An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Biopic of the iconic French singer Édith Piaf. Raised by her grandmother in a brothel, she was discovered while singing on a street corner at the age of 19. Despite her success, Piaf's life was filled with tragedy.
Elderly and a virtual prisoner in her own home due to her concerned staff and daughter Carol, Margaret Thatcher, Britain's first woman prime minister, looks back on her life as she clears out her late husband Denis's clothes for the Oxfam shop. Denis is seen as being her rock as she first enters parliament and then runs for the leadership of the Conservative Party, culminating in her eventual premiership. Now his ghost joins her to comment on her successes and failures, sometimes to her annoyance, generally to her comfort until ultimately, as the clothes are sent to the charity shop, Denis departs from Margaret's life forever.Written by
don @ minifie-1
Airey Neave's Vauxhall Cavalier was blue, not red. See more »
Watch your thoughts, for they become words. Watch your words, for they become actions. Watch your actions, for they become habits. Watch your habits, for they become your character. And watch your character, for it becomes your destiny. What we think, we become. My father always said that. And I think I am fine.
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I'm in Love With Margaret Thatcher
(Michael Hargreaves, Kevin Hemingway, Roger Christian Rawlinson, Gary Antony Brown, and Steven Hartley (as Stephen John Hartley))
Published by Copyright Control
Performed by Notsensibles
Licensed courtesy of Notsensibles See more »
I saw The Iron Lady at a packed WGA screening this past weekend. As a Meryl Streep fan and someone who appreciated Phyllida Lloyd's work on Mamma Mia, I was really looking forward to this film.
The result for me was... a mild disappointment.
Let's start with Streep's performance. She is, as always, amazing. Seconds after the movie started, the audience gasped audibly at an astounding close-up of her looking uncannily like an older Thatcher. From that point on, she becomes the character and she IS the film. Her voice, her physical presence, her ability to communicate subtly under layers and layers of latex make-up is nothing short of jaw-dropping. She will undoubtedly be nominated for an Oscar and possibly win for the third time and, of course, she more than deserves it. I could go on and on, but I'm sure the reader gets the picture.
Now a little about the film.
The Iron Lady felt to me more like a one-woman show than a dramatic movie. Its star is at the center of every scene and you can't take your eyes off her. The rest of the characters come and go, always effectively portrayed, but this is without any question a film that centers on a performance more than on a story. This made it at times fascinating and at times plain redundant as the audience is quite familiar with the historical events it depicts and the film, quite frankly, doesn't add anything new to what everyone already knows or imagines.
It occurred to me that the film would have been far more interesting, story-wise, if it had centered on a single episode in Thatcher's life that was evocative of what she was about. Instead, the film goes on and on from one famous episode to the next, with notorious characters dropping in and out, and famous speeches being scrupulously re-enacted. It is admirable in its recreation of a career but hardly revealing. But that, as they say, is the movie I wanted, not the movie it is.
When The Iron Lady plays on TV on some future date and I happen upon it while channel-surfing, I will probably stop and gasp again at its amazing actress' performance. With any other performance at its center, I would probably move on to the next station.
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