibault Carterot | ... | ceo: M141 |
| Chloé Cassin | ... | post-production intern: M141 |
| Theresa Crooks | ... | junior colourist |
| Matt Dalton | ... | post-production accountant |
| Milan Evrard | ... | dailies: M141 |
| Marie Fernandes | ... | digital intermediate producer: Molinare |
| Patrice Goessant | ... | chief technical officer: M141 (as Patrice Goëssant) |
| Camille Happert | ... | lab technician: M141 |
| Audrey Kleinclaus | ... | lab supervisor: M141 |
| Mustapha Laatita | ... | workflow supervisor: M141 |
| Clémence Le Brun | ... | assistant editor |
| Yannis Loussikoulou | ... | hardware supervisor: M141 (as Vannis Loussikoulou) |
| Aaliya Nazerali | ... | edit assistant |
| Cecile Portal | ... | lab technician: M141 (as Cécile Portal) |
| Azaé Poussier | ... | technical assistant |
| Lucas Roy | ... | hardware supervisor: M141 |
| Gareth Spensley | ... | digital intermediate colorist: Molinare |
| Samuel Cabrera Marquez | ... | assistant on-line editor (uncredited) |
| Jashesh Jhaveri | ... | deliverables technician (uncredited) |
Production Design by
| Peter Francis | ||
Art Direction by
| Amanda Dazely | ||
| Astrid Sieben | ... | supervising art director |
Set Decoration by
| Cathy Featherstone | ||
Costume Design by
| Anna Robbins | ... | (as Anna Mary Scott Robbins) |
Makeup Department
| Tahira Herold | ... | hair supervisor / makeup supervisor |
| Anna Morena | ... | crowd hair stylist / crowd makeup artist |
| Nadia Stacey | ... | hair designer / makeup designer |
Production Management
| Christine Duchier | ... | post-production supervisor |
| Christophe Jeauffroy | ... | production manager |
| Anne Lelandais | ... | french dubbing post production manager (uncredited) |
Second Unit Director or Assistant Director
| Jamie D. Allen | ... | second assistant director |
| Stewart Allen-Smith | ... | third assistant director |
| George Every | ... | first assistant director |
Art Department
| Philip Barber | ... | carpenter (as Phil Barber) |
| Lawrence Barford | ... | draftsperson |
| Dean Blyth | ... | painter (as Dean Blythe) |
| Adam Chard | ... | painter |
| John Costello | ... | carpenter |
| Luca Costello | ... | apprentice painter |
| Charlie Couch | ... | painter |
| Nigel Crafts | ... | hod carpenter |
| Katie Dadswell | ... | art department assistant |
| Kevin Day | ... | chargehand standby props |
| Frank Delaney | ... | stagehand |
| Nick Dewsbury | ... | carpenter |
| Charlie English | ... | carpenter |
| Rashid Gani | ... | props runaround |
| John Steven Gibson | ... | standby carpenter |
| Craig Gleeson | ... | hod painter |
| Evan Green | ... | apprentice carpenter |
| Neil Hornshaw | ... | chargehand dressing props |
| George Knowles | ... | dressing props |
| Simon Lane | ... | dressing props |
| Frankie Leeming | ... | dressing props |
| Warren Lever | ... | construction manager |
| Jason Line | ... | painter: 'Portrait of a Boy' |
| Desmond MacMahon | ... | painter: 'Industrial' and 'Landscapes' |
| Josie Martin | ... | petty cash buyer |
| Adam McCreight | ... | property master |
| Liam Morgan | ... | junior draughtsperson (as L A Morgan) |
| Oli Novadnieks | ... | production buyer |
| Matthew Parsons | ... | painter (as Matt Parsons) |
| David Pearce | ... | painter |
| Jamie Peck | ... | carpenter |
| Matthew Ramm | ... | set dresser |
| Jack Sargent | ... | stagehand |
| David Sawyer | ... | carpenter |
| Olivia Somary | ... | food stylist |
| Kate Trevessey | ... | graphic designer |
| Natalie Valentine | ... | standby art director |
| Philippe Vasseur | ... | painter: 'Enfance' |
| Paul Wallis | ... | standby painter |
| Stuart Walpole | ... | standby props |
| Paul Williams | ... | chargehand carpenter |
| James Battison | ... | set dresser (uncredited) |
| Chris Edwards | ... | props (uncredited) |
Sound Department
| Nick Baldock | ... | additional adr mixer |
| Alexandre Blondeau | ... | sound technician: Polyson |
