A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
The story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India's Kaun Banega Crorepati? (2000) (Who Wants To Be A Millionaire?) But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show's questions. Each chapter of Jamal's increasingly layered story reveals where he learned the answers to the show's seemingly impossible quizzes. But one question remains a mystery: what is this young man with no apparent desire for riches really ...Written by
Fox Searchlight Pictures
Danny Boyle was initially reluctant to take on the film as he didn't want to make a film about Who Wants to Be a Millionaire (1998). However, once he learned that the screenwriter was Simon Beaufoy, who had written The Full Monty (1997) which is one of Boyle's favorite British films, he decided to look at the script again. Boyle was particularly impressed with how Beaufoy had managed to weave the multiple story lines from the novel into one narrative and he decided to accept the project. See more »
Jamal is uneducated and yet he can read and write. We see this in his job at the telemarketing firm. He also mentions that he can read while on the Millionaire Show. However, it isn't unreasonable to assume that they attended school and learned to read and write before their mother was killed. Indeed, Jamal says that he can read when asked about "The Three Musketeers". See more »
So Jamal, tell me something about yourself.
I work in a call centre in Juhu.
Phone basher! And what type of call centre would that be?
XL5 mobile phones.
Ohh... so you're the one who calls me up every single day of my life with special offers?
Actually I'm an assistant.
An assistant phone basher? And what does an assistant phone basher do exactly?
I get tea for people and...
Chaiwalah! Well ladies and gentlemen, Jamal Malik, garma garam chai dene walah from Mumbai, lets play Who...
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Several of the cast perform a traditional Bollywood song and dance number set in a train station over the end credits. See more »
A stunning achievement: The best film of the year and one of the most exhilarating film-going experiences
I won't see a better, more exhilarating movie this year than Danny Boyle's "Slumdog Millionaire." If Academy voters have any sense, they will nominate this for Best Picture and Best Director and then vote overwhelmingly for it for both awards.
Boyle has taken what is essentially a story about a young man on India's version of "Who Wants to Be a Millionaire?" and transformed it into a gritty, realistic, powerful and, at times, gut-wrenching fairy tale. It's a Dickensian picture about a world rarely, if ever, seen in mainstream movies, a film that grabs us from the opening frame and doesn't let go until the credits roll at the end.
This is why I love movies. Films like "Slumdog Millionaire" are rare. They are things of beauty, works of art that make me fall in love with movies all over again. Boyle has done it twice. First with "Millions" (2004), which also, coincidentally, was about a young boy and money; and now with "Slumdog Millionaire."
This is Boyle's masterpiece - a stunningly original piece of film-making.
Every once in a while there is a sleeper film, usually an independent movie, that comes along, takes everyone by surprise, then gets terrific word of mouth and becomes a huge success. "My Big Fat Greek Wedding" (2002), "Little Miss Sunshine" (2006) - though I did not care much for it - and "Juno" (2007) are such films. But, frankly, those films can't hold a candle to "Slumdog Millionaire."
What might surprise many viewers is that a third of the dialogue is in Hindi. (And Boyle's placement of subtitles on the screen makes such good sense!) Please do not let that dissuade you from seeing this marvelous film. Do not let the R rating prevent you, either. What was the MPAA thinking? Honestly! There are far more offensive, vulgar and violent movies that are rated PG-13. "Slumdog Millionaire" should never have received an R rating. (This film should be mandatory viewing for young people, especially those in industrialized nations.)
Simon Beaufoy's script was originally entirely in English, but Boyle's decision to have the Indian kids speak in Hindi, instead, is the right call. Having the children speaking in their native tongue makes perfect sense, especially because Boyle and Beaufoy depicts the realism of the kids' lives.
That's what incredible about this film. Boyle and Beaufoy do not shy away from showing the squalor of Bombay. These kids live in deplorable conditions amid the grime, sewers and trash dumps of the slums. And, yet, thanks of Boyle true ingenuity, he creates uplifting and even humorous moments in the slums. There is one moment - and I shan't spoil it for anyone, but you will know it when you see it - that very well might be my favorite film moment in the last five years.
Boyle doesn't do a thing wrong here. From his choice of actors to the music to his choice of colors, Boyle works his magic.
The performances are uniformly good. Irrfan Khan finds the right balance between a tormentor and a quasi-father figure as the police officer. There's young Dev Patel as Jamal, playing with confidence, bringing a wonderful swagger to his role, as well as a sense of fear that we completely understand. Freida Pinto as the love interest is superb. And, of course, there are the three young 'uns. Perfectly cast, they actually make the film work. Their performances as Jamal, Salim and Latika are so utterly convincing that they completely draw us into the picture and make the jobs of the older actors playing them much easier.
"Slumdog Millionaire" is, I suppose, a dramatic comedy at heart. But it is also much more. It is a film about friendship, gratitude, love, betrayal, poverty and hope. It makes you laugh, weep and cheer as you can't help but marvel at Boyle's sheer genius.
The film moves along at a breakneck pace, yet none of the cinematic flair - and there is plenty - seems superfluous. Everything Boyle does, including the Bollywood touches, makes sense. There's such a brilliantly kinetic energy to this film that it is impossible not to be enthralled by it.
What Boyle has done is truly miraculous. He has turned a film about street life in Bombay into a visceral, genuine crowd-pleaser. And you will walk out of the movie theater feeling inspired and hopeful, knowing you've just seen something very special.
"Slumdog Millionaire" is not to be missed. It is the best movie of the year. And it is, without any doubt, one of the ten best films of the decade.
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