After being dumped by the girl he believes to be his soulmate, hopeless romantic Tom Hansen reflects on their relationship to try and figure out where things went wrong and how he can win he... Read allAfter being dumped by the girl he believes to be his soulmate, hopeless romantic Tom Hansen reflects on their relationship to try and figure out where things went wrong and how he can win her back.After being dumped by the girl he believes to be his soulmate, hopeless romantic Tom Hansen reflects on their relationship to try and figure out where things went wrong and how he can win her back.
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Clever plot - not at all predictable, and very original. Direction is equally innovative, switching between different periods of time deftly, seamlessly and to the betterment of the movie.
The choice of lead actors was inspired. Joseph Gordon-Levitt and Zooey Deschanel are superb in the lead roles. The chemistry is spot-on, and both are suitably quirky and non-mainstream, avoiding it becoming a common-or-garden shmaltzy romance.
Topping it all off is a superb soundtrack. The music, excellent in isolation, is integrated perfectly into the movie, and is not overdone.
A must-see.
Tom (Joseph-Gordon-Levitt) is a wanna-be architect turned professional greeting card writer whose life is thrown for a loop when he suddenly falls for the "new girl" Summer (Zooey Deschanel, Almost Famous). As one who appeared most certainly unattainable at first glance, Tom manages to charm her into what she coins as a, "casual relationship." Eventually, Tom ends up questioning their status with one another, which manages to put strain on the relationship, causing her to request the dreaded "time apart." (500) Days of Summer chronicles the bitter sweet beginnings, the untimely endings and all of that confusing stuff that takes place during the in betweens of a relationship that just isn't meant to be.
(500) Days of Summer is presented in an effective non-linear style that sets it apart from its romantic comedy predecessors, rotating back and forth between dates signified by a simple title card flashing in between scenes (2), (50), (150) and so on to represent the various days in the course of Toms roller coaster of a relationship. This seesaw method of bouncing to and fro successfully manages to force the viewer in a physically engaging shared experience of Tom's feelings, which is something every director aspires to elicit from their intended audience.
The real kudos go to Scott Neustadter and Michael Weber, whose script is practically flawless. You can't help but feel that their authenticity and attention to detail while constructing each scene through appropriately sarcastic and funny dialogue exchanges among all of the main characters involved, particularly those between Deschanel and Levitt which come across as heartbreakingly real and genuine. Their creative way of crafting the simple concept of a break up through unconventional story structuring is a refreshing concept that begs to be seen more in a world where most conventional films tend to play it safe.
Leads Deschanel and Levitt manage to bring something quite special to the screen in their portrayals of Tom and Summer (both "last nameless"). Their chemistry is really what makes the film a joy to watch. Mostly thanks to Neustadter and Weber's superb dialog, both actors seem so comfortable in their roles that their interactions with one another transcend the screen and naturally unfold before our eyes as if we were voyeurs to their unraveling, wanting so much to change the fate of their outcome, but helpless to do so. Deschanel is sexy, carefree and bound to be adored by males everywhere as Summer. Levitt captures the struggle of the neurotic "boy in love" exceptionally through all of his various stages of emotional imbalance.
(500) Days of Summer is a poem to every down and out guy who thinks he's the only one whose ever been dragged through the mill by their own Summer. What undoubtedly ends up making this picture so brilliant is how relatable it is to its victims and victimizers a like. When all is said and done, there is most definitely a lesson to be learned by Tom's experiences. Everyone you meet along the way, whether just passing through or sticking around for awhile, has a purpose. In the end nothing lasts forever, relationships begin, relationships end. Try to be thankful for all the people that broke your heart, they more than likely helped you find yourself in the process especially you, Summer bitch.
Tom (Joseph Gordon-Levitt) has his radar up for "the girl of his dreams" when he meets Summer (Zooey Deschanel). Too bad for Tom Summer is stuck on friends-with-benefits mode. Let the tension begin.
Director Marc Webb captures the feeling of innocent, naïve love expertly. Anyone who has taken the lyrics of the Smiths too closely to heart, would be moved by the idea of the person they are crushing on sing to them: "To die by your side/is such a heavenly way to die." No wonder Tom soon falls head over heels for this girl.
As events unfold out of sequence, you know all along Tom has fallen for a time bomb of a woman, and he can't even see the countdown. When that bomb finally blows up in his face, it unfolds with powerful simplicity-- no exposition or dialog, just two juxtaposed events that capture the heartache of reality hitting a person who sees a person through the filter of deep-seated emotions that were planted at too young an age.
So many romantic films nowadays concern themselves with cute ideas; take 'He's Just Not That Into You' or 'Serendipity' for example. Even movies like 'Knocked Up' where a pot-smoking, video-gaming, narcissistic slob tries to turn his life around to try to be a father feels more contrived than real. These movies forget about human feelings.
Who cares about stock or cartoonish characters in love. The couple in (500) Days of Summer have true chemistry. There are some beautiful, subtle moments of tenderness as well as some heart- rending moments of disconnectedness between the two that never comes across as heavy-handed. The movie constantly reminds you that these are two different people with different ideas of a relationship, yet they stubbornly continue dating, and they remain lovable all the same.
An omniscient narrator sets the film up early on by noting "this is not a love story." And, in a way, it isn't. It's a story about feelings. It just so happens (500) Days of Summer captures the sensation of falling in love better than most movies.
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Did you know
- TriviaJenny Beckman, the girl who is mentioned at the beginning of the movie, was a real girl who dumped one of the screenwriters, Scott Neustadter. Summer is based on this girl, and the script of the movie on their relationship.
- GoofsSummer's heart shaped birthmark on the left side of her neck is is shown twice (same footage) but is then not seen in situations where it should clearly be visible (most notably during the wedding scene where she is dancing with Tom).
- Quotes
Rachel Hansen: Look, I know you think she was the one, but I don't. Now, I think you're just remembering the good stuff. Next time you look back, I, uh, I really think you should look again.
- Crazy creditsAt the beginning of the movie, before the title, a disclaimer states: AUTHOR'S NOTE: The following is a work of fiction. Any resemblance to any persons living or dead is purely coincidental. ------------------------------------------------------------------- Especially you Jenny Beckman. ------------------------------------------------------------------- Bitch.
- ConnectionsEdited into #StopOnYou (2021)
- SoundtracksUs
Written and Performed by Regina Spektor
Courtesy of Sire Records
By arrangement with Warner Music Group Film & TV Licensing
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- 500 días con ella
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,500,000 (estimated)
- Gross US & Canada
- $32,391,374
- Opening weekend US & Canada
- $834,501
- Jul 19, 2009
- Gross worldwide
- $60,802,019
- Runtime1 hour 35 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1