Splice

The cinematography is good, the CGI is good enough to believe in the story, the acting is also good.

But in the end, I didn't like much the story. Simple as that. Is not that the characters make stupid decisions, like I've read in other reviews, the characters make cense, but I just didn't like them and didn't care about them.

It's definitely not a bad movie.

Okay, this was a movie that took me by surprise. I hadn't even heard of it, and just came across it by sheer random luck.

The story and plot is simply genius, and this is something that should have been put to the screen a long, long time ago. For this movie, sort of think in the terms of mixing "The Fly" and "Species" together, and throw in some extra spices. It was a super nice storyline, but I would have liked to see more about the morals and ethical dilemmas raised by gene manipulation, splicing and genetic research. The movie just brushed easily over this and paid it little heed. That was a shame.

As for the acting and cast, well I would say that the little cast that the movie was centered about really carried their roles and characters well and made the movie believable and interesting to watch. And the creature, Dren, was really portrayed so well, that you started to feel for her and become attached to her.

The creature design was phenomenal and very nicely detailed, as always when Nicotero is involved with something. From the very first moment you saw the creature and up until the very end, it was all cool and nice to look at. However, the wings were a tad too much for my liking. But it worked well enough to show the different aspects of mixing genetics from various species.

The last 15 minutes of the movie, however, were painful to get through. The story totally collapsed here and it would have served the movie so much better had they decided to do something else. It was a bit too sassy and too far out there. And the ending, well you saw that coming a mile away. I would have rated the movie higher, had it not been for the last 15 minutes and the typical Hollywood ending.

But overall, this movie is definitely one you should sit down and watch. It is a unique story and filled with nice effects and details. There is a constant flow to the story, so you are never left bored. And there are a bunch of thrills throughout the movie as well. So watch this movie, you won't be disappointed.

"Splice" is a step in the right direction for horror.

Every so often, I find myself pleasantly surprised by intentionally misadvertised entertainment, and writer/director Vincenzo Natali's genetic genre mash-up is the latest such example. From a marketing standpoint, its scare-tactics are clearly the easy sell, despite their comprising only a tiny percentage of its thematic intent. 'Hard sci-fi parenting metaphor' is, after all, a much tougher pitch.

So expecting the tasteless creature feature from the trailer, "Splice" impressed me in its pursuit of a more complex emotional response than fear, and is successful in burrowing into your subconscious and picking at your psyche. It's a thinking man's B picture, which plays with the idea of morality on both a scientific and personal level. That it remains intellectually stimulating, even when the surface-area film dips into more traditionally hokey horror territory, is its greatest strength.

What's so interesting about the story, in spite of what the trailer suggests, is that the creature artificially spawned by genetic engineers Clive and Elsa (Adrian Brody and Sarah Polley) is not an antagonist for the vast majority of the film. "Splice" isn't about a monster— It's about parenthood, and like with "Rosemary's Baby" or "Eraserhead," taking the associated fears and filtering them through a horror lens.

Besides the tail and the pronounced facial cleft, test-tube baby Dren ('Nerd' backwards, heh) is essentially human, and a big part of "Splice's" inherent creepiness is that she's treated in turn as a subject and a child—Warmly received, but caged and abandoned for significant stretches of time. The realization of this character by French actress Delphine Chanéac, is another of the film's triumphs. Her general lack of dialogue sometimes forces the performance to rely a little too heavily on pantomime, but that we can both feel for and fear Dren simultaneously is a testament to the range of the actress.

Perhaps it's because "Splice" nails the big performances and the big ideas, and because the gears turning behind the action are so consistently fluid, that it's all the more apparent when it stumbles over little things, like stilted motivation issues, and superfluous, grating secondary characters. Clive's brother (Brandon McGibbon) and boss (David Hewlett), for example, are flat placeholder roles that transparently progress the plot instead of enriching it. The triangular relationship between Clive, Elsa, and Dren, and its weird morphing emotional permutations, is what "Splice" is at its core. It is a film with very few characters, but every moment not spent on that central dynamic feels like time wasted.

Still, that minor gripe is forgivable because "Splice" has two hugely important and rare qualities for modern horror—Original thought and fearless storytelling. The undercurrent of sexuality in the film, the internal dialogue on gender roles, is apparently one of the reasons no studio wanted to touch the script last year, but Natali's film is a cut above the rest precisely because it isn't afraid to make an audience uncomfortable. And it gets uncomfortable.

"Splice" gets a lot of credit from me in the abstract. The concrete film doesn't quite live up to the incredible promise of the ideas behind it, but the very presence of those ideas is reaffirming to a degree, and that "Splice" received a wide domestic release is more encouraging still. Granted, it went on to perform below expectations at the box office, but was positioned against more breezy summer fare like "Shrek" and "Get Him to the Greek."

The other possibility, and this suggests more consumer confidence than an ad man may be inclined to grant, is that "Splice's" scare-tactics aren't the easy sell. Maybe, like me, potential moviegoers just saw a trailer for another crappy horror movie instead of the interesting, offbeat experiment it is.

It's Warner Brother's loss, and the audience's.

Splice centres on two renowned young scientists (Adrien Brody and Sarah Polley) that are quasi-famous for successfully creating a new species of animal, a species with enormous pharmaceutical industry potential in the form of an ability to secrete profitable proteins. Despite a refusal by their company bosses to approve the next stage of the project, or anything that tampers with human DNA, their ambitions lead them to create a human-animal hybrid by combining human genes with those of the created species. This in turn leads to the creation of a new entity they name Dren, which they raise and attempt to study as a personal project concealed from their employers and colleagues.

The story becomes highly engrossing as we follow the creature's development alongside that of the two scientists, who are in a relationship that becomes increasingly strained by a series of ethical and logistical dilemmas. The two central performances are well-judged, but the real star is Dren; or the CGI responsible for her creation, which is always convincing and solid at all stages of the creature's evolution. Vincenzo Natali's visually intense direction is also worth mentioning, and he clearly enjoys playing with a generous budget as compared with his previous features like Cube.

This is, however, no modern masterpiece – the plot becomes predictable and contrived in the final third, the minor characters are little more than stereotypes (lax young brother, venal bosses) and the comedic elements of the film don't always sit comfortably with the horror aspects (there is, however, a notable exception in a hilarious scene towards the end). But these drawbacks are outweighed by the plus points, which makes Splice an enjoyable experience overall.

Three fourths of these reviews hate the movie and whine about the idiot decisions of the scientists. Well of COURSE they made idiotic decisions! Where's the film if they made perfectly sane decisions? What kind of film is that?

I actually thought the film was effing brilliant. I think it took a familiar premise and retooled it. The performances of Adrien Brody and Sarah Polley were exemplary, as always. I saw it for Sarah Polley as she is one of my favorite actors and one of the most underrated ones out there today. The actress that played Dren was also strong and had the perfect mix of human, alien, and innocence.

The film addresses many scientific issues, but does so with a moral and emotional center. I like that the film doesn't pull punches and I like that there are consequences for the actions of the scientists. I thought the complex relationship of the couple and their creation was skillfully rendered and and excellently acted.

Was it flawed? Sure. But it was also really kick ass and I'd see it again in a heartbeat.

If you want your horror sci-fi movies neat and tidy and pedestrian this probably isn't for you.