Bill Pullman thinks you should check out "Bordertown" and can't wait to see his son's performance in Bad Times at the El Royale.
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Title: Knight and Day (2010)
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| Cast overview, first billed only: | |||
| Tom Cruise | ... | Roy Miller | |
| Cameron Diaz | ... | June Havens | |
| Peter Sarsgaard | ... | Fitzgerald | |
| Jordi Mollà | ... | Antonio | |
| Viola Davis | ... | Director George | |
| Paul Dano | ... | Simon Feck | |
| Falk Hentschel | ... | Bernhard | |
| Marc Blucas | ... | Rodney | |
| Lennie Loftin | ... | Braces | |
| Maggie Grace | ... | April Havens | |
| Rich Manley | ... | Danny | |
| Dale Dye | ... | Frank Jenkins | |
| Celia Weston | ... | Molly | |
| Gal Gadot | ... | Naomi | |
| Jack O'Connell | ... | Wilmer (as Jack A. O'Connell) | |
June has a garage in Boston. At an airport heading home, a man bumps into her a few times and tries to keep her off the plane. He's under FBI surveillance; they wonder if he and she are working together, so they let both on a flight full of armed men wanting to arrest the stranger. He's Roy, he shoots his way out of trouble and tells her she's in danger. She's home the next day, miraculously, when agents pick her up; Roy saves her again, and a transcontinental chase ensues with Roy convincing her that he's the good guy, protecting an energy source that a rogue agent wants to sell on the black market. Can she trust Roy, and will trust matter when the bullets start flying? Written by <jhailey@hotmail.com>
Great blend of action and comedy. I never felt that the humor and the small bit of romance (that they had to throw in to make the relationship between the two protagonists believable) detracted from the action. It seemed that every time I was about to think "when's the next action scene" the movie would stop the thought with a well timed laugh or another action sequence making me never feel like I was waiting for the story or the action to resume.
It was also refreshing to see Tom Cruise play a part that wasn't meant to be almost completely emotionally impotent. I've never before seen him play a character where his face actually SHOWED such a full spectrum of emotions. Cameron Diaz also runs a gamut of emotional and psychological states as she progresses from the sheltered, Midwestern blonde who's in way over her head to the semi-savvy (albeit awkward) companion/sidekick of a rogue spy trying to clear his name.
I found myself applauding at the end.