In 1941, three men attempt to flee communist Russia, escaping a Siberian gulag. The film tells their story and that of four others who escaped with them and a teenage girl who joins them in flight. The group's natural leader is Janusz, a Pole condemned by accusations secured by torturing his wife, spent much of his youth outdoors, and knows how to live in the wild. They escape under cover of a snowstorm: a cynical American, a Russian thug, a comedic accountant, a pastry chef who draws, a priest, and a Pole with night blindness. They face freezing nights, lack of food and water, mosquitoes, an endless desert, the Himalayas, as well as many moral and ethical dilemmas throughout the journey towards freedom.Written by
<firstname.lastname@example.org>, Shahob, Bellingham, WA, US
Renowned historian Anne Applebaum, who won the 2004 Pulitzer Prize for Non-Fiction for "GULAG: A history"(2003), worked as a historical consultant on this movie. She said about the historical accuracy: "I read the script a couple of times. I know that other people read the script as well. He [director and co-writer Peter Weir] sent it to another historian at Stanford and he sent it to a couple of the survivors whose names I'd given him. And I have to say I thought the result was superb. You know, there may be little licenses you have to take in order to convey to an audience that doesn't know the story, what's going on. Sometimes the guards say things they might not have said because they are explaining things to the audience. But given that he needed to do things like that, I think it's extraordinary. It's amazingly real. You understand exactly how claustrophobic it was. Many of the incidents that you see in the movie come from real stories or come from gulag survivor and writer Varlam Shalamov or come from other gulag writers. I can see them almost exactly. I think it's an extremely well-done film and about as true-to-life as you could make a movie." See more »
In Mongolia, the escapees approach an arch decorated with photos of Stalin and a Mongolian leader. When they first see the arch, there is a band of local people coming toward them, led by a person mounted on an animal (probably a horse). However, as the escapees reach the arch, the local band has disappeared. See more »
Anyone familiar with Peter Weir's incredible body of work - particularly his earlier Australian-produced movies - knows that a new Weir movie is an important event indeed. Almost all Weir's too-infrequent movies are at least noteworthy (Witness, Dead Poets Society) if not downright great (Year of Living Dangerously, The Last Wave).
With The Way Back, Weir may have made his greatest film ever. An epic and unrushed (2 1/4 hours) trek from a Soviet Gulag to the green hills of India, this is a beautifully filmed and superbly acted piece. Let it take its time; it is thrilling and appalling, but also beautiful.
The story, which Weir apparently has long wanted to film, is based on the account of a Polish army officer who later moved to England and wrote (with a ghost-writer) the book "The Long Walk," describing the journey he took with seven others. The movie is quite true to the book, right down to the American "Mr. Smith," Ed Harris' character. While the veracity of the story in the book has been questioned, that doesn't interfere with the great film-making.
Harris is fine as always, as is Colin Farrell as a Russian thug, but it is Jim Sturgess, as the Polish leader of the expedition, who has the most bravura performance.
Bravo to the cast, cinematographer, and most of all, Mr. Weir.
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