Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
In 1979, the American embassy in Iran was invaded by Iranian revolutionaries and several Americans were taken hostage. However, six managed to escape to the official residence of the Canadian Ambassador and the CIA was ordered to get them out of the country. With few options, exfiltration expert Tony Mendez devised a daring plan: create a phony Canadian film project looking to shoot in Iran and smuggle the Americans out as its production crew. With the help of some trusted Hollywood contacts, Mendez created the ruse and proceeded to Iran as its associate producer. However, time was running out with the Iranian security forces closing in on the truth while both his charges and the White House had grave doubts about the operation themselves.Written by
Kenneth Chisholm (firstname.lastname@example.org)
Lester Siegel (played by Alan Arkin) is said to be a composite character. However, in real-life, Make-up Artist Robert Sidell, a friend of John Chambers, posed as the fake film's Producer. Sidell's wife, Andi, was the fake production company's receptionist. Ben Affleck assumed that Sidell, like Chambers, had passed away, but he was informed just before the film's release, that he was still alive and well. Affleck had Robert Sidell flown to the film's premiere in Los Angeles, and in his opening remarks, he gave recognition to Sidell for his part in the mission. See more »
Noticeable on the uniforms and caps of immigration officials working at Tehran's airport passport control, is the former coat-of-arms of Iran used during the Shah's reign. After the 1979 revolution, the coat of arm featuring a lion holding a sword surrounded by olive leaves and a crown (symbolizing the Shah) above the lion was immediately replaced by the new theocratic government with a Persian-inspired script symbolizing "Allah" ("God"). The new coat of arms (which appears in the center of Iran's flag today) contains no imagery or symbols relating to the Shah and the Pahlavi dynasty. See more »
This is the Persian Empire known today as Iran. For 2,500 years, this land was ruled by a series of kings, known as shahs. In 1950, the people of Iran elected Mohammad Mossadeqh, a secular democrat, as Prime Minister. He nationalized British and U.S. petroleum holdings, returning Iran's oil to it's people. But in 1953, the U.S. and Great Britain engineered a coup d'etat that deposed Mossadeqh and installed Reza Pahlavi as shah. The young Shah was known for opulence and ...
See more »
The movie opens with the 1970s-era Warner Bros. slash logo that eventually became the logo of Warner Music, which was designed by Saul Bass, instead of the traditional shield logo. However, the corporate copy below the logo refers to Time Warner, the current incarnation of Warner Communications since 1990, in the same typeface that was used decades ago. See more »
Six American embassy staff are sheltered and smuggled out of the Iran, quietly, safely and without any fuss. It just gets done as it should, with the help of the western diplomatic community including Canada, Sweden, Denmark, Britain and New Zealand.
You could make a film out of it - but it would be a documentary and probably boring as simple competency and decency make for poor cinema these days.
You can also make a Die-hard/RAMBO type film with one man against the system, lots of car chases, explosions, improbable plot twists and cliffhanger type of escapes. These can be a lot of fun to watch when done right.
Or you can make a film that is something in between, where you intersperse actual events and people to trick viewers into taking the pulp fiction seriously. It is important to make sure that most of the audience was not alive when the events occurred - just stress the few cultural references that they know and give a slide show at the end to convince them how real it all was. And add a one sentence disclaimer so that all those friends that did help aren't too offended.
I personally prefer the first two types of film that either give credit to the very real people who actually did risk their very real lives or be honest with the audience that this is make-believe.
Or at the very least - make something that can stand on its own without having to pretend that most of it actually happened.
115 of 225 people found this review helpful.
Was this review helpful to you?
| Report this