Mr. Church reunites the Expendables for what should be an easy paycheck, but when one of their men is murdered on the job, their quest for revenge puts them deep in enemy territory and up against an unexpected threat.
This is a short film which is a prequel to Fast and Furious involving the fugitive ex-convict Dom assembling his crew in the Dominican Republic to plan a hijacking of a road train gasoline tanker truck.
Heading back to the streets where it all began, two men rejoin two women to blast muscle, tuner and exotic cars across Los Angeles and floor through the Mexican desert. When a crime brings them back to L.A., fugitive ex-con Dom Toretto reignites his feud with agent Brian O'Connor. But as they are forced to confront a shared enemy, Dom and Brian must give in to an uncertain new trust if they hope to outmaneuver him. And from convoy heists to precision tunnel crawls across international lines, two men will find the best way to get revenge: push the limits of what's possible behind the wheel.Written by
The end credits shows, an animated version of the beginning of Dominic's escape from Jail. See more »
After initially being awarded a 15 rating, the distributors chose to make one cut for the UK theatrical release. The sight of a man having his head slammed into a marble wall, as well as the removal of the follow-on shot of his broken and bloodied nose, was edited in order to attain a 12A category. This pre-cut version was released on both the UK DVD and Blu-ray. See more »
After two films that strayed away from the very first that made the franchise popular, producers to The Fast and the Furious (2001) decided to finally bring back the original cast and big name stars. That was one of their best decisions that have been made. It's baffling to why they thought changing the cast would really benefit them in any way. All it does is create resent and a disconnect with the new characters. Fans don't appreciate that. However, this is not the only difference brought to this ongoing series. The original cast returns but the story changes. Oh yes, there's still an abundance racing cars but it's for a different reason.
The story reunites Dominic Toretto (Vin Diesel) and Brian O'Connor (Paul Walker) again to help in the arrest of a Cartel who is secretly making drug shipments in and out of the border of Mexico. However, these events only happen under very coincidental circumstances. The writer behind this installment is Chris Morgan, the same man behind The Fast and Furious: Tokyo Drift (2006). Morgan's writing is articulated in a way that still incorporates racing but it's no longer about who's packing nitro next to their driver's seat anymore. That part, fans should enjoy and this is really its strongest element. However, what Morgan still can't accomplish is a narrative that is cohesive enough that makes sense in its continuity. Just why exactly was Tokyo Drift (2006) made if they planned on making a prequel to it 3 years later?
Also, the character of Brian O'Conner is getting a tad redundant. He still lies and he drops the FBI after 2 Fast 2 Furious (2003), but now is working for the FBI of L.A. And this would be fine and all if he would stop being such a rule breaker. O'Conner just can't seem to follow the rules he swore to uphold. Why doesn't he just stop working for the FBI - it doesn't benefit him. Thankfully, O'Conner no longer has a love interest problem. He's stuck with Mia and that's it. Character wise, there aren't much of any new appearances except for the antagonists. Toretto is back along with his girlfriend Letty (Michelle Rodgriguez) and sister Mia (Jordana Brewster). The only character that makes a subtle change is Paul Walker at which most girls will think he's the next heartthrob. Instead of having wavy surfer hair and wearing casual clothing, he now has a tux and a straight crew cut. Yeah, I could see why.
The action is still fierce too. Instead of collaborating frequently on the town alleyways, the driving sequences also expand to broader horizons with larger landscapes and less tar. It'll give the audience something new to look at instead of the neon high beams and flashing traffic lights. The special effects also conform well to their surroundings; nothing looks out of place. Lastly, the franchise has finally found a solid contender to compose a score and that is Brian Tyler. During some very sentimental scenes, Tyler is able to emphasize those moments with the right emotion. Yet, Tyler is still lacking a distinctive theme for this franchise, which is a shame. He is an accomplished composer. Overall, a better sequel than the last two.
With the original cast back and a story that involves more than just fast cars, this installment starts to resurrect what it had going for it from the start. Its continuity nonetheless is a totally different issue that still needs addressing.
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