| Charles Bussienne | ... | sound chief technical officer: Polyson |
| Guillaume Camboly | ... | sound technician: Polyson |
| Thibaut Dufait | ... | sound technician: Polyson |
| Florian Fabre | ... | foley artist |
| Matthieu Lasausa | ... | sound technician: Polyson |
| Aloyse Launay | ... | assistant sound editor |
| Lucas Le Néouanic | ... | sound technician: Polyson |
| Guido Lerner | ... | second assistant sound |
| Laetitia Noblet | ... | administration: Polyson (as Laëtita Noblet) |
| Sandy Notarianni | ... | sound editor / supervising sound editor |
| Diane Prieur | ... | sound technician: Polyson |
| Margot Saada | ... | adr supervisor |
| Charles Vallette Viallard | ... | sound projects coordinator: Polyson |
| Vincent Verdoux | ... | adr mixer / foley mixer / re-recording mixer |
| Josh Robinson Ward | ... | first assistant sound (as Josh Robinson-Ward) |
| Will Whale | ... | production sound mixer |
| Tony Crowe | ... | adr recordist (uncredited) |
| Ihor Kaniuk | ... | re: recording mixer (uncredited) |
| Marvin Lormel | ... | french dubbing dialogue editor (uncredited) |
Visual Effects by
| Maria Andriani Andritsi | ... | production coordinator: Umedia |
| Jerome Auliac | ... | cg artist: Umedia (as Jérôme Auliac) |
| Nora Berecoechea | ... | chief executive officer: Umedia |
| Emma Bernier | ... | in & out: Umedia |
| Jerome Binckly | ... | 2d supervisor: Umedia (as Jérôme Binckly) |
| Constant Bourgon | ... | in & out: Umedia |
| Aline Bélot | ... | cg artist: Umedia (as Aline Belot) |
| Alexis Caresche | ... | digital compositor: Umedia |
| Teddy Delattre | ... | digital compositor |
| Thierry Delobel | ... | head of production: Umedia |
| Benjamin Desrier | ... | cg artist: Umedia |
| Ludivine Ducrocq | ... | production manager / production manager: Umedia |
| Audrey Fine | ... | visual effects producer: Umedia |
| Jade Gautier | ... | in & out: Umedia |
| Thomas Geiger | ... | cg artist: Umedia |
| Celine Goriot | ... | visual effects producer: Umedia (as Céline Goriot) |
| Adrien Jean-Robert | ... | in & out: Umedia |
| Louise Leclercq | ... | cg artist: Umedia |
| Pierrick Mahieu | ... | cg artist: Umedia |
| Nicolas Monnier | ... | cg artist: Umedia |
| Neila Ouahmed | ... | cg artist: Umeia (as Neïla Ouahmed) |
| Elisa Perez | ... | visual effects coordinator : Umedia VFX |
| Romain Perrin | ... | compositor : Umedia VFX |
| My Lan Nguyen Quang | ... | visual effects artist: M141 |
| David Sanchez | ... | 2d supervisor: Umedia |
| Arnaud Soulabaille | ... | cg artist: Umedia |
| Mikael Tanguy | ... | visual effects supervisor: Umedia (as Mikaël Tanguy) |
| Rafael Curulla | ... | visual effects producer: Umedia (uncredited) |
Stunts
| Oliver Gough | ... | stunt performer |
| Jo McLaren | ... | stunt coordinator |
Camera and Electrical Department
| Bennett Clarke | ... | second assistant camera: dailies |
| Steve Davis | ... | electrician |
| Liam Day | ... | standby rigger |
| Charlie Doe | ... | electrician |
| Andrew Duncan | ... | best boy |
| Warren Ewen | ... | best boy |
| Steve Fitzpatrick | ... | hod rigger |
| Rosamund Freeman | ... | camera trainee |
| Sean Gleason | ... | still photographer |
| Alan Robert Hopkins | ... | digital imaging technician/dailies colourist (as Alan Hopkins) |
| Candy Jackson | ... | desk operator |
| Chris Jacques | ... | electrician |
| Scott Jamison | ... | second assistant camera |
| Vince Madden | ... | best boy |
| Michael McDermott | ... | gaffer |
| Michael McDermott | ... | gaffer |
| Matt O'Brien | ... | electrician |
| Jamie Phillips | ... | first assistant camera |
| Tony Sankey | ... | grip / key grip |
| Alfie Sankey-Green | ... | grip assistant |
| Ben Smithard | ... | camera operator |
| Pacu Trautvetter | ... | video assist |
| Jamie Brittain | ... | additional grip (uncredited) |
| Mischa Chaleyer-Kynaston | ... | video operator: splinter unit (uncredited) |
| Stephen Delahunt | ... | electrical rigger (uncredited) |
