After moving in together in an impossibly beautiful New York apartment, Carrie Bradshaw and Mr. Big make a rather arbitrary decision to get married. The wedding itself proves to be anything but a hasty affair--the guest list quickly blooms from 75 to 200 guests, and Carrie's simple, label-less wedding gown gives way to an enormous creation that makes her look like a gigantic cream puff. An upcoming photo spread in Vogue puts the event--which will take place at the New York Public Library--squarely in the public eye. Meanwhile, Carrie's girlfriends--Samantha, the sexpot; Charlotte, the sweet naïf; and Miranda, the rigid perfectionist--could not be happier. At least, they couldn't be happier for Carrie. Charlotte still has the unrealized hope of getting pregnant. Samantha is finding a loving, committed relationship more grueling than she could have imagined. Miranda unwittingly lets her own unhappiness--created when Steve admits to cheating on her just once--spoil Carrie's. After a ...Written by
The world premiere was held in London, and not in New York City, which was heavily criticized by fans of the New York-set show. The explanation for this was the producers wanted the American premiere to be as close to the release date as possible, which would heighten hype and allow for the cast to promote the film in the U.S. See more »
When the four girls are packing Carrie's stuff into boxes, and Charlotte bumps into one stack of boxes, they are clearly empty. See more »
Year after year, twenty-something women come to New York City in search of the two L's: labels and love.
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While the TV-series, as Bushnells chronicles, was kind of shallow and well... stupid, in some respects, SATC did have a certain zing and friskiness, and it was entertaining and even at times exciting to take part of Carrie's and the others lives. It carried a slight feminist edge, as women had rarely been portrayed talking relationships and sex in a candid way, before.
The film however has no emotional resonance above a typical half-assed rom-com. It seems that they only took the shallow and stupid stuff of the series, and created a rather contrived left-at-the-alter plot, far removed from the light touch, that was there, in the writing of the series. The characters only vaguely resemble human beings. Any feminist touch seems blown out the wind. I did find the film to have a certain entertainment value though, at times.
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