Geremia, an aging tailor/money lender, is a repulsive, mean, stingy man who lives alone in his shabby house with his scornful, bedridden mother. He has a morbid, obsessive relationship with... See full summary »
Director:
Paolo Sorrentino
Stars:
Giacomo Rizzo,
Laura Chiatti,
Gigi Angelillo
The debut feature by acclaimed Italian director Paolo Sorrentino (La Grande Bellezza) is a stylish and blackly comic look at the dark side of fame. Evocatively set during the eighties, the ... See full summary »
Director:
Paolo Sorrentino
Stars:
Toni Servillo,
Andrea Renzi,
Antonino Bruschetta
Jep Gambardella has seduced his way through the lavish nightlife of Rome for decades, but after his 65th birthday and a shock from the past, Jep looks past the nightclubs and parties to find a timeless landscape of absurd, exquisite beauty.
Director:
Paolo Sorrentino
Stars:
Toni Servillo,
Carlo Verdone,
Sabrina Ferilli
Cheyenne, a retired rock star living off his royalties in Dublin, returns to New York City to find the man responsible for a humiliation suffered by his recently deceased father during W.W.II.
During a tumultuous period in the career of Silvio Berlusconi, as his marriage to second wife Veronica Lario fractures, LORO speculates on what may or may not have taken place behind closed... See full summary »
Director:
Paolo Sorrentino
Stars:
Toni Servillo,
Elena Sofia Ricci,
Riccardo Scamarcio
Set mostly in his Sardinian mansion, Silvio Berlusconi's personality, politic career, scandals, relationship with his wife and ambiguous heritage are presented through partially fictional events.
Director:
Paolo Sorrentino
Stars:
Toni Servillo,
Elena Sofia Ricci,
Riccardo Scamarcio
A retired orchestra conductor is on vacation with his daughter and his film director best friend in the Alps when he receives an invitation from Queen Elizabeth II to perform for Prince Philip's birthday.
A solitary embalmer meets a charming and unemployed waiter who becomes his assistant, but the two get involved in a morbid and unhealthy professional and personal relationship.
Da da da, ich lieb dich nicht du liebst mich nicht aha aha aha
Written by Stephan Remmler (as S. Remmler) and Gert 'Kralle' Krawinkel (as G. Kralle)
Performed by Trio
Published by Just us Music Production GmbH / S. Remmler u. G. Krawinkel GbR / George Glueck Publishing GmbH / Francis Day & Hunter Ltd
Courtesy of Universal Music Domestic Division
Published in Italy by Universal Music Italia Srl See more »
This movie puts on screen what all Italians know since decades: directly or indirectly Andreotti is behind all major events happened in Italy in the last 45 years. This is what we know, as we all knew that virtually all politicians at all level were (and are) robbing the public funds and make private deals with business men.
The movie shows exactly this: we know it but we do not have the evidences.
Sorrentino tries to bridge this gap by putting together a lot of informations that make a pretty clear scenario, but without evidences. The result is a portrait of a divinity: you know that is there, you know that everything happens because of his will, but on earth everything happens by chance so that the fact that Andreotti is the mastermind of everything becomes a matter of divine faith.
The strength of the movie rests on the capacity to describe a personality that is so powerful that does not need to speak, does not need to go on TV, he is able to make things happen in a way that only Andreotti knows. Andreotti is above the politics, above the Church, above finance, above mafia, he is depicted as a power that stands on its own, someone who uses all the different leverages to rule.
Andreotti got it away with his trials and only Andreotti knows how. For a man of his power, it was the least you could expect.
At the end, Italians have to acknowledge that in the 20th century Italy was ruled by the King (shortly), Mussolini and Andreotti. But if you remember the Glossary shown at the beginning of the movie, through the Loggia P2, Sorrentino suggests that Berlusconi could be the person in charge to continue the job. Whether this is the will of Andreotti or not is a matter of faith.
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This movie puts on screen what all Italians know since decades: directly or indirectly Andreotti is behind all major events happened in Italy in the last 45 years. This is what we know, as we all knew that virtually all politicians at all level were (and are) robbing the public funds and make private deals with business men.
The movie shows exactly this: we know it but we do not have the evidences.
Sorrentino tries to bridge this gap by putting together a lot of informations that make a pretty clear scenario, but without evidences. The result is a portrait of a divinity: you know that is there, you know that everything happens because of his will, but on earth everything happens by chance so that the fact that Andreotti is the mastermind of everything becomes a matter of divine faith.
The strength of the movie rests on the capacity to describe a personality that is so powerful that does not need to speak, does not need to go on TV, he is able to make things happen in a way that only Andreotti knows. Andreotti is above the politics, above the Church, above finance, above mafia, he is depicted as a power that stands on its own, someone who uses all the different leverages to rule.
Andreotti got it away with his trials and only Andreotti knows how. For a man of his power, it was the least you could expect.
At the end, Italians have to acknowledge that in the 20th century Italy was ruled by the King (shortly), Mussolini and Andreotti. But if you remember the Glossary shown at the beginning of the movie, through the Loggia P2, Sorrentino suggests that Berlusconi could be the person in charge to continue the job. Whether this is the will of Andreotti or not is a matter of faith.