| Michele Abramo Puricelli | ... | libra head technician: dailies (uncredited) |
Costume and Wardrobe Department
| Felicity Goldsworthy | ... | principal costume standby |
| Akshy Marayen | ... | costume intern |
| Cristina Vizireanu | ... | principle costume standby |
| Elle Wilson | ... | assistant costume designer |
Location Management
| Julian Bivol | ... | assistant location manager |
| Tony Clarkson | ... | location scout |
| Peter-Frank Dewulf | ... | location manager |
| Toni Nordli | ... | location assistant |
| Omar Alboukharey | ... | location marshall (uncredited) |
| Jake Robinson | ... | location marshall (uncredited) |
Music Department
| Guillaume Clément | ... | music supervisor (as Guillaume Clément-Coriolan) |
| Ludovico Einaudi | ... | musician: piano |
| Redi Hasa | ... | musician: cello |
| Federico Mecozzi | ... | musician: violin, viola |
| David Menke | ... | composer: additional music / musician: piano, doublebass, programming |
| Reinmar Neuner | ... | musician: violin |
| Tkdvaibhavjha | ... | musician |
| David Menke | ... | music editor (uncredited) |
Script and Continuity Department
| Susanna Lenton | ... | script supervisor |
Transportation Department
| Ray Clark | ... | driver: Anthony Hopkins |
| Jeff Hudson | ... | driver: Olivia Colman |
| Clive King | ... | unit driver |
| Martin McDonald | ... | unit driver |
| Hitesh Patel | ... | Extra Coach: Minibuses |
| Juan Pasqual | ... | construction driver (uncredited) |
Additional Crew
| Steve Ambler | ... | medic: JHA safe T |
| Juan Miguel Arias | ... | assistant: Anthony Hopkins |
| Tony Arnoux | ... | press attaché: France |
| Helen Ayre | ... | stand-in: Olivia Coleman |
| Liz Barron | ... | finance director: Trademark Films |
| George Bennett-Wyres | ... | catering assistant: Hot Goblin |
| Chris Blythe | ... | catering manager: Hot Goblin |
| Sandrine Boulet | ... | production assistant: Ciné - @ |
| Laurence Brown | ... | legal services: Laurence Brown Media Limited |
| Sue Bruce-Smith | ... | deputy director: Film4 |
| Ray Burnet | ... | stand-in: Anthony Hopkins |
| Colin Burrows | ... | epk: Special Treats |
| Phil Cairns | ... | press & publicity manager: Film4 |
| Cassandra Carias | ... | head of legal & business affairs: Film4 |
| Christine Caro | ... | production consultant: US |
| Sébastien Cauchon | ... | marketing and distribution: France |
| Anchal Clarke | ... | assistant accountant |
| Jon Clifford | ... | technical and post production: Embankment Films |
| Ben Coren | ... | development and production executive: Film4 |
| Paul Creasey | ... | head chef: Hot Goblin |
| Larry D'Arcy | ... | general counsel: Embankment Films |
| Libby D'Arcy | ... | general counsel: Embankment Films |
| Helen de Winter | ... | completion bond services: Film Finances |
| Valérie Devrèse-Bruche | ... | head of finance: F comme Film (as Valérie Devrése) |
| Pippa Feldberg Collins | ... | floor runner |
| Dorothee Freytag | ... | production coordinator |
| Albion Gee | ... | production assistant |
| Nadia Ghali | ... | executive assistant: F comme Film |
| Calum Gray | ... | head of worldwide sales & distribution: Embankment Films |
| Paul Hillier | ... | production insurance: Integro Insurance Brokers |
| James Hood | ... | crowd pa |
| Amy Jing | ... | completion bond services: Film Finances |
| Steve Joberns | ... | production auditor: Shipleys LLP |
| Peter La Terriere | ... | completion guarantor executive |
| Justin Lane | ... | chef: Hot Goblin |
| Kirsty Langsdale | ... | unit publicity: Organic |
| Germain Le Carpentier | ... | production consultant: US |
| Alexander Lea | ... | legal services: Wiggin LLP |
| Emily Leach | ... | production executive: Film4 |
| Mario Locurcio | ... | publicity: Italy |
| Olivier Marquezy | ... | titles: La Brigade du Titre (as Olivier Marquézy) |
| Karen Marshall | ... | trustee: Elarot/Les Films du Cru |
