In the 1970s, Om, an aspiring actor, is murdered, but is immediately reincarnated into the present day. He attempts to discover the mystery of his demise and find Shanti, the love of his previous life.
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After marrying a poor woman, rich Rahul is disowned by his father and moves to London to build a new life. Years later, his now grown up little brother Rohan embarks on a mission to bring Rahul back home and reunite the family again.
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After his wealthy family prohibits him from marrying the woman he is in love with, Devdas Mukherjee's life spirals further and further out of control as he takes up alcohol and a life of vice to numb the pain.
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Gaurav develops an obsession with a movie star who looks just like him. He goes to Mumbai to meet his idol, but he refuses to grant him five minutes of his time. Gaurav is enraged and plots to destroy his hero.
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Om Prakash Makhija is a Junior Artist in the 1970's hindi film industry, who is in love with actress Shantipriya. Om rescues Shanti from a fire scene where the fire has escaped control, and they become friends. His hopes seems to be coming true, but shortly thereafter he finds out that she is married to a film producer, Mukesh Mehra, and is expecting his child. He then watches in horror as Mukesh, after luring her in an abandoned studio, sets it on fire to prevent a financial loss and protect his career. Om attempts to rescue her in vain, and he eventually is killed. 30 years later, Om has reincarnated as the only son of a Bollywood actor, Rajesh Kapoor, and is himself an actor. His memories start to return when he meets with his widowed mother, Bela, from his previous birth. He also meets with Mukesh and together they decide to make a movie 'Om Shanti Om'. Om then hires a look-alike of Shantipriya, and hopes to force a confession out of Mukesh - but things go awry and Om finds his ...Written by
I'm an American, and have not seen very many Bollywood films -- Three Idiots, Saariwaya, and one or two others in passing -- but I know a spoof when I see it. This movie was a romp -- overdone theatrics, over-the-top musical numbers, and lots of wink-wink-nudge-nudge allusions. Actually, I probably missed most of those -- but I got enough of them to keep smiling all the way through. Nicely plotted, plenty of really good catch-lines, and warm-hearted at the core. I especially like the end credits, where crew members and the usually faceless support people did a kind of 'red carpet' appearance, to the applause and cheers of the mob. Great bit at the very end, where the director/writer got out of the tuk-tuk for her moment, and everybody was .... well, no spoilers here. Just watch the film. Well worth your time.
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