Mary Burch is in the fantasy business. A night spent in her house is a night spent with your deepest desire in the flesh. And in the year 1972, when so many loved ones are overseas, missing, or worse, business at the Burch House is...
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Director:
Writer:
Photos and Videos
Cast
| Barbara Kerford | ... |
Mary Burch
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| Scott L. Perez | ... |
Euclid Gardner
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Colleen Kay Sample | ... |
Alice Lynn
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| Michael Guajardo | ... |
Noah Lynn
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| Catharine E. Jones | ... |
Fiona
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Gyana Lua | ... |
Eleanor
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| Greg Farinelli | ... |
Cloaked Figure
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Lauren Trujillo | ... |
Olivia
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Taylor Trujillo | ... |
Naomi
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Talia Merriweather | ... |
Woman
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| Emily Roos | ... |
Lady
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Sarah Rank | ... |
Woman 1
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Brandon Rank | ... |
Gentleman 1
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| Sarah Murrey | ... |
Woman 3
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Adam James Jones | ... |
Tom
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Aline Akana | ... |
Woman 2
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Glen Parkinson | ... |
Gentleman 2
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Directed by
| Catharine E. Jones | ||
Written by
| Adam James Jones | ... | () |
Produced by
| Amy Baklini | ... | associate producer |
| Lauren Chavez-Myers | ... | associate producer |
| Elizabeth Dwyer | ... | associate producer |
| Adam James Jones | ... | executive producer |
| Catharine E. Jones | ... | executive producer |
| Barb Odell | ... | executive producer |
| Susanna Willey | ... | associate producer |
Music by
| Alec N. Brown | ||
Cinematography by
| Daniel Zollinger | ||
Film Editing by
| Barb Odell | ||
Production Design by
| Tabitha Orr | ||
Set Decoration by
| Elizabeth Storm Dwyer | ||
| Tabitha Orr | ||
Costume Design by
| Tabitha Orr | ||
Makeup Department
| Catharine E. Jones | ... | special makeup effects artist |
Second Unit Director or Assistant Director
| Scott Rahilly | ... | second assistant director |
| Emily Roos | ... | first assistant director |
Art Department
| Elizabeth Storm Dwyer | ... | property master |
| Tabitha Orr | ... | set designer |
Sound Department
| Barb Odell | ... | sound mixer |
| Glen Parkinson | ... | boom operator |
Special Effects by
| Jamie Merideth | ... | Special Effects: Title Card Designer |
Camera and Electrical Department
| Allen Hrynick | ... | first assistant camera |
| Wes Oswald | ... | Drone Pilot |
| Jameson Ray | ... | second assistant camera |
| Ryan Alexander Smith | ... | Drone Operator |
| Neil Valdez | ... | Drone Pilot |
| Daniel Zollinger | ... | camera operator |
Costume and Wardrobe Department
| Tabitha Orr | ... | wardrobe |
Location Management
| Glen Parkinson | ... | location manager |
Script and Continuity Department
| Adam James Jones | ... | script supervisor |
Other crew
| Marlenna Balenovic | ... | production assistant |
| Greg Farinelli | ... | production assistant |
| Jean Jones | ... | production assistant |
| Chase Noonan | ... | production assistant |
Thanks
| Ian Daly | ... | special thanks |
| Ned Daly | ... | special thanks |
| Jean Jones | ... | special thanks |
| Joanie Leonard | ... | special thanks |
| Brian Miller | ... | special thanks |
| Mike Orr | ... | special thanks |
| Phil Parkinson | ... | special thanks |
Production Companies
Distributors
Special Effects
Other Companies
Storyline
| Plot Summary |
Mary Burch is in the fantasy business. A night spent in her house is a night spent with your deepest desire in the flesh. And in the year 1972, when so many loved ones are overseas, missing, or worse, business at the Burch House is booming. Unfortunately for Mary's customers however, nights end while desires only grow stronger, and before long visitors are sacrificing their very souls to stay in Mary's macabre bordello of dreams. All the while the house continues to feed, until the wall between fantasy and reality finally cracks. |
| Taglines | Not all of our wildest dreams should come true. See more » |
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| Parents Guide | Add content advisory for parents » |
Additional Details
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Box Office
| Budget | $10,000 (estimated) |