| Greg Martin | ... | acquisitions and distribution executive: Embankment Films |
| Suby McCarthy | ... | senior finance manager: Film4 |
| Sam McMullen | ... | assistant: Florian Zeller |
| Donnchadh McNicholl | ... | senior legal & business affairs executive: Film4 |
| Charles Moore | ... | legal services: Wiggin LLP |
| Constance Netter | ... | head of legal and communication: F comme Film |
| Emma O'Mara | ... | production coordinator: Simon Friend Entertainment |
| Ty Obasanga | ... | base security: Film First Security |
| Hanna Osmolska | ... | general manager: Simon Friend Entertainment |
| Tori Parry | ... | head of production: Film4 |
| Max Pirkis | ... | head of acquisitions and distribution: Embankment Films |
| André-Paul Ricci | ... | press attaché: France |
| Hannah Saunders | ... | marketing & distribution manager: Film4 |
| Laura Sedgwick | ... | production coordinator: Simon Friend Entertainment |
| Caroline Silhol | ... | artistic director: F comme Film |
| Katrina Stagner | ... | completion bond services: Film Finances |
| Maxine Stanley | ... | supervising accountant |
| Emmanuelle Stannard | ... | assistant production coordinator |
| Ben Strowger | ... | chef: Hot Gobin |
| Siddiqui Subhani | ... | digital marketing |
| Robert Szanto | ... | production consultant: US |
| Paulina Taher | ... | licensing and marketing executive: Embankment Films |
| Clea Tammes | ... | unit publicity: Organic |
| Gâelle Vernus | ... | accountant: F comme Film |
| Alix Vigin | ... | epk: Special Treats |
| Maite Villarino Vicente | ... | completion bond services: Film Finances / licensing and marketing manager: Embankment Films |
| Graham Walters | ... | craft service |
| Camilla Wesolowska | ... | company secretary: Embankment Films |
| Sisi Cronin | ... | publicist (uncredited) |
| Antje Mangeant | ... | set runner (uncredited) |
| Sezgin Mangjuka | ... | it executive (uncredited) |
| Cameron Russell | ... | additional floor runner (uncredited) |
| Richard Wild | ... | chief meteorologist (uncredited) |
Thanks
| Chris Andrews | ... | wishes to thank: Florian Zeller |
| Jeremy Barber | ... | special thanks |
| Aurélia Blanchet | ... | special thanks |
| Tanya Blumstein | ... | wishes to thank: Florian Zeller |
| Alexander Yves Brunner | ... | special thanks: Sold By |
| Pierre-Antoine Capton | ... | wishes to thank: Florian Zeller |
| Thibault Carterot | ... | special thanks |
| Ladislas Chollat | ... | wishes to thank: Florian Zeller |
| Florence Coudeyre | ... | special thanks |
| Catherine Crépeaux | ... | special thanks |
| Caitlin Davies | ... | special thanks |
| Marine Delterme | ... | wishes to thank: Florian Zeller |
| Cédric Depierre | ... | special thanks |
| Sarah Douglas | ... | wishes to thank: Florian Zeller |
| Didier Duverger | ... | special thanks |
| David Foenkinos | ... | wishes to thank: Florian Zeller |
| Vincent Girerd | ... | special thanks |
| Laurent Grégoire | ... | wishes to thank: Florian Zeller |
| Myriam Hacene | ... | special thanks (as Myriam Hacène) |
| Laurent Hassid | ... | special thanks |
| Stella Hopkins | ... | special thanks |
| David Kessler | ... | special thanks |
| Valérie Langeard | ... | special thanks |
| Francis Lombrail | ... | wishes to thank: Florian Zeller |
| Nick Manzi | ... | special thanks |
| Sam McMullen | ... | wishes to thank: Florian Zeller |
| Lynne Meadow | ... | wishes to thank: Florian Zeller |
| Matteo Perale | ... | wishes to thank: Florian Zeller |
| Pierre Rasamoela | ... | special thanks |
| Anne-Lise Rottiers | ... | special thanks |
| Maxime Saada | ... | special thanks |
| Federica Sainte-Rose | ... | wishes to thank: Florian Zeller |
| Suzanne Sarquier | ... | wishes to thank: Florian Zeller |
| Brian Siberell | ... | wishes to thank: Florian Zeller |
| Lola Amber Steele | ... | special thanks |
| Olivier Sultan | ... | wishes to thank: Florian Zeller |
| Isabelle Terrel | ... | special thanks |
| Nicolas Tretiakow | ... | wishes to thank: Florian Zeller |
