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Palermo Shooting (2008)

After the wild life-style of a famous young German photographer almost gets him killed, he goes to Palermo, Sicily to take a break. Can the beautiful city and a beautiful local woman help him calm himself down?

Director:

Wim Wenders
Reviews
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Campino Campino ... Finn
Inga Busch Inga Busch ... Karla
Axel Sichrovsky Axel Sichrovsky ... Hans
Gerhard Gutberlet Gerhard Gutberlet ... Gerhard
Harry Blain Harry Blain ... Harry
Sebastian Blomberg ... Julian
Jana Pallaske ... Student
Olivia Asiedu-Poku Olivia Asiedu-Poku ... Fan
Melika Foroutan ... Anke
Anna Orso Anna Orso ... Mother
Lou Reed ... Himself
Udo Samel ... Banker
Giuseppe Provinzano Giuseppe Provinzano ... Actor 1
Giuseppe Massa Giuseppe Massa ... Actor 2
Giovanna Mezzogiorno ... Flavia
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Storyline

Finn (Campino) is a successful shutterbug who leads a hectic life, gets precious little sleep, and doesn't go anywhere without his trusty headphones. One day, when Finn's life begins to unravel, he leaves Düsseldorf behind to find peace in Palermo. Just as the seeds for a new life are planted, however, a mysterious assassin comes gunning for Finn with a vengeance.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Germany | France | Italy

Language:

English | German | Italian

Release Date:

20 November 2008 (Germany) See more »

Also Known As:

Fotografies sto Palermo See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (re-cut)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The film marks the first time that Director Wenders shot a movie in his hometown, Düsseldorf. See more »

Goofs

In the scene, when Finn talks with lady photographer, they discuss the age of their cameras. He tells that his Plaubel is twenty years old and she tells that her Leica is 40 years old. Actually she has Leica M7, which slightly differs from older Leica cameras. This camera marketed only in 2002. See more »

Connections

References Obsession (1976) See more »

Soundtracks

My Impropriety
Written by Tobias Kuhn
Performed by Monta
Published by Flirt 99 Musikverlag / Edition trust us
Courtesy of Labelmate Records
See more »

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User Reviews

 
Cannes Fiasco
11 June 2008 | by morgangsterSee all my reviews

"It's a Wim Wenders film. It is either going to be brilliant or a complete joke. You have to go." This was the first thing I heard about the film Palermo Shooting, and seeing how Matt Noller was usually right about his critiques of film, I decided to go.

Not a full minute into the film, Matt and I simultaneously look at each other under the glow of the screen in the Grand Lumiere Theater and say, unanimously, "Uh-oh." To say that watching the film was an excruciating experience would be an understatement of its atrocities. Normally, when someone offends me deeply, I write a letter to try to sort out exactly what went wrong.

Here is my open letter to the film Palermo Shooting, entitled: You Stole Two Hours of My Life and I Would Like Them Back, Please! Dear Palermo Shooting, Why are you here in Cannes this year? You seemed so terribly out of place last night. This really, really wasn't your year. In fact, I'm kind of offended that you showed up. I am wondering if you were embarrassed by yourself last night, because you should be. You were acting ridiculous, and in the Grand Lumiere Theater and everything! I felt bad for you, really I did. Sometimes, when you were being particularly annoying, I tried to close my eyes and fall asleep, just to avoid second-hand embarrassment. But then your loud, bludgeoning German voice wouldn't allow for that. So, thanks, for starters.

But let's talk about this. I mean… I'm sure you didn't do it on purpose. It was a satire, right? Right? You know, like a joke? Like, "Oh, here's another film about the meaning of life and seizing the day and don't waste time… aren't I funny and witty, ha ha?" Right? You didn't honestly believe you were being original with all that "death is just the absence of love" junk, did you? …You did.

Well, in that case, I feel even worse for you. Most of the movie I felt like I was trapped in a living Myspace page, complete with melancholy music, out of kilter stares and a tattoo-clad German man that I never once cared about. OK, almost once, but then the whirring violin music made me think of a bad Italian soap opera and I forgot to care.

In fact, that music made me feel the opposite of compassion. There were times when I really hoped that hooded figure (you know, the one that shoots invisible arrows from the future) would kill that guy Finn and the movie would be over just so I didn't have to hear any more music.

Now I do have a few questions for you, just for my own peace of mind. Did that scene in Death's Library, the one between Finn and Frank (AKA Death), did that really happen? Or did I make that up? I am hoping that it was a figment of my sick imagination… my own selfish, masochistic ways that wanted the movie to be even worse than it already was. In all of the terrible scenes in all of the terrible movies, this one takes the cake. Not only was the dialog completely laughable (Finn: Not now! I love my life! Frank: It didn't look that way to me. And I looked very carefully. Finn: Maybe I was too busy! Frank: No, that's not it. You did not honor life, Finn Gilbert!), but the lighting, the scenery, the costumes… everything in this scene was terrible. Dennis Hopper has definitely run out of options if he agreed, unforced and non-drugged, to do that scene.

You did give us something, though. You did give us a fun game to play after the film, a game called "Would You Rather" consisting of all the things we would rather do besides watching your movie ever again. It went a little something like this: Would you rather watch an entire season of Dharma and Greg, or watch Palermo Shooting? While the choice was always easy, it gave us a break from repeating "that was just so bad!" over and over. You provided us hours of entertainment for after the movie, which I'm not sure was the point.

The only way your movie could have been worse was if Keanu Reeves had been the lead role. Actually, Keanu might have made it better! It is too hard to say at this point. (Which, is to say, that movie was really awful.) So I've been a little harsh, I'm sorry. But you should be sorry, too. Your movie took the spot of some other director's film that could have had its big break at Cannes. The script, the production, the financing, the editing… it all had to go through so many people that I'm not sure exactly how this film got made. Just think of all of the people that looked at this and said "Yes! Let's do it!" It's disturbing. However it happened, it was a waste. For a movie that was so blatant about "not wasting life"… you sure wasted everyone's time and money.

Maybe take your own mantra of "death is just the absence of love" and realize that you should spend more time living yourself and less time making movies. Not only would your life be better, but ours would, too.

Such is life, I suppose…

Morgan


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