In a remote part of the countryside, a bungled kidnapping turns into a living nightmare for four central characters when they cross paths with a psychopathic farmer and all hell breaks ... See full summary »
Paul Andrew Williams
Just when Michael arrives in Berlin to visit his ex-girlfriend Gabi, a terrible virus starts spreading across the city at a rapid pace, turning people into mindless homicidal maniacs. Much ... See full summary »
A TV crew, desperate to boost ratings, arrive on a remote Welsh farming island to investigate an intriguing incident. A local girl and her boyfriend had been abducted by aliens, who also impregnated her.
A loan shark gives ex-con Nick a period of 24 hours in order to pay back the money he owes. Up against it, Nick involves his best mate on a multi-part mission in order to raise the cash ... See full summary »
As the world succumbs to a zombie apocalypse, Cole, a hardened mercenary, is chasing the one person who can provide a cure. In his way aren't only the flesh-eating, super-athletic cannibals... See full summary »
Vince is handling his divorce badly. He's depressed. Gone to pieces. But his mates aren't giving up on him. Struggling with their own women troubles, they drag him off for an ultimate lads drinking weekend in the country. Arriving in the village of Moodley where the women outnumber the men 3:1, the boys find themselves holidaying in a village overrun by psychotic, homicidal Zombirds with a thirst for male flesh.Written by
While working on the music for this film, musician Andy Reynolds created a series of sound designs from recording squeaky bicycle brakes. Along with some scratchy Er Hu playing, all this was recorded in his recording studio in the Canary Islands. It rarely rains there, and so when a bicycle got wet in the rain, that's when the sound was discovered. See more »
When Matt gives Vince his "backup" water-gun, its tank is full. Vince holds it up to see that it is almost empty. In the next shot it is full again. See more »
Now you decide to shoot something, you fucking monkey's arse ring!
Sergeant Gavin Wright:
I had one bullet left. I was saving it for when I really needed it.
You're still a twat!
See more »
After travelling to a remote village for a weekend of drunken debauchery and male bonding, a group of friends come under attack from the women of the village, who have turned into bloodthirsty cannibals as the result of a top-secret biological warfare experiment carried out by the army.
Those looking for a stylish slice of quirky Brit comedy/horror in the vein of Shaun of the Dead, be warned: Jake West's Doghouse is aimed squarely at the lad-mag reading, post-footy, post-pub, post-curry crowd, and as such, the level of sophistication is not exactly high. Don't expect clever word-play, irony, post-modernism, surrealism, or satire; do expect tit jokes, loads of swearing, mindless violence, and puerile gags about shagging zombies, all of which could have been tons of fun, if only the film's characters hadn't been such an unlikable bunch of 'blokes' (fully deserving of everything they get), and director Jake West hadn't forgotten to develop his plot beyond a repetitive string of silly chase scenes and gory battles.
Although Doghouse is far from the worst British film in recent years to attempt combining laughs with scares (that honour goes to the abysmal Lesbian Vampire Killers, closely followed by The Cottage), I really was expecting a lot more from the director of zany splatterfest Evil Aliens, which I thoroughly enjoyed. The basic premise—a blood-drenched battle of the sexes—is an interesting variation on the standard zombie plot, the design and execution of the female creatures is impressive (each has its own distinctive look and personality), and the gore is well executed; but with the comedy being so moronic, the narrative rapidly going nowhere, and not one sympathetic person to root for, Doghouse is definitely something of a disappointment.
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