| Evie Wray | ... | special thanks |
| Tilda Wylie | ... | special thanks |
| Eloïse Zeller | ... | wishes to thank: Florian Zeller |
| Kristina Zimmermann | ... | special thanks |
| Kristina Zimmermann | ... | thanks |
Production Companies
- Les Films du Cru (present)
- Film4 (present)
- Orange Studio (in association with)
- Canal+ (in association with)
- Ciné+ (in association with)
- Embankment Films (in association with)
- F Comme Film (production)
- Trademark Films (production)
- Ciné@ (production)
- AG Studios NYC (production consultant)
- Simon Friend Entertainment
- Viewfinder
Distributors
- Lionsgate (2020) (United Kingdom) (theatrical)
- Elevation Pictures (2020) (Canada) (theatrical)
- Entract Films (2020) (Canada) (Québec)
- Sony Pictures Classics (2020) (United States) (theatrical)
- A Contracorriente Films (2020) (Spain) (theatrical)
- Front Row Filmed Entertainment (2020) (United Arab Emirates) (Middle East, North Africa and Iran)
- BestFilm.eu (2020) (Estonia)
- BestFilm.eu (2020) (Latvia)
- BestFilm.eu (2020) (Lithuania)
- Angel Films (2021) (Denmark) (theatrical)
- Ascot Elite Entertainment Group (2021) (Switzerland) (theatrical)
- Atlantic Film (2021) (Finland) (theatrical)
- BF Distribution (2021) (Bolivia) (theatrical)
- BIM Distribuzione (2021) (Italy) (theatrical)
- BfParis (2021) (Argentina) (theatrical)
- Bir Film (2021) (Turkey) (theatrical)
- Cai Chang International (2021) (Taiwan) (theatrical)
- California Filmes (2021) (Brazil) (theatrical)
- China Film Group Corporation (CFGC) (2021) (China) (theatrical)
- Cine Colombia (2021) (Colombia) (theatrical)
- Cineplex (2021) (Ecuador) (theatrical)
- Cineplex (2021) (Panama) (theatrical)
- Cinéart (2021) (Belgium) (theatrical)
- Cinéart (2021) (Netherlands) (theatrical)
- Constantin-Film (2021) (Austria) (theatrical)
- Edko Films (2021) (Hong Kong) (theatrical)
- Elite Film (2021) (Switzerland) (theatrical)
- Entract Films (2021) (Canada) (theatrical) (Quebec)
- Filmfinity (2021) (South Africa) (theatrical)
- Front Row Filmed Entertainment (2021) (Egypt) (theatrical)
- Front Row Filmed Entertainment (2021) (Oman) (theatrical)
- Front Row Filmed Entertainment (2021) (Qatar) (theatrical)
- Front Row Filmed Entertainment (2021) (Saudi Arabia) (theatrical)
- Itafilm (2021) (Slovakia) (theatrical)
- Life Films Paraguay (2021) (Paraguay) (theatrical)
- Limelight Distribution (2021) (New Zealand) (theatrical)
- NonStop Entertainment (2021) (Sweden) (theatrical)
- Operadora (2021) (Costa Rica) (theatrical)
- Operadora (2021) (Guatemala) (theatrical)
- Operadora (2021) (Honduras) (theatrical)
- Operadora (2021) (Nicaragua) (theatrical)
- Operadora (2021) (El Salvador) (theatrical)
- Orange Studio (2021) (France) (theatrical)
- Pancinema (2021) (South Korea) (theatrical)
- Russian Report (2021) (Russia) (theatrical)
- Sahamongkol Film International (2021) (Thailand) (theatrical)
- Sena (2021) (Iceland) (theatrical)
- Sharmill Films (2021) (Australia) (theatrical)
- Shaw Organisation (2021) (Singapore) (theatrical)
- Showgate (2021) (Japan) (theatrical)
- Spentzos Films (2021) (Greece) (theatrical)
- Storytelling Media (2021) (Norway) (theatrical)
- Svoe Kino (2021) (Ukraine) (theatrical)
- TOBIS Film (2021) (Germany) (theatrical)
- UGC Distribution (2021) (France) (theatrical)
- United International Pictures (UIP) (2021) (France) (theatrical)
- Zima (2021) (Mexico) (theatrical)
- Atlantic Film (2022) (Finland) (DVD)
- Leonine Studios (2021) (Germany) (DVD) (release through)
- Madman Entertainment (2021) (Australia) (DVD)
- NOS Audiovisuais (2021) (Portugal)
- Sony Pictures Home Entertainment (2021) (United States) (Blu-ray)
- Sony Pictures Home Entertainment (2021) (United States) (DVD)
- TOBIS Home Entertainment (2021) (Germany) (DVD) (and Blu-ray)
- Versátil Home Vídeo (2021) (Brazil) (Blu-ray)
- Yleisradio (YLE) (2024) (Finland) (tv) (and Internet)
Special Effects
- Rosco Digital Imaging (rosco softdrop by)
