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Title: Knight and Day (2010)
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| Cast overview, first billed only: | |||
| Tom Cruise | ... | Roy Miller | |
| Cameron Diaz | ... | June Havens | |
| Peter Sarsgaard | ... | Fitzgerald | |
| Jordi Mollà | ... | Antonio | |
| Viola Davis | ... | Director George | |
| Paul Dano | ... | Simon Feck | |
| Falk Hentschel | ... | Bernhard | |
| Marc Blucas | ... | Rodney | |
| Lennie Loftin | ... | Braces | |
| Maggie Grace | ... | April Havens | |
| Rich Manley | ... | Danny | |
| Dale Dye | ... | Frank Jenkins | |
| Celia Weston | ... | Molly | |
| Gal Gadot | ... | Naomi | |
| Jack O'Connell | ... | Wilmer (as Jack A. O'Connell) | |
Looking forward to attending her sister April's wedding, the commitment-shy tomboy and classic cars aficionado, June Havens, catches a plane to Boston. Then, out of the blue, she crosses paths with the handsome and charming stranger with the killer sense of humour, Roy Miller, and just like that, June's life will never be the same again. Now, as the dashing man of intrigue plunges June into an excitingly risky world of high-speed car chases, deadly man-to-man fights, and lethal stray bullets, dangerous, no-nonsense adversaries are after the mismatched duo, hell-bent on retrieving a tiny state-of-the-art device that's worth millions. But, who's this Roy Miller guy? Is he truly one of the good guys? Above all, could he be the one? Written by Nick Riganas
While not a success at US cinemas, the film performed very well overseas and is enjoyable romp, which does not take itself too seriously. Despite the fact that the film's script went through as many as ten different writers, the final script, no doubt with the director James Mangold having a pretty big influence, is fun and entertaining, despite some typical tent-pole summer release plot contrivances (most notably a crass attempt at playing a plane crash for laughs, and silly plot twist at the end of the film that leads to a corny and stereotypical climax).
These weaknesses are largely offset by fun performance of Tom Cruise, who is very good in the role of a darker, shiftier, wittier and a more morally ambiguous version of his Ethan Hunt persona from Mission Impossible. He handles himself very well throughout the film and his character makes for a good foil for Cameron Diaz , who has fun playing a car mechanic version of Cameron Diaz. The trajectory of her character in the film is far too obvious, but despite this there is a lot of fun to be had watching her get there, and the on screen chemistry between her and Cruise is charming and draws the audience along.
The plot, as I have already mentioned is hardly original, but despite the aforementioned problems it is pretty impressive for one that has gone through a whole slew of writers. Normally these scripts come out very bad. Director James Mangold is the individual who deserves credit for fashioning the script into an entertaining and satisfying caper film, even if the fate of Peter Sarsgaard (the CIA/NSA type operative sent to apprehend/kill the Tom Cruise character, and who is pretty good in the role) is obvious almost within the first ten minutes of the movie.
Action sequences are well handled, (kudos to second unit director Brian Smrz)and the digital visual effects are by and large pretty good, being handled by a variety of different companies. Editing is polished , and Jon Powell's score helps keep the proceedings brisk and enjoyable, and there are subtlety amusing nods to both Bourne and Bond in the music. Director Mangold, as usual, marshals all these elements together with style and panache to produce a slick, fun final product that while hardly original, is very enjoyable and leaves you feeling emotionally satisfied when it is over.
This is a film that if you simply allow yourself to lap up the experience, will find it to be a fun and entertaining experience, albeit hardly a profound one.