- Umedia VFX (visual effects)
Other Companies
- 24-7 Drama (camera equipment supplied by)
- Aggreko (generators supplied by)
- Audiolink Radio Communications (walkie talkies)
- Backstage Rigging (rigging services)
- Blitz Rigging (rigging services)
- Block-Korenbrot Public Relations (publicist)
- British Telecommunications (BT) (special thanks)
- Burberry (special thanks)
- CAA Media Finance (distribution advisory services)
- Casting Collective (extras casting)
- Construct Scenery (construction company)
- Coutts & CO (banking services)
- DBS (facilities vehicles)
- Digital Orchard (video equipment supplied hy)
- Ech Services (minibuses)
- Film Finances (completion bond services provided by)
- Film First Security (security services supplied by)
- Film London - Equal Access Net (training provider)
- Freeway CAM B.V. (world revenues collected and distributed by)
- GB Rigging (rigging services)
- Getty Images (tv sound footage supplied by)
- Glamper Van UK (winnebagos)
- Guardian News & Media (special thanks)
- Hot Goblins (catering)
- Integro Insurance Brokers (production insurance provided by)
- JHA safe T (health and safety advisor)
- La Brigade du Titre (titles)
- La Compagnie Véhicule (audio description: M141)
- Larsson & Jennings (special thanks)
- Laurence Brown Media (legal services)
- Lil & Kate London (accommodation agent)
- M141 (post-production faculity)
- Molinare Studio (post production facility: UK)
- Motorvision Films (action vehicles supplied by)
- Omega (special thanks)
- On Set Location Services (location trucks)
- Organic Media Group (unit publicity)
- Panalux (lighting equipment supplied by)
- Polyson (editing)
- Polyson (sound post-production)
- Rolex (special thanks)
- Royal Parks (special thanks)
- Salon ProSales (editing equiment supplied by)
- Sapex Scripts (post-production script services)
- Sara Putt Associates (training provider)
- Sarah Hughes Clearances (legal clearances)
- ScreenSkills High-End Television Skills Fund (HETV) (training provider)
- Shipleys (production auditors)
- Special Treats (epk)
- TPH Global (payroll services)
- TPH Global (post-production accounting)
- Team Engine (production software provided by)
- The Vintage Watch Company (special thanks)
- UTA Independent Film Group (distribution advisory services)
- Universal Extras (extras casting)
- Victoria and Albert Museum (special thanks)
- Viewfinder Films Ltd. (executive producing services provided by)
- Wiggin I (legal services provided by)
Storyline
| Plot Summary |
Having scared off his latest caregiver, Anthony, an ailing octogenarian Londoner gradually succumbing to dementia, feels abandoned when his concerned daughter, Anne, tells him she's moving to Paris. Confused and upset, debilitated by his rapid mental decline and warped perspective, Anthony loses his grip on reality as he struggles to navigate the opaque landscape of the present and past. As a result, fading memories and glimpses of lucidity trigger sudden mood swings, distorting Anthony's surroundings, loved ones, and even time. But why has his younger daughter stopped visiting? And who are the strangers that burst in on Anthony? Written by Nick Riganas |
| Plot Keywords | |
| Taglines | Nothing is as it seems See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
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Box Office
| Budget | $6,000,000 (estimated) |
Did You Know?
| Trivia | Florian Zeller wanted Sir Anthony Hopkins specifically for the part. He sent Hopkins the script in 2017 and waited for a reply. In the meantime, he did not pursue production with any other actors in the lead role. He said if Hopkins had not agreed to the film, then it likely would have been made in French instead. See more » |
| Movie Connections | Featured in Episode dated 18 September 2020 (2020). See more » |
| Soundtracks | Cold Wind Var. 1 - Day 1 See more » |
| Quotes |
Anthony:
Who exactly am I